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Relationship between gods and mortals
Relationships between Greek gods and humans
Relationship between gods and mortals
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The Evil God: Comparing the Origin of Evil Between Hesiod’s Works and Genesis Within Genesis, Works & Days, and Theogony the divine-human relationship is depicted where humans are initially blessed by the gods and live an effortless life until humans challenged them, thus leading to the existence of evil. Unlike Genesis, however, the origin of evil in Theogony is ambiguous because there is no clear indication of who is considered to be “in the right” between Prometheus and Zeus. While it can be argued that Prometheus should be held responsible for bringing evil due to his holier-than-thou attitude towards Zeus, it is important to consider that Zeus holds responsibility for condemning evil to Prometheus and humankind. In addition, Hesiod raises …show more content…
the question of whether or not evil arises due to the actions of the humans or the choice of divine beings to create evil. Considering the story of the “fall” of Adam and Eve, it seems that Genesis’ origin of evil is reasonable because Eve eats the forbidden fruit with full knowledge of her actions. However, if we take note of Theogony’s approach to the establishment of evil, it becomes evident that Genesis’ construction is not as compelling as it might have initially appeared. Hesiod’s take on the origin of evil challenges the idea that humans are to blame because the story of Prometheus reveals that the gods may not be as virtuous as they appear to be, instead they are the ones to blame for creating evil. In order to create this argument, this paper will constitute of three parts in order to show how Hesiod’s works provide a more compelling introduction of evil than Genesis. In the first part, it will analyze how humans act against their respective god(s) and what immediate consequences follow their actions. The second part will be an examination of how evil as it is presented in each work. Finally, this paper will discuss outside influences and the nature of the gods in order to address the origin of evil in the respective works. Each section will include proof as to why Hesiod’s interpretation of the introduction of evil is more compelling than Genesis’ approach because Hesiod’s works are ambiguous in determining who is to blame between Prometheus and Zeus, a concept that is not as clearly shown in Genesis. The divine-human relationship in Hesiod’s works complicates the common notion that evil resulted in the disobedience of humans because it was Zeus who made the decision to curse humankind, whereas Eve made the decision to act against God in Genesis knowing the consequences.
For instance, Zeus’ divine sense of justice is distorted because he places his ego before impartiality when he declares that he is “going to give [humans] Evil in exchange for fire, their very own Evil to love and embrace” (Hesiod 25). Zeus reveals that he will create evil because of the Prometheus’ actions, compared to evil coming into existence because of Prometheus. This slight distinction is compelling because the concept of evil does not exist until Zeus releases it onto humanity. One can argue that evil exists due to Prometheus and that without his actions, Zeus would not have made the final decision to release “Evil in exchange for fire” (Hesiod 25). However, to refute this, it was not Prometheus’ action of stealing fire back to humankind that initiated evil, rather it was Zeus’ decision to punish Prometheus that led to the creation of evil. Essentially, Prometheus does not go against the gods because Prometheus’ actions were not considered wrong by the gods until after the occurrence. On the other hand, in Genesis, Eve acknowledges that lest she be doomed to die, she should not eat from the forbidden tree; however, she “saw that the tree was good for eating…and she took of its fruit and ate, and she also gave to her man, and he ate” (Alter 12). In this case, Eve’s own actions brought evil to humankind. God did not make the final decision to release evil, rather, evil is released due to how Eve utilized her free will. The commonality between both works is that both Prometheus and Adam and Eve disobey their respective gods. Comparatively, the main distinction lies in the divine-human relationship in both works and the blame that is placed on the introduction of evil. In Genesis, Adam and
Eve are allowed to eat from all the trees except the forbidden tree lest they die. This scenario establishes the fact that negative consequences will arise if one disobeys God, and because Eve disobeys God, evil exists. In Theogony, because Prometheus succeeded in tricking Zeus twice, Zeus made a decision to release evil on humankind. While it is human nature to be curious as Eve is in Genesis, at the end of the day, she disobeyed God, whereas Prometheus challenges Zeus and outwits him. Because of this ambiguity, it is far more compelling than the reasonable story of evil as seen in Genesis. Along with the divine-human relationship, Hesiod provides a different perspective on the moral connotation of evil, as Hesiod’s concept of evil does not coincide with the traditional definition that evil is wrong. In Genesis for example, God allows humans to eat from anywhere except the tree of knowledge because “the day they eat from it, they are doomed to die” (Alter 8). Disobeying God is the