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Compare and contrast essay of grimm/ disney fairytales
Reflection about modern fairy tales
Reflection about modern fairy tales
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As a child, I was told fairytales such as Snow White and the Seven Dwarfs every night before I went to sleep. Fairytales are an adventurous way to expand a child’s imagination and open their eyes to experience a new perspective. Modernizations of fairytales typically relate to a specific audience, such as adolescence, and put a contemporary spin on the old-aged tale. Instead of using whimsical themes heavily centered in nature, the contemporary poems connect with the reader in a more realistic everyday scenario. Also, many modernizations are written in poetic form to help reconstruct a flow in the piece and to develop or sometimes completely change the meaning from that of the original fairytale. Comparing Grimm’s Fairytale Snow White and the Seven Dwarves to the contemporary poem by Denise Duhamel, Snow White’s Acne, differences such as main character modifications, altered archetypes, and dissimilar intended morals can be interpreted and analyzed. These disparities renovate the tale, and bring forth current sociological issues such as an over-emphasis on beauty in adolescence and the results of heavy expectations in mother-daughter relationships.
Grimm’s brother’s tale, Snow White and the Seven Dwarfs is about a beautiful girl with snow-white skin and ebony hair who falls under the hands of an evil step mother, due to the tragic death of her mother during her birth. Snow White’s step-mother is most known for her famous line, “Oh mirror, mirror, on the wall. Who is the fairest of us all (Grimms, 180)” As the wicked stepmother watches Snow White develop into a beautiful child she is engulfed with envy. She order’s a huntsman to kill Snow White, but he is blinded by the maiden’s beauty and leaves her in the middle of a deep f...
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... and modernized intended morals. Eliminating Snow White’s beauty enables the reader to move away from the constrictions of a typical fairytale and connect more directly with the character. Also, the changed central archetype from “wicked step-mother” to “awkward teen” immediately takes the reader out of the magical castle and into a present-day classroom. Ultimately, Snow White’s Acne uses the above techniques to represent the unnecessary stress vanity and personal appearances create while portraying the typical awkward mother-daughter relationship during adolescence.
Works Cited
Denise Duhamel - Denise Duhamel Poems - Poem Hunter. "Denise Duhamel." Poemhunter.com. N.p., n.d. Web. 29 May 2015.
Grimm, Brothers. Snow White and the Seven Dwarfs. Trans. Wanda Gag. New York:
Smithmark, 1999. Print.
The differences between Grimm’s version of “Snow White” and Anne Sexton’s poem, “Snow White and the Seven Dwarfs,” reflects how society sees women. To start, in Anne Sexton’s version the step-mother is the “fairest of us all” until Snow White turns 13. Then, in stanza 2 line 19 Snow White is “fairer than you [the step-mother],” whereas before Snow White is “no more important than a dust mouse under the bed” (stanza 4 line 6). In Grimm’s version of “Snow White,” Snow White’s mother declares her beauty while she is young; Snow White is “as white as snow, as red as blood, and as black as the wood of the window-frame” (pg. 124). The difference in stories shows the significance of women becoming valuable around the time they hit puberty, which supports
As the world has transformed and progressed throughout history, so have its stories and legends, namely the infamous tale of Cinderella. With countless versions and adaptations, numerous authors from around the world have written this beauty’s tale with their own twists and additions to it. And while many may have a unique or interesting way of telling her story, Anne Sexton and The Brother’s Grimm’s Cinderellas show the effects cultures from different time periods can have on a timeless tale, effects such as changing the story’s moral. While Sexton chooses to keep some elements of her version, such as the story, the same as the Brothers Grimm version, she changes the format and context, and adds her own commentary to transform the story’s
Although the fairytale does a good job at separating male and female roles. It is clear that the creation of Snow White and the Evil Queen are quite different (as far as stereotypes go). Snow White, having typical feminine stereotype, is portrayed as gentle, kind, sensitive, and dependent by not being able to protect herself from the Evil Queen. On the other hand, the Evil Queen is more masculine because she is aggressive, independent, insensitive and cruel because of her confrontations with Snow
Have you ever seen snow before? That white fluffy stuff that covers the ground completely. Well if you have, I am sure you have overcome an obstacle in your life and have reached something “irreplaceable and beautiful” (102). Just like Sister Zoe had said when she saw that snow falling from the sky. This story was very enlightening because the way the author brought in herself and portrayed herself through the character Yolanda was very intriguing. She brought the subject to life in many ways. However, the author of “Snow” uses two specific elements, its symbolism and its character to prove how overtime one individual will be able to overcome obstacles. Not only does theses elements point this out but the narrator also makes an impact of the reader as well.
