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Some people say life is an adventure to take. Some people say life is a journey to conquer. The path life can take someone often transforms a person, or it can cause you to figure something out about oneself that they did not know before. The idea of a journey that brings on a revolution can be portrayed in the two stories Medea and the Epic of Gilgamesh. Medea and Gilgamesh both went through an experience that changed them. Love, hate, and tragedy played a tremendous role in the transformation that occurred in both characters. Medea changed into a raging woman who embarked on a journey to seek revenge. Gilgamesh was a king who was all about himself, and then he began a journey that changed him into a better person. Even though the two characters …show more content…
Gilgamesh changed from an oppressive King to a good ruler. Before Enkidu, he was a selfish, a brutal, and an intimidating King. Enkidu went on adventures and watched over Gilgamesh. They were a team. The Epic of Gilgamesh states, “I have wept for him day and night. I would not give up his body for burial. I thought my friend would come back because of my weeping. Since he went, my life is nothing.” The statement shows the love Gilgamesh had for Enkidu. “Gilgamesh washed out his long locks and cleaned his weapons; he flung back his hair from his shoulder; he threw off his stained clothes and change them for new” (The Epic of Gilgamesh). The washing of his body, and the changing of his clothes represented the change that Gilgamesh experienced all because of the love for Enkidu and because of the tragedy of Enkidu. In contrast, Medea changed from good to worse. Gilgamesh changed from terrible to better. Medea was in search of revenge, and Gilgamesh was in search of eternal life, but instead he found a better life. Medea experienced an enormous amount of tragedy from Jason leaving to being kicked out of Corith. Gilgamesh just experienced the death of his best
Gilgamesh is restless, becomes fearsome of death, and stops having basic hygiene all because of Enkidu’s death . Without Enkidu Gilgamesh is nothing. When Gilgamesh and Jesus lose their followers/friend their life spirals out of control and they become more unstable than ever before.
The trials of Aeneas and Gilgamesh were very similar. Both led tragic lives and suffered from the wrath of the gods. Aeneas witnessed his family die, his home city burned to the ground, and was victim to the goddess Juno’s plots throughout his fated journey to Italy. Gilgamesh had seen his best friend die from the gods’ vengeance and was emotionally crushed by it.
The main character in the book The Epic of Gilgamesh, is Gilgamesh himself. In the beginning of the book one realizes that Gilgamesh is an arrogant person. Gilgamesh is full of himself and abuses his rights as king. He has sexual intercourse with the virgins of his town and acts as though he is a god. Throughout the story, many things cause Gilgamesh to change. He gains a friend, he makes a name for himself by killing Humbaba, and he tries to become immortal because of the death of Enkidu. Through these main actions his personality changes and he becomes a better person.
As human beings, we are designed to belive in something. Although the belief in a higher power or religion is diverse, many theologies share common themes. “The Epic of Gilgamesh” and the Hebrew book of “Genesis” are seemingly polar opposites. Christianity, demonstrated in Genesis, is monotheistic, and the Hebrews base their faith on their relationship with God. On the other hand, Sumerian philosophy, found in Gilgamesh, is polytheistic, and the Sumerian people base their theology on fear. Ancient polytheistic literature forms an archetypical pattern of the mortals trying desperately to please the gods. A mortal’s entire existence rests in the hands of the sometimes childish gods. In spite of this, these two stories
The endings are a little similar in the fact that Io was turned back into a human and was rejoiced with her fellow people and welcomed a son of Jove. Medea was sent off in a chariot by the gods no questions ask of what she did. Medea was not a happy ending but for her sake she did have an easy time leaving Corinth, Jason was left with nothing. Medea, Juno and Io were both interesting stories to read because the reader gets to read about betrayal, lose, and a resolution for most people in the story.
Gilgamesh ignored many of these kingly duties and was eager to become heroic and godly. "The young men of Uruk he harries without warrant, Gilgamesh lets no son go free to his father. By day and by night his tyranny grows harsher" (George, Tablet I 67-69). The beginning of the epic depicts his kingship as tyrannical and immoral, which could go without question or complaint unless the gods will it. Although considered great for his many feats such as his great walls and military expeditions, his faults could not be questioned by the commoners, which show a flaw in Mesopotamian kingship. Therefore, the gods ask Anu to create a counterpart to Gilgamesh to balance his oppressive reign. "Let him be a match for the storm of his heart, let them vie with each other, so Uruk may be rested!" (Tablet I 97-98). Enkidu, Gilgamesh 's counterpart, was initially created as a wild, uncivilized man rather than a demigod king. His position was to serve as a person that would try to prevent Gilgamesh from becoming so lofty and boastful and to make him become mature and make rational decisions. This becomes evident in Enkidu 's first encounter with Gilgamesh at the wedding: "For the goddess of weddings the bed was laid out, Gilgamesh met with the maiden by night. Forward
In many literary works we see significant transitions in the hero's character as the story is developed. This is also true in the Epic of Gilgamesh with its hero, Gilgamesh. In this narrative poem, we get glimpses of who Gilgamesh is and what his purposes and goals are. We see Gilgamesh act in many different ways -- as an overbearing ruler resented by his people, a courageous and strong fighter, a deflated, depressed man, and finally as a man who seems content with what he's accomplished. Through all of these transitions, we see Gilgamesh's attitude toward life change. The goals he has for his own life alter dramatically, and it is in these goals that we see Gilgamesh's transition from being a shallow, ruthless ruler to being an introspective, content man.
