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Evil in The Silmarillion is a more powerful and more pro-genitive force than good. It spreads itself very quickly in a shape of darkness and corrupts everything around. Hope and good luck turn into despair and sadness and even good intentions almost always turn out badly. In order to understand the contradiction between Tolkien’s own beliefs about evil and the image of evil in The Silmarillion, which is necessary to examine Tolkien’s views of evil and compare them with the position of Tolkien’s critics on his views of good and evil. And then, the role of evil in the creation of the world will be considered and its part in the shaping of Middle-Earth. Darkness of Melkor and their servants represent evil in Tolkien’s fiction therefore it is important …show more content…
Darkness is like ‘Being’; the reader has the impression that is alive and almost touchable. It is spreads quickly infecting everything around. Here, the evil is turning even good intentions to evil outcomes. For instance, Feanor created Silmarils with the intention of preserving the light of the Trees of Valinor but his possessiveness and obsession caused the fall of his family and division among tribes of Elves. Unlike in The Silmarillion, in The Lord of the Rings evil deeds turned often into good ends. The greedy possessiveness of the Ring is leading to good, for example Gollum’s addiction to the Ring is so strong that he tracks Frodo to Mount Doom and when he sees him with it, shouting: “The Ring is mine!” (ROTK p 945) he loses control and in his madness he falls with the Ring into the Fire of Doom, thereby fullfiling Frodo’s duty. Shadows in Lord of the Rings are represented by characters and the Ring, they are perceived as part of them but not as a separate and independent force. Shadow is just greyness where darkness is blackness; evil in the Lord of the Rings is powerful but not horrifying and omnipresent as in The
Since the beginning of time, fairy tales, stories and legends have shared a common theme where good and evil are played against each other. In the story of “Beowulf”, translated by, “Burton Raffel”, there is a hero who plays as a good character, and there is also a demon who rules the dark side. The hero Beowulf, agrees to take a journey to conquer the evil monster Grendel. But when Beowulf is trying to defeat the beast, Grendel fights back, causing integrity and generosity to vanish. The common theme in various tales like in Beowulf is, good vs. evil.
Good vs. Evil is portrayed in The Hobbit through many different events and characters throughout the novel. Showing us that what we may think, may not always be want it really is. Bilbo had no doubt in his mind they would fail on their mission. Yet with all odds against them they won, good defeated evil, just like in the Bible God watches out for his children and protects them from evil, but they have to make the right choices, and work for his respect and honor.
In Tolkien’s lecture, “Beowulf: The monsters and the Critics,” he argues that Beowulf has been over analyzed for its historical content, and it is not being studied as a piece of art as it should be. He discusses what he perceives the poet of Beowulf intended to do, and why he wrote the poem the way he did. Tolkien’s main proposition, “it was plainly only in the consideration of Beowulf as a poem, with an inherent poetic significance, that any view or conviction can be reached or steadily held” (Tolkien). He evaluates why the author centers the monsters throughout the entire poem, why the poem has a non-harmonic structure, why and how the author fusses together Christianity and Paganism, and how the author uses time to make his fictional poem seem real. He also discusses the overall theme of Beowulf and other assumptions of the text. To support his viewpoints, Tolkien uses quotations and examples from the poem, quotations from other critics, and compares Beowulf to other works of art. Tolkien discusses several statements in interpreting Beowulf as a poem.
From the beginning of creation to the fictitious lands created by J. R. R. Tolkien himself, the distinctions between good and evil rise from the shadows and into the light. Specifically, in the Confessions of St. Augustine all things created through the light of God are seen as wholly good, while the absence of such light and goodness is considered evil. Tolkien’s novel elaborates on the work of Augustine and establishes the differences between forces of good and evil in the land of Middle Earth. Augustine and Tolkien in their works Saint. Augustine Confessions and The Fellowship of the Ring address the issues that arise from an individual 's struggle to escape the temptations of evil and succumbing to their lust for power rather than asserting
Shakespeare is at it again, this time stealing from the only source more read than him; the Bible. Macbeth and Genesis 3 are both alike by greed, temptation, and forbidden fruit. We all know stealing is a crime. In both novels, the protagonist’s both committed sins pushed by their partners. The parallels are visible in the resemblances of the characters and justified by Shakespeare possessive, creation or characters, conflict, and theme.
