Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Writing strategy tips
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Both "Lines Composed a Few Miles Above Tintern Abbey" and Frankenstein utilize literary devices like imagery to display aspects of beauty and terror of nature. Both Shelley and the narrator from “Lines Composed a Few Miles above Tintern Abbey” admire nature’s beauty. In Frankenstein, the beauty of lightning astonishes Victor. He “saw the lightning playing on the summit of Mont Blanc in the most beautiful figures… the tempest, so beautiful yet terrific, [lightning](73).” Shelley utilizes imagery to emphasize the beauty of lightning as it changes forms. She also personifies lightning to lighten its destructive properties and give it a childlike attribute. Even though Victor does not want to be shocked by lightning, he cannot avoid watching its many beautiful forms. Likewise, in “Lines Composed a Few Miles above Tintern Abbey” the author admires the beauty of a roaring river as he watches its many forms. Of five long winters! and again I hear These waters, rolling from their mountain-springs With a soft inland murmur. In the first part of the quote, after five years, the author shows his longing to hear the beautiful sounds of the river and witness the …show more content…
scenes around it again. The author uses personification when he uses murmurs to show that the river is as beautiful as life.The narrator looks to the river like a fellow human for support. The authors admire the frightening aspect of nature.
While watching the lightning, Victor sees the “deformity of its aspect more hideous than belongs to humanity, instantly informed [him] that it was the wretch, the filthy daemon, to whom [he] had given life.(73)” Therefore, lightning identifies with both qualities of the beauty as it destroys the objects it strikes which symbolizes the creature’s destructive powers on the people that Victor loves. Even though the creature is not beautiful, the lightning represents the creatures desire for the beautiful things in life, but since he does not get them he resorts to ruining other individuals lives especially that of his creator. Like the lightning, the creature is like a child because he does not know much about the world, since his creator just created
him. In darkness and amid the many shapes Of joyless daylight; when the fretful stir Unprofitable, and the fever of the world, Have hung upon the beatings of my heart— How oft, in spirit, have I turned to thee, O sylvan Wye! thou wanderer thro' the woods, The author uses the chaos of the rivers waves to help calm his internal issues. The second part of the quote involves the author apostrophizing the river to call out to it during difficult times. The fear of the scenes around him make him want to use the river as a form of comfort. The author looks to the river in both times of happiness as well as sorrow and worry. In both stories, nature plays a vital role; in Frankenstein, lightning's beautiful forms and terrifying strike display elements of the creature and in "Lines Composed a Few Miles Above Tintern Abbey," the river provides peace for the restless narrator.
The setting in Frankenstein is vivid and on the opposite ends of the spectrum to the setting in the poem A Cottage in Grasmere Vale. In Frankenstein, the novel is bookended by the setting as it starts off in the Arctic and also ends in the Arctic. These two settings, are in contrast as in A Cottage in Grasmere Vale the setting is scenic ‘Peaceful our valley, fair and green, and beautiful her cottages’ and in Frankenstein the setting is described as ‘those icy climes’ Shelley uses nature to represent Dante’s inferno and the ninth innermost circle of hell, the ninth circle of hell is for people who have betrayed god which is what Victor does by trying to change nature, and the setting is in the Arctic, surrounded in ice. Victor is fascinated with
Victor explains that his creation’s “gigantic stature, and the deformity of its aspect more hideous than belongs to humanity, instantly informed me that it was the wretch, the filthy daemon, to whom I had given life” (55). Victor, without communicating to his creation, decides that it is a monster. If the creator of this being is disgusted by it, then it is easy to assume everyone else would come to the same conclusion. When Victor’s entered the town “The whole village was roused; some fled, some attacked me, until, grievously bruised by stones and many other kinds of missile weapons” (82). The village people treat the creation as their enemy not because of his actions but because of his appearance, which he has no control of.
Victor is not able to see past the metaphorical clouds that seem to shroud his mind from seeing the truth. Furthermore, Victor is not able to let go of his hatred for the creature. In contrast, the creature admits, “But it is true that I am a wretch. I have murdered the lovely and the helpless” (275). The creature is able to recognize that he has made mistakes and as a result, he loathes himself.
Immediately after Victor’s creation comes to life, he refuses to accept his responsibility as the creator to this abomination of a creation. Victor does not shelter it, provide it with love or food, teaches his creation, or even cares for it. This angers the monster because he just wants to be loved but everyone is quick to judge him on his appearance and call him a monster. On page 52, Victor says, “I beheld the wretch - the miserable monster whom I had created… one hand stretched out, seemingly to detain me, but I escaped, and
The Creature, after learning what it is to love, requests that Victor creates a companion for him. Victor rejects the creature’s proposition, as Victor now understands the consequences of animating what shouldn't be alive, the Creature wants nothing more than for Victor to suffer, to feel the pain that he, as a wretch, faces. The Creature does so by devoting his life to the destruction of Victor’s. In chapter 24, the Creature states “But it is even so; the fallen angel becomes the malignant devil.” The creature is viewed as entirely evil by the characters of the novel, despite the scenes in which his benevolent nature is shown. It is ironic that Victor and his creature are foils of one another, yet they suffer a similar fate: their desire to destroy one another led to their ultimate
This presents Victor showing unfair judgement towards the creature that he made “There can be no community between you and me; we are enemies” (55). This is unfair to the creature because he was born against his will and already Victor claiming to the creature that he has no community; a home. This is also unjust because Victor shows his hatred towards his creation that they are enemies before even giving the creature a chance to show himself and show who he really is and can be. Victor and his poor character towards his family and close friends make him more monster than the creature he had created “I could cope with the sullen despair that overwhelmed me: but the whirlwind passions of my soul drove me to suddenly leave” (51). With his family having hardship during this time and Victor knowing that and knows he needs to be there decides to chase his passion and leave without giving much thought. Victor knowing that his family problems and hardship are happening because of him doesn’t tell them what’s going on or what's happening in his current situation leaving them with no answers. This makes Victor a bigger monster because of his poor character he has towards his family and his poor statements towards the creature, a being that he
Mary Shelley and Samuel Taylor Coleridge are two recognized writers of the Romantic era. The influence of Coleridge’s The Rime of the Ancyent Marinere is reflected in Shelley’s Frankenstein in terms of narrative structure, literary techniques and themes. For example, bo...
