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Mary wollstonecraft text
Morality and ethics in marriage
Writings of mary wollstonecraft
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Sharing Mary Wollstonecraft’s views on women’s place in society, Mary Darcy Robinson wrote Letter to the Women of England as a criticism of the social mores of the day. Robinson expresses her disillusionment with the institution of marriage, noting that: man may enjoy the convivial board, indulge the caprices of his nature; he may desert his home, violate his marriage vows, scoff at the moral laws that unite society, and set even religion at defiance, by oppressing the defenceless; while woman is condemned to bear the drudgery of domestic life, to vegetate in obscurity, to love where she abhors, to honour where she dispises, and to obey, while she shudders at subordination. (Robinson 10-11)
Robinson follows up this observation by criticizing
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Women in this era who found their reputations tarnished found society to be particularly unforgiving; men, on the other hand, did not face such harsh judgements from society. Robinson writes that “what in man is laudable; in woman is deemed reprehensible, if not preposterous. What in man is noble daring, in woman is considered as the most vindictive persecution… The dastardly offender triumphs with impunity, because he is the noble creature man, and she a defenceless, persecuted woman” (Robinson 71-72). Social norms imposed on women (as seen in Mary Edgeworth’s “Letters of Julia and Caroline”) required that women remain free of all potential “blemishes”; female writers of this time period found their work being viewed through the particular lens of modesty and morality, and critics were happy to utilize their judgements on that point to color their opinion and attack works that failed to conform to society’s standards. As Sandra M. Gilbert and Susan Gubar note in The Madwoman in the …show more content…
Romanticism. London: Routledge, 1996. Print.
Edgeworth, Maria. “Letters for Literary Ladies.” A Celebration of Women Writers. Ed. Mary Mark Ockerbloom. N.d. Digital Library, U. of Pennsylvania. Web. 5 Oct. 2015.
Gilbert, Sandra M. and Susan Gubar. The Madwoman in the Attic. London: Yale University Press, 1979. Print.
“Review of Letter to the Women of England, on the Injustice of Mental Subordination; with Anecdotes by Anne Frances Randall.” Gentleman’s Magazine. April 1799: 311. Web: Romantic Circles Electronic Edition. Ed. Adriana Craciun, Anne Irmen Close, Megan Musgrave, and Orianne Smith. May 1998. Romantic Circles (U. of Maryland). 10 Oct. 2015.
Robinson, Mary Darby. “A Letter to the Women of England on the Injustice of Mental Insubordination, with Ancedotes.” Romantic Circles Electronic Edition. Ed. Adriana Craciun, Anne Irmen Close, Megan Musgrave, and Orianne Smith. May 1998. Romantic Circles (U. of Maryland). Web. 5 Oct. 2015.
Tomaselli, Sylvana. “Mary Wollstonecraft.” The Stanford Encyclopedia of Philosophy (Summer 2014 Edition). Ed. Edward N. Zalta. June 2014. Center for the Study of Language and Information (Stanford University). Web. 10 Oct.
Davidson, Cathy N. and Linda Wagner-Martin. The Oxford Companion to Womenâs Writing In The United States. New York: Oxford United Press, 1995.
In Mary Wollstonecraft’s letter, she makes her rage clear to the man that provoked her that she will not condone his plans for marriage to another man, and wishes to never be acquainted with each other much longer. The way she achieves this position is through a combination of carefully placed pauses that add weight to each claim she has for the man’s wrongdoings, through the usage of long sentences to go in further explain her judgement, and a passionate use of wording to effectively express her emotion to the recipient. She directs all of this to the man, making clear of the denial she has for his intentions of an indirect proposal.
Romines, Ann. The Home Plot: Women, Writing & Domestic Ritual. Amherst: The University of Massachusetts Press. 1992.
Mary Wollstonecraft lived in a time where women had no right to vote, no right to education beyond what their mother or governess taught them, and basically no right to individuality or an opinion. They were considered possessions and virtually had no mind of their own. She realized that this was a problem of society and openly voiced her opinions on the matter. She wrote the book A Vindication of the Rights of Women in response to a literary response to the society's so-called proper behavior of a woman and what her rights should be. But her opinions were brought on by more that the ability to think for herself; she suffered much during her childhood and throughout the years to come. Wollstonecraft dealt with the beating of her mother and sister, death of a close friend, and even a nervous breakdown of her sister. Her own experiences in her life inspired her to write a book that would cause her to be criticized harshly for her radical views.
Reagin, Nancy. “Historical Analysis: Women as ‘the Sex’ During the Victorian Era.” Victorian Women: The Gender of Oppression. Pace University, n.d. Web. 23 Feb. 2014.
Gilbert, Sandra, and Susan Gubar. The Madwoman in the Attic: The Woman Writer and The Nineteenth-Centurv Literary Imagination. New Haven: Yale University Press, 1979.
Wolfson, Susan and Peter Manning (eds.). The Longman Anthology of British Literature: The Romantics and Their Contemporaries. Volume 2A. New York: Longman, 1999.
Wollstonecraft, Mary. “A Vindication of the Rights of Women with Structures on Political and Moral
I detest the thought of enforced subordination!” (Robinson 130). Martha, a woman of intelligence and free thought, will not merely follow her husband’s orders and will blindly. This non compliance marks her as a woman who is going against the duty of a woman to attend to her husband’s every whim. Maria is also inclined to view her marriage as a negative. She regrets the endeavour and laments that, “in my haste to escape from a temporary dependence, and expand my newly fledged wings, in an unknown sky, I had been caught in a trap, and caged for life” (Wollstonecraft 233). The marriage of Martha’s parents shows how cruel a man can be toward his wife concerning her opinion. When confronted by his wife he replies, “[y]ou have no business ever to speak” (Robinson
Petrie, Charles. “Victorian Women Expected to Be Idle and Ignorant.” Victorian England. Ed. Clarice Swisher. San Diego: Greenhaven Press, Inc., 2000. 178-87.
Mary Wollstonecraft was a self-educated, radical philosopher who wrote about liberation, and empowering women. She had a powerful voice on her views of the rights of women to get good education and career opportunities. She pioneered the debate for women’s rights inspiring many of the 19th and the 20th century’s writers and philosophers to fight for women’s rights, as well. She did not only criticize men for not giving women their rights, she also put a blame on women for being voiceless and subservient. Her life and, the surrounding events of her time, accompanied by the strong will of her, had surely affected the way she chose to live her life, and to form her own philosophies.
Ellis, Sarah Stickney. “The Women of England: Their Social Duties and Domestic Habits.” The Longman
This is perfectly show in, “The Rights of Women” where it states, “Then, then, abandon each ambitious thought, Conquest or rule thy heart shall feebly move, In Nature 's school, by her soft maxims taught,”(Barbauld, Lines 29-31). All women wanted was to be treated as equals to men in society like it states in the poem, “That separate rights are lost in mutual love.”(Barbauld, Line 32). Robinson is trying to show that if women try to rule in their place in society in the Romantic Era will not let it last long, woman’s love towards the opposite gender will overcome their pride and anger. The poem begins in support of a female revolution, but ending with a warning call about the results of such a revolution. Though this revolution would completely change the landscape on how men treat
Roseman, Ellen. A Room of One's Own: Women Writers and the Politics of Creativity. Twayne Publishing, Inc., New York, 1995.
Wolfson, S. & Manning, P. 2003. The Longman Anthology of English Literature Vol 2: The Romantics and their Contemporaries. London: Longman.