Though the evils of the world may discourage us from reaching our full potential, fairytales such as Little Snow-White by Jacob and Wilhelm Grimm teach us that good will always triumph over evil. As many tales of its kind, Little Snow-White uses a number of literary devices to attract a younger audience and communicate to them a lesson or moral that will remain with them throughout their lives. Since children have such an abstract stream of thought, it is vital to use language and devices that will appeal to them as to keep them interested in the story.
This characterization of the woman shows how she overpowers her husband, as opposed to the first wife (Snow White’s mother) who is characterized as being obedient and “sitting and sewing by a window with a black ebony frame” (Grimm 249). This characterization contrasts starkly with the dominant woman who plays the archetype of the evil stepmother. The original mother’s wishes came true as she wished for “a child as white as snow, as red as blood, and as black as the wood of the window frame” (Grimm 249). In this imagery, we are given a color palette that represents a beautiful woman (pale white skin, red rosy cheeks and black ebony hair). Anne Sexton never offers a description of Snow White’s real mother, perhaps showing the reader how it is less important whether the mother is evil or good, but rather how the stepmother and daughter relationship became muddled by the fear the stepmother had to have beauty surpass her own.
In the first opening scene, Snow White is referred to as a “lovely little princess.” In her first appearance, she is cleaning and looks as though she is in despair waiting to be saved. Snow White is portrayed as young, virginal, pretty, obedient and incapable of helping herself. This movie having been released in 1937, conveys what the “proper” gender roles of the time were. In Snow White and the Seven Dwarfs, power is segregated between genders and even to this day, the stereotypical gender roles seen in this movie still hold some weight in our society.
Most modern fairytales are expected to have happy endings and be appropriate for children, nonetheless, in past centuries most were gruesome. Consequently, fairytales have been modified throughout time. The stories “Beauty and the Beast” by Jeanne-Marie LePrince de Beaumont and “The Summer and Winter Garden” by Jacob and Wilherm Grimm share similarities and differences. The two stories are distinct because of the peculiar year they have been written in. LePrince de Beaumont’s story is written in London of 1783 and Grimm’s in Germany of 1812. At the time, wealthy people in London, were educated and had nannies who would read to their children; whereas, in Germany, the Grimm brothers created their own interpretation into a short story. Because many high class parents in 18th century London would not be able to spend time with their children, nannies would read “Beauty and the Beast” to them since they were intended for children and considered appropriate. In “The Summer and Winter Garden,” the Grimm’s’ story was mostly based to entertain misbehaved children and teach them the valuable lesson that everyone should be treated with kindness. The Grimm brothers’ goal in rewriting this short story is to better children’s behavior which worked quite well. Since these stories have been re-written for children, it would be safe to say the reason why parents expose the two stories to their children is because they both portray the same moral: good things happen to good people. The two interpretations of “Beauty and the Beast,” although written in separate countries, share important similarities and differences even though the authors have different interpretations and came from different cultures.
We all grew up hoping that we were the princesses who met the dreamy prince and lived ‘happily ever after’ like in a fairytale.People debate over whether or not Disney fairytales are beneficial for children. Like Melissa Taylor the author of the piece ‘10 reasons why kids need to read non disney fairy tales’, I am against disneyfied fairy tales. In this essay I will argue on why kids should not only watch disney fairytales but also the real versions.
Neil Gaiman’s “Snow, Glass, Apples” is far from the modern day fairy tale. It is a dark and twisted version of the classic tale, Snow White. His retelling is intriguing and unexpected, coming from the point of view of the stepmother rather than Snow White. By doing this, Gaiman changes the entire meaning of the story by switching perspectives and motivations of the characters. This sinister tale has more purpose than to frighten its readers, but to convey a deeper, hidden message. His message in “Snow, Glass, Apples” is that villains may not always be villains, but rather victims.