The creature has consistently been berated and harassed by humans throughout the novel however, he knows that Victor is his best shot to achieve happiness as he is the most compassionate, but is even spurned by him. At that point, the creature realizes that it will be impossible to ever overcome his deformities to earn the compassion of any human. As a result, he commits himself to bring upon Victor grief as he is the root of his miseries. Thereafter, the creature is the cause of the deaths of Henry Clerval, Elizabeth Lavenza, and Victor’s father. Considering all the following interactions, the creature clearly was not evil initially however, once he reached his threshold for pain and patience he chose to spite Victor because conforming no
After Victor destroys his work on the female monster meant to ease the monster's solitude, the monster is overcome with suffering and sadness. These feelings affected his state of mind and caused him to do wrong things. He did not deserve to see his one and only mate be destroyed.
Victor Frankenstein and his creation are alike in several ways, one of them being their appreciation of nature. Victor embraces the nature for the quick moment that he escapes the creature as it “filled me with a sublime ecstasy that gave wings to the soul and allowed it to soar from the obscure world to light and joy” (Shelley 84). Vict...
Beginning with first wave ecocriticism, the focus on 19th century literature positions Frankenstein right in the radar of the early period of American "nature writing" as well as British writers dealing with humanity and nature as an effect of Romanticism, such as William Wordsworth, John Keats, Samuel Taylor Coleridge among others. Mary Shelley directly quotes Wordsworth and Coleridge through the voice of what could be considered the most "human" of the main characters within Frankenstein, Victor. While lamenting over the loss of his friend Clerval, Victor refers to a passage from Wordsworth's "Tintern Abbey" to express the high value he holds for his departed friend, highlighting important interactions between human interests and nature. Many of the images of beauty expressed through Wordsworth's lines shows the appreciation for nature and its importance over human concerns, and an examination of the deep connections between humanity and nature that ideally should b...
In the examination of Northanger Abbey and Frankenstein one comes to very different conclusions as to why their authors used gothic elements. The two authors had very different purposes for their stories. Powerful emotions are often an element of gothic literature as it was a genre that took Romanticism to excessive extents. While Austen used this gothic element to satirize the gothic novel, Shelley used it to display a deeper point about the evils of ambition. Both authors exhibited characters severe emotions to show the importance of rationality instead of extremes, but ultimately had a different purpose in presenting this view.
Nature is a key element in romanticism as the early romantics stressed the divine beauty they saw in nature. Mary Shelley uses the elements of nature to further the emotions of her characters and create a safe place for them to think. She also goes into the aspects of science and nature, "[Scientists] penetrate into the recesses of nature and show how she works in her hiding-places” (Shelley 33). In Frankenstein, Mary Shelley creates a novel based around science overreaching to boundaries. Many scientific experiments of the early 1800s make an excellent base in history for Frankenstein. Trials such as biomedical trials that began during along with the continuing studies into human anatomy and the natural world. Weather is an important element of nature which is commonly used to reflect and supplement human emotions. After William’s death, whilst Victor is returning to Geneva to talk to his father “the heavens were clouded, and [soon] the rain was coming slowly in large drops” (Shelley 62). Therefore, the storm reflects Victor’s mournful attitude and as the storm p...
Since this monster killed Henry, Victor knew that his family was now in danger. The monster is very happy that Victor is having to suffer because, Victor is now feeling the loneliness that he feels all the time. Though the monster’s character is not evil, the pain he feels is what he wants his creator to feel. His revenge only increases throughout the book because he is only longing for a fellow companion that Victor can only give him, but yet he is choosing not to create it. The anger that is within the monster is only growing and this is increasing the possibilities of him hurting more people.
The confrontation between the two demonstrates Victor 's weaknesses as an individual. Although Victor is the Creature 's creator, he refers to his creation as an "abhorred monster" (Shelley 68) and is willing to "extinguish the spark which he so negligently bestowed" (Shelley 68) upon him. This demonstrates Victor 's lack of responsibility. His goal was to create life, essentially to play God. Once the monster began to murder those dearest to Victor, he failed to take responsibility for the creature 's actions. Another weakness in Victor 's character is revealed through the dialogue exchanged between creator and creation. Instead of calmly trying to reason with the Creature, Victor lashes back at the Creature. He even suggests that the two "try their strength in a fight in which one must fall." (Shelley 69) The monster, however, maturely and eloquently urges Victor 's "compassion to be moved" (Shelley69). Because Victor is full of "rage and horror" he wants to destroy his own creation even though victor is playing god in recreation of humanity. They both are to blame due to the fact that Victor created the creature as well as the signs of irresponsibility between the two for the Creature killing people and for Victor trying to recreate