The relationship between good and evil is generally morality against immorality and has a major role in the novel. An action that is life preserving and sacrificial is believed to be “good” in our modern society. King Hrothgar’s wife, Wealtheow, is a complete representation of this concept. When tensions run high between the two kings, King Hygmod offers his daughter as “Wealtheow, or holy servant of common good” to King Hrothgar to preserve their peaceful environment (Gardner 100). King Hygmod’s description of her as a “servant” exemplifies the sacrifice of her personal life for assistance in maintaining peace between the two kings. On the other hand, degradation and hurt and overall suffrage created by one’s activity determines the denotation of the word “evil.” This idea is best resembled by Grendel’s feelings toward a statement made by the Dragon he meets on his journey. He is shocked to find that the dragon “could lie” and “that [h]e was evil enough” to do so (Gardner 71). The lie is what degrades Grendel as a person and he interprets as evil. These antithetical opposites of nature are connected because of their strong ef...
Ethics is a wide field of philosophical study to which the core of every question within falls to one side of a blurred line. On the right, is good; the value which is popularly believed to be the correct alignment for which a person should live their life according to. On the left, is evil; that which is the cause of most human misery, and prevents peace on earth. In John Gardner’s book Grendel, the retelling of the ages old story Beowulf, further blurs the line between good and evil. Circumstance and perhaps a confused view of reality allow the monster, Grendel, to conceivably defend his evil beliefs. In order to better understand evil, using Grendel as a guide, I intend to attempt to justify it.
“One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them,” (55). The One Ring controls Gollum, Bilbo, Boromir, and Frodo in attempts to return to Sauron, Its Creator, the Lord of the Rings, and the utmost evil present in J.R.R. Tolkien’s novels. But the Ring never achieves Its goal because each character possesses a unique set of skills which resist the evil temptations of the Ring. Gollum is the first victim of the Ring, with no knowledge of Its powers or guidance away from Its control. Bilbo is the second ring bearer, with an almost complete knowledge of the Ring’s power still has difficulty resisting the Ring’s temptation. Gandalf guides Bilbo to constantly resist the evil of the Ring. Boromir never gets his hands on the Ring but craves Its power thinking he can use it for good, ignoring the guidance offered to him at the Council of Elrond. Frodo has the most knowledge and guidance of all the characters but also seems to have the strongest temptations. J.R.R. Tolkien uses characterization in the Fellowship of the Ring to prove that people without a longing for power resist temptation through knowledge, good habits, and guidance.
Good and evil operate and work in different environments. In the book Beowulf, light and darkness are the environments used by good and evil. Although the author shows the power of darkness, he also exhibits light’s eventual victory in Beowulf’s battle with Grendel, in Beowulf’s first skirmish with Grendel’s mom, and with the imagery created at the beginning and end of each
In this reimagining of the roles of good and evil, we see that there is a similar struggle in both stories. Beowulf mirrors it so closely, in fact, that careful consideration of the information plainly available can cause the lines of good and evil to blur perceptually. It is clear that the author of Beowulf had a deep understanding of the concepts of the Biblical creation story and took great care to recreate the struggle of good and evil in his epic.
It gives the wicked the chance to dominate. The good is corrupt and inescapable. This is shown repeatedly throughout the novel, from when Bilbo gives up the ring, to when Boromir tries to take the ring, and finally, to seeing the control that the ring has over Frodo. One incident in the book, which corresponds to how evil power is, would be when Bilbo had to give up the Ring. The ring is very powerful.
... a dark setting used which involved supernatural events, while the light setting was used for last battle, when Macbeth was slain at the end to show the restoration of peace and honesty. Thus the symbolism of light and darkness representing good and evil in the play emphasizes the theme of corruption of power.
But for darkness its the opposite, all the bad events took place during the night, for example when Macbeth goes to kill king Duncan because of greed, he wasn't happy with the position he received, he wanted to be king so he can have more power. Another example of Darkness is when the witches come to tell him his prophecy (I, iii, 125). This is a type of tragic situation because if the witches hadn't appeared and told Macbeth that he would be king, he wouldn't have so much lust. In this scene, Macbeth describes the witch as an ugly old lady dressed in black. The color black represents the witch’s evil nature.
In the Lion the Witch and Wardrobe, good vs. evil is teaching children the right from wrong in this book. Lewis uses the archetypes hero and villain very good throughout his novel to also portray right from wrong. His use of archetype the hero reminds readers that Aslan is the hero in his novel. He shows this by the many ways Aslan rescues and saves his people all throughout the novel. His use of archetype villain shows the readers that the White Witch is the villain in his
While Heart of Darkness offers a powerful view into the hypocrisy of imperialism, it also delves into the morality of men. Darkness becomes a symbol of hatred, fear and symbol of the power of evil. Marlow begins his story believing that these elements exists within the jungle, then with the natives and finally makes the realization that darkness lives within the heart of each man, even himself. People must learn to restrain themselves from giving into the "darkness." Marlow discusses at one point how even suffering from starvation can lead a man to have "black" thoughts and restraining oneself from these thoughts would be almost impossible in such hardship.