Roses are red, violets are blue, Snow White has changed, everything’s new. This is a different beginning than the original story of Little Snow White by the Grimm Brothers and retold by the director Rupert Sanders, in the movie Snow White and the Huntsman. The original story portrays Snow White as a beautiful, but naive, young woman, leading up to her eating a poisoned apple from the evil queen. The evil queen has been jealous of Snow White after she has grown up and become more beautiful. Although in both the story and the movie, Snow White eats a poisoned apple, Snow White in Snow White and the Huntsman is portrayed as more brave and courageous, even after she wakes up from the poisoned apple. In the end, both the story and the movie show that Snow White’s triumphs out rules all, no matter what is thrown at her, but the difference is in how. While there are many common motifs across the story and the movie; Gender roles have changed over time, as shown in the
In a society unbridled with double standards and set views about women, one may wonder the origins of such beliefs. It might come as a surprise that these ideals and standards are embedded and have been for centuries in the beloved fairy tales we enjoyed reading as kids. In her analytical essay, “To Spin a Yarn: The Female Voice in Folklore and Fairy Tales”, Karen Rowe argues that fairy tales present “cultural norms which exalt passivity, dependency, and self-sacrifice as a female’s cardinal virtues.” Rowe presents an excellent point, which can be supported by versions of the cult classics, “Cinderella” and “Snow White”. Charles Perrault’s “ The Little Glass Slipper” and the Brothers Grimm’s “ Snow White” exemplify the beliefs that females are supposed to be docile, dependent on the male persona and willing to sacrifice themselves. In many cases, when strong female characters are presented they are always contradicting in these characteristics, thus labeled as villainous. Such is the case of the Cinderella’s stepsisters in Perrault’s “Cinderella” and the stepmother in the Brothers Grimm’s “Snow White.” These female characters face judgment and disapproval when they commit the same acts as male characters. With such messages rooted in our beloved fairy tales it is no wonder that society is rampant with these ideals about women and disapprove of women when they try to break free of this mold.
Over the years, Snow White’s story has been told in numerous different versions then its original version in 1812 by the Grimm Brothers. The main basis of the story has remained the same. Only a few minor tweaks to the story have changed. The three versions of the story that are going to be analyzed are the original story “Little Snow White” by the Brothers Grimm, “Snow White and the Seven Dwarfs” by Disney, and “Mirror, Mirror” by Disney also. They each were created in very different times and the original story has changed over the years to appeal to the audience of that time. No matter how many versions there are Snow White is considered, one of the most cherished fairy tales of all time. They each use different methods to get their story across by using different colors, word usage, and scenes.
Fairy tales have always been told to us as children; whether to comfort or entertain us, they always seem to be a part of most everyone’s childhood. When Nadine Gordimer was asked to write a children’s story, she replied with a short story titled “Once Upon A Time”. Although the title is characteristic of a fairy tale, she leads the tale to an ending that is anything other than “…happily ever after.” Gordimer distorts the fairy tale by dealing with certain issues rather than giving the reader the usual fairy tale characteristics. Three of the more significant issues Gordimer likes to deal with in her story are racial discrimination and prejudice, society’s insecurities, and the persuasive way fairy tales have with children.
Snow White is a representation of fake beauty because she is just another young princess with red lips, black hair, white skin, skinny body, and a beautiful face. This is a great example that exhibits how a women should typically be, but that is not reality. Even the mirror describes her as the girl with “lips red as the rose, hair black as ebony, skin white as snow” (Snow White and the Seven Dwarfs, 1937). Disney always uses the same type of characters. The same scenario repeats itself constantly: a young lady who is or becomes a princess waiting for her dream man to rescue her and marry her. According to “Poer To The Princess” (Bridget Whelan, 1998) “Disney’s first animated feature, Snow White and the Seven Dwarfs (1937), set a high standard for full-length animation and established a pattern for later Disney heroines to follow.” All of the princesses in the Disney animation films look innocent and show femininity because of their gentleness. Disney girls are incomplete without a man. They constantly need to be rescued by the man of their dreams and enter their prince’s life instead of creating their own. The idea of females being incapable to live without having a man in their lives might affect young girls because it emphasizes the idea that women are weak and that they should get married to find true happiness. Most importantly every single princess in Disney ends up marrying the love of her dreams. This is not reality because it is not always applicable to everyone. Everyone has their own way of living and not all of them will have a fairytale ending because not all women end up getting married. Snow White always longs for her man to find her and this is emphasized when she sings “I’m wishing for the one I love to find me”(Snow White and the Seven Dwarfes,