be-all-end-all because God’s words are indisputable in Genesis. The fall of Adam and Eve provides a reasonable explanation of how inherently evil humans are and gives an explanation as to why it is human nature to desire something that one cannot have. In Hesiod’s works, however, after Prometheus tricks Zeus, Zeus places “a great infestation among mortal men” by introducing the first woman named Pandora who was a “lovely evil to balance the good” (Hesiod 77). Interestingly enough, Zeus himself creates evil in the form of a woman, however his justification for doing so is to “balance the good” (Hesiod 77). Thus, the origin of evil becomes more fascinating because these “evil conspirators” are created by Zeus in order to offset the good in the world (Hesiod 78). This makes the concept of evil multifaceted as there are several meanings to evil other than the common definition that evil is morally wrong. Compared to Genesis, evil is unethical because Eve follows the words of the serpent before God’s own words and therefore disobeys him. In Genesis, because God’s words are accepted as the moral thing to do, disobeying God is committing an evil act. While the origin of evil presented in Genesis portrays evil as wrong and immoral, Hesiod’s works challenges this idea because Zeus sends humanity evil in order to balance the good. Taking into account of the gods’ personalities and the specific situations in both works reveal that the gods in Hesiod’s works are not as impartial and all-knowing as they are revered to be, further showing how the gods are responsible for creating evil. Within Work & Days, Prometheus reclaims fire back to humankind because it is the only way to “make a living” (Hesiod 25). Based on this, it is reasonable for Prometheus to reclaim fire in order to allow humans to prosper. It is also important to consider the implications of Zeus’ actions for taking fire from the entirety of humankind because of the actions of one man. Because it was only Prometheus who challenges Zeus, a punishment individual to Prometheus would suffice; however, Zeus punishes the entirety of humankind without the consideration that Prometheus is not an accurate representative of humanity. On the other hand, in Genesis, Adam and Eve are the only humans to exist at the time, hence the actions of Eve are guaranteed to affect future generations to come because she and Adam are expected to “be fruitful and multiply” (Alter 4). It can be argued that while Prometheus returns fire to humans, Adam and Eve’s legacy to future generations was knowledge that did not exist prior to their fall. The fault in this argument, however, is that God provided Adam and Eve with all the things they need to live and prosper. Given that God blesses Adam and Eve, there is no need for them to aquire knowledge that God possessed whereas Zeus took away what was needed to live for humans. In addition, it can be argued that Prometheus is sly and he may not have stolen fire back for humanity, but just to spite Zeus, therefore he is to hold responsibility for bringing Pandora’s “box” to society therefore releasing all the miseries in the world. However, prior to Pandora’s “box” humankind “lived off land without any trouble, no hard work, no sickness or pain that the Fates give to men” (Hesiod 26). Zeus’s personality based on his actions does not portray him as a revered and respected god; rather, his actions portray him as an impulsive and childish god. It can be seen that Zeus’ pride is placed before impartiality, and his actions as a god reflect human-like characteristics rather than characteristics of a divine being. Comparatively, Genesis portrays God as wise and sovereign as he does not take action until Eve disobeys. This reiterates the fact that humans contain problematic characteristics which cause them to introduce evil, whereas the God in Genesis appears to be omniscient. Due to Zeus’ versatile personality that consisted of both divine and problematic qualities, Hesiod complicates the idea that evil originates from humans by portraying a god that falls from the traditional characteristics of a virtuous divine being. The biggest problem concerning evil as it is presented in both texts is finding its origin. Although both texts appear to be ambiguous in the formation of evil, Hesiod provides a more compelling story of the origin of evil as he denounces the idea that humans are solely at fault for introducing evil to society. Despite the similar structure of both works, Hesiod provides a different approach to the formation of evil because the gods are seen as irrational and unethical, attributes that are not seen in Genesis. Hesiod’s description of the divine-human relationship is different from Genesis’ portrayal because in the latter, obedience is the main factor dictating what is evil and what is not. In Genesis, if one disobeys god they have committed an evil, and within the story, Adam and Eve’s “fall” from the Garden of Eden is the first circumstance of evil that subsequently affects future generations. Comparatively, Hesiod complicates this structure because the divine-human relationship between Zeus and Prometheus is not as sophisticated as the relationship between Adam, Eve and God. Therefore, Hesiod’s works provide the more compelling story of evil’s origin because it breaks the stigma that humans are the cause of evil, and it shows that gods can be irrational and cause evil to happen; after all, the choice to release evil that was sealed in Pandora’s jar belongs to Zeus.