The story of Gilgamesh seems to be a collection of trials and tribulation. Throughout the book, you watch characters battle demons with each other, as well as within themselves. The tantalizing temptations that fill each character, ultimately leads to destruction and death. One example was the relationship between Ishtar and Gilgamesh. Both characters display a type of arrogant, 'ego-consciousness' (Neumann 63) that inevitably leads to subversive fate.
Gilgamesh is an epic of great love, followed by lingering grief that causes a significant change in character. It is the story of a person who is feared and honored, a person who loves and hates, a person who wins and loses and a person who lives life. Gilgamesh's journey is larger than life, yet ends so commonly with death. Through Gilgamesh, the fate of mankind is revealed, and the inevitable factor of change is expressed.
Gilgamesh possesses a vital piece of his identity in his cocky, holier-than-thou, royal disposition. This mindset would have easily caused his downfall as king had he not received liberation from this attitude through his journey. Gilgamesh would have continued to be a terrible king who slept with others wives and challenged every suitable man had he not had the experience of going on his journey. Through his two journeys, one with Enkidu and one without, he learns to care about others, that he is only a mortal man, to show restraint, and to
Myths have been a great example of the hero’s journey. Many heroes have journeys and trials to face throughout their life. Most of their journeys start out with their origin and end with the return. However, the hero’s role remains identical to every other hero. Most heroes like Gilgamesh has heroic traits because of the stages in the hero's journey. Gilgamesh is a man who can turn into a hero by changing himself, even when he has unusual circumstances surrounding his birth. Gilgamesh is viewed as a hero due to the stages of the hero's journey.
Gilgamesh is an example of someone who had many flaws and faced many struggles but, in the end, changed his attitude and became a better person. In the beginning of Gilgamesh, he is described as doing whatever he wants and being juvenile in a way. For example, in the text it says, “he was their shepherd, yet powerful, superb, knowledgeable and expert, Gilgamesh would not leave young girls alone, the daughters of warriors, the brides of young men.” With his second half, Enkidu, they entered into the first step in becoming a hero according to Campbell, the separation, by going on an adventure. At this point in the story, Gilgamesh is very arrogant. While traveling to Cedar Forest, Gilgamesh tells Enkidu, “let me go in front of you, and your voice call out: ‘Go close, don’t be afraid!’ If I should fall, I should have won fame. People will say, Gilgamesh grappled in combat with ferocious Humbaba… ensure fame that will last forever.” Next is stage two, the initiation, of the Campbell’s hero journey. Gilgamesh undergoes a trail to begin his transformation, he must fight the Bull of Heaven. Gilgamesh’s supportive side is starting to show when he tells Enkidu that they will win if they fight together. After killing the Bull of Heaven, Gilgamesh’s confident attitude is shown once again. The next trial he faces is the death of Enkidu. He starts to show emotion when he says, “for you Enkidu, I, like your mother, your father, will weep on your plains… I will lay you to rest on a bed of loving care… and I myself will neglect my appearance after your death.” At this point his character has been greedy and then he showed his fear and supportive side. The last stage in the hero’s journey is the return. Enkidu’s death sent Gilgamesh on an adventure to fight death. From this adventure he learned his biggest lesson from Utnapishtim. He learns to appreciate life, and
This arrogant side of him is accompanied by an extensive abuse of power, which leads to injustice and rage in the city of Uruk: “The young men of Uruk he harries without warrant”. This problem does not bother Gilgamesh; he lives to display to others his royal power. The first sign of change in Gilgamesh occurs after the birth of Enkidu.
When examining the character of Gilgamesh, in The Epic of Gilgamesh, one realizes the significance of Enkidu’s death. This death changed Gilgamesh’s views on peace, despair, and his understanding of his own mortality. This transformative moment is summarized in Gilgamesh’s own words when, wandering the wilderness he says, “‘How can I rest, how can I be at peace? Despair is in my heart. What my brother is now, that shall I be when I am dead’.” (Gilgamesh 97) From this quote we see a new aspect of Gilgamesh. One that is not motivated by his yearning for adventure and glory. He has now become a wounded man looking for peace, suffering from despair, and fearing his own death. This quote shows the reader the causes of the dramatic change in Gilgamesh’s attitude following the death of Enkidu.
The Odyssey and Gilgamesh are two great epics that show two heroes from two different time periods trying to find the meaning of life. In this paper, I would like to talk to you about the two epics and how they were both alike and different in some ways. Mainly I want to focus on the qualities they shared or didn 't, what the god 's roles were in the epics, and how death and immortality are observed in these epics.