While reading Theogony, it becomes apparent that Hesiod shows a bias for the eventual “fathers-sons” outcome, as the male sky-god Zeus is the literary equivalent of a “godmodding” character, or when character has the ability to do practically anything without limits or boundaries. As the story progresses, it becomes a pattern that last-born sons are trouble for their fathers. This pattern is consistent until Zeus takes over, when a potential first-born son becomes the problem. There is also something to be said about how often that the last-born sons are trouble for their fathers. The pattern is consistent until Zeus takes over, when a first-born son becomes the
...the god based upon conflicting traits of fear, deceit, and lust. Zeus' main characteristic is power in both Greek and Roman mythology. However, when Ovid's Metamorphoses is compared to Hesiod's Theogony, Juno's power is limited. Ovid's lack of respect and belief about Jupiter is apparent in his writings, which portray Jupiter as fearful, cunning, deceitful, and lustful. In opposition, Hesiod views Zeus as fearless, intelligent, and certainly not lustful. Zeus' characteristics in the Theogony are reflected from Hesiod's belief about the god to be much more than a worthless myth to the Greeks. Instead of mocking and disrespecting the all-powerful god of Greek and Roman mythology, Hesiod respects Zeus as the most powerful god.
The question of why bad things happen to good people has perplexed and angered humans throughout history. The most common remedy to ease the confusion is to discover the inflicter of the undeserved suffering and direct the anger at them: the horror felt about the Holocaust can be re-directed in the short term by transforming Adolf Hitler into Lucifer and vilifying him, and, in the long term, can be used as a healing device when it is turned into education to assure that such an atrocity is never repeated. What, however, can be done with the distasteful emotions felt about the victims of Hiroshima and Nagasaki? Surely the citizens of those two cities did not themselves directly provoke the government of the United States to deserve the horror of a nuclear attack. Can it be doubted that their sufferings were undeserved and should cause deep sorrow, regret, and anger? Yet for the citizens of the United States to confront these emotions they must also confront the failings of their own government. A similar problem is found in two works of literature, Aeschylus' Prometheus Bound and the book of Job found in the Tanakh. In each of these works a good man is seen to be suffering at the hand of his god; Prometheus is chained to a rock by Zeus who then sends an eagle to daily eat Prometheus' liver while Job is made destitute and brought to endure physical pain through an agreement between God~ and Satan. To examine the travails of these two men is to discover two vastly different concepts of the relationship between god and man.
Roman and Greek mythology are filled with multiple interpretations of how the creator, be it the gods or nature, contributed to the birth of the world. These stories draw the backgrounds of the gods and goddesses that govern much of classical mythology. Ovid’s Metamorphoses and Hesiod’s Theogony are two pieces of work that account for how our universe came to be. A comparison of Theogony with Metamorphoses reveals that Hesiod’s creation story portrays the deities as omnipresent, powerful role whose actions triggered the beginning of the universe whereas in Metamorphoses, the deities do not play a significant role; rather the humans are center of the creation. The similarities and differences are evident in the construction of the universe, ages of man, and the creation of men and women on earth.
Theogony, by the Boeotian Hesiod, reveals the history of the Cosmos from its creation. The timeline and births of each cosmic entity are disclosed, along with all the tantalizing interactions these deities converse in, culminating in the rule of Zeus. The early parts of the poem revolve around Gaia, an anthropomorphized entity that is the physical presence on which all life resides on and also the mother to the first generation of gods. Gaia is instrumental in orchestrating the first succession of Gods, but a question is asked of whether Gaia’s actions throughout the poem are fundamentally weak or strong. This paper will argue that Gaia is a fundamentally strong character that is crucial to the creation and formation of the cosmos through
How evil was entered into the worlds was that in Hamilton’s book, it came from a box while evil entered when Eve took a bite from the forbidden fruit. Moreover, Eve was intentionally made to be good unlike Pandora who was created to bring misfortune upon men. However, their attributes were different from one another, for the serpent said to Eve, ‘“You will not certainly die,” the serpent said to the woman. ‘“For God knows that when you eat from it your eyes will be opened, and you will be like God, knowing good and evil,”’ (NIV, Gen. 3) which Eve blindly took his word for it, falling for his trick. Pandora, on the other hand, was full of curiosity leading her to break the rule Zeus had warned her about and opened the evil box. Other than the women, the Lord God in the bible was the creator of man and women, but in Hamilton Prometheus is the creator of man and Zeus had the idea to create a mortal woman. Also, hope was trapped in the box forever leading for mankind to lack optimism, but in the bible hope was never trapped for it was there to aid mankind. Hence, evil came into the world in many different ways and purposes.
On the other hand, Zeus is a strong, albeit authoritarian leader for both the other gods and mortals. Zeus is required to rule, sometimes absolutely, and when someone under his rule commits an act of treason, he is required to address the issue. When Zeus the leader acts forcefully, the rest of those under his reign will get the message. Prometheus’s act of handing o...
And so for men Zeus plotted grief and trouble. He hid fire. And Prometheus, bold son of Lapetus, stole it back from the side of wise Zeus, in a fennel stalk, and gave it to men and Zeus who delights in the thunder did not notice” (Bauschatz, ). Clearly, disobedience and deceiving the gods leads to chaos because Prometheus who tried to steal the fire from Zeus enraged him and therefore ordered the creation of Pandora as punishment and evil delivered to men.
This paper is about how the character Zeus in the novel "Prometheus Bound" by Aeschlyus is being represented as an authority figure. This paper will also show how outside circumstances placed Prometheus on the opposition to authority. The word authority can mean different things, but in the context of the paper; it is being used to mean "the power or right to direct or control someone or something." However, we will see how Zeus responds to the challenges that he faces in his role as an authority leader. First, we will see how Zeus is being represented in the text as the main authority figure.
The gods in power, like Zeus, exhibit bias, dishonor, betrayal, deception, and many other humanly characteristics. One memorable scene is when Zeus and Poseidon are in conflict with each other over the Achaens versus the Trojans. Zeus controls the battle by “lifting the famous runner Achilles’ glory higher,” (Homer 13: 404). Zeus plays both sides in this scene, acting like a double agent which is dishonorable. Zeus’s bias is prevalent throughout the poem; specifically, he is “bent on wiping out the Argives, down to the last man,” (Homer 12: 81-82). Just like mortals such as Agamemnon and Achilles view each other with suspicion and intolerance, the gods experience identical emotions of wariness, anger, and irritation. This human-like behavior is not restricted to Zeus. Later in the text, Hera lies to Aphrodite to use her powers to manipulate her own husband Zeus. If one looks at Hera as a heavenly entity, her reaction may not make sense, but when it is viewed as a manifestation of human emotion, it become almost reasonable. Her scheming response to Zeus’s meddling with the war is spurred by her support for the Trojans. Hera’s manipulation and Aphrodite’s ego don’t stand alone as examples of this divine humanity. These instances suggest that the deities are being presented in this unique way to help explain behavior of the humans in The
the Prometheus myth looks at man's relationship to the gods, and their connection to other men, animals, to create order through differentiation and decay. At Mecone, Zeus was asked to choose between bone or the better meat to sacrifice to the gods. This act of selfishness evolved men closer to animal and defines human nature as more bestial. This act also taints the relationship between man and gods that further creates the classic antithesis of nomos and phusis.
There is even a battle between good and bad, defining the moral correctness of life. These sacrosanct similarities go beyond these two creation stories. In the creation story of Christianity, there is an all-powerful being who spoke “let there be light” (Genesis) and the universe began its existence. Later on in this story, there is a clear battle between good and evil, defining the morals that one should live by. This story even takes it to the extent of God creating humans, and breathing life into them, only for them to ultimately fall short of their intended purpose. These similarities are found across multiple culture’s creation stories. With such a vast majority of the world believing in one way. One can’t help but to accept that there is a Supreme Being that created everything and put mankind here for a reason, maybe this Supreme Being just hasn’t been
Some scholars interpret the story of Adam and Eve completely opposite. Kevin Giles says in Genesis Chapter 3 “we discover that in the Garden is a force opposed to God, yet created by God, and that sin and punishment are possibilities” (Giles, 2014, p.5). Giles interprets this story through the eyes of responsibility. He believes that Adam and Eve are equal and each are held responsible for their disobedience to God. Giles’ disagrees with the scholars that say the woman is subordinate to the man. He explains this in a series of examples. One example he uses is how God spoke to Adam first after the fall. Giles’ argues that there are many times where individuals are addressed in different orders and therefore that doesn’t mean that anyone is superior to the other
“Gods can be evil sometimes.” In the play “Oedipus the King”, Sophocles defamed the gods’ reputation, and lowered their status by making them look harmful and evil. It is known that all gods should be perfect and infallible, and should represent justice and equity, but with Oedipus, the gods decided to destroy him and his family for no reason. It might be hard to believe that gods can have humanistic traits, but in fact they do. The gods, especially Apollo, are considered evil by the reader because they destroyed an innocent man’s life and his family. They destroyed Oedipus by controlling his fate, granting people the power of prophecy, telling Oedipus about his fate through the oracle of Apollo, and finally afflicting the people of Thebes with a dreadful plague. Fundamentally, by utilizing fate, prophecies, the oracle of Apollo, and the plague, the gods played a significant role in the destruction of Oedipus and his family.
He seeks to reprimand man for their wrong doings in the plays Women of Trachis and Medea. In Hippolytus, Zeus’ nature appears more clouded but it is one that still coincides with his judicial nature. The Greeks often looked to Zeus for vengeance against those who had done wrong and forgiveness for the wrongs they had done, for they knew that Zeus was one who judged them and their lives. The will of Zeus is one that man must in the end respect no matter how much they may question it and is also one that they seek answers about. Zeus is the god who determines the ultimate fate of mortals and the consequences for their