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Essays on death in literature
Essays on death in literature
Life and death in literature
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In Slaughterhouse-five and The Things They Carried, death was a significant occurrence. Both books held the belief that death is just a brief moment in time, and people will be alive far more often than they will be dead. When it comes to the concept of death, Billy Pilgrim embraced the idea of it. In The Things They Carried however, Tim could not stand the idea of death and tried to wipe it from his mind completely. Billy’s acceptance of death portrayed him as much happier and at peace with himself, while Tim’s rejection of it caused him sadness and stress. Tim had many reasons for why he was not too fond of death, one instance being when the other soldiers in his unit high fived, chatted to, and shook hands with a dead man. Tim hated the …show more content…
“act of greeting the dead.” He (like most people) found it disrespectful and he quickly became nauseous, but to the soldiers who were in Vietnam longer than Tim, and saw more than Tim did yet, They viewed It as “a funeral without the sadness.” The other soldiers hadn’t meant any harm by it, High fiving and greeting a deceased person was a way of coping with death for them and a way of celebrating the loss of someone they barely knew. They wanted to show Tim that death wasn’t all that bad when it was looked at in a different light. Tim’s other main reason for hating the idea of death was the loss of his love Linda.
Tim was only nine years old when he lost Linda, but he knew what love was. When Linda died of cancer, it negatively affected Tim into his forties because he wanted desperately to “save Linda’s life. Not her body ---- her life.” To cope with the loss of Linda, Tim would dream of her. In Tim’s dreams, Linda would explain to Tim that death simply “doesn’t matter.” Linda was so vivid in Tim’s dreams and memories, that it didn’t matter at all if she was alive or not. Her memory was still there, it never left Tim. To explain this philosophy better to Tim, Linda described death as “a book up on a library shelf, that hasn’t been checked out for a long, long time.” Tim already read through Linda’s short life. When he was done, he put her up on a shelf and there she remains, not inexistent, not gone, just sitting there. Everything Tim read never erased itself from his mind when he reached those final pages, It just was over to be relayed back to …show more content…
later. Unlike Tim’s rejection of death, Billy quickly accepted it and dreamed about when he would die.
Billy learned his philosophy of death from the Tralfamadorians, the aliens who abducted him. They believed that time was virtually nonexistent, so when you die, they were only deceased at that moment and alive all the others. Billy has traveled in time all throughout his life, so he has seen a lot of death; The deaths of many American and Russian soldiers in the train and slaughterhouse, the death of his wife; dozens of others in a plane crash, and his own death. Everything that Billy saw was death, so he quickly became used to it to the point where it didn’t matter much to him. He awaited his death; at his speech he would say “hello, goodbye, hello, goodbye.” to tell his audience and “adoring fans” that he would never truly leave, that when he would be shot on the scene they should just let it occur, because they would always remember him, he would never truly leave. Whenever Billy saw death or spoke of it, he would just say “so it goes.” Billy used this phrase to help cope with the loss of someone and move on, unlike Tim who spent countless hours dreaming and crying over someone’s death. Billy also knew when a death would occur so it never came as a shock to him. Overall Billy became numb to all the death he saw each and everyday that he had no other choice but to accept it, and he was happier that
way. The idea of death in The Things They Carried and Slaughterhouse-five showed that many people are a lot like Tim. They spend so much time mourning over the loss of someone that they have no time to enjoy their memory. Billy never mourned the death of anyone, not even himself, because unlike Tim, Billy knew that a memory was more important than the body that contained it. Even though these two novels are separate and written by different authors, they both have similar views on death. In the end, people should be more like Billy and instead of mourning losses they just need to say “so it goes” and move on.
...t or the future. With this information, Billy begins to learn about the future. “I, Billy Pilgrim will die, have died, and will always die on February thirteenth, 1976.” Billy is in fact right with this prediction. Realizing everything is planned out, Billy ends his search for meaning. He understands that he can do nothing to stop the senseless acts, which take place. Like the Tralfamadores, he must try to concentrate on the good moments and not on the bad ones. He could do nothing to stop them or to change them.
Though he was able to escape war unharmed, Billy seems to be mentally unstable. In fact, his nightmares in the German boxcar at the prisoners of war (POW) camp indicate that he is experiencing Post-Traumatic Stress Disorder (PTSD): “And now there was an acrimonious madrigal, with parts sung in all quarters of the car. Nearly everybody, seemingly, had an atrocity story of something Billy Pilgrim had done to him in his sleep. Everybody told Billy Pilgrim to keep the hell away” (79). Billy’s PTSD is also previously hinted when he panics at the sound of sirens: “A siren went off, scared the hell out of him. He was expecting World War III at any time. The siren was simply announcing high noon” (57). The most prominent symptom of PTSD, however, is reliving disturbing past experiences which is done to an even more extreme extent with Billy as Slaughterhouse-Five’s chronology itself correlates with this symptom. Billy’s “abduction” and conformity to Tralfamadorian beliefs seem to be his method of managing his insecurity and PTSD. He uses the Tralfamadorian motto “so it goes” as a coping mechanism each time he relives a tragic event. As Billy struggles with the conflict of PTSD, the work’s chronological order is altered, he starts to believe
Billy Pilgrim, Kurt Vonnegut's main Slaughterhouse-Five character, rode through life on one of those moving sidewalk, conveyer belt contraptions. He did not make any special efforts to enhance his situation. If one were to cut and paste the novel so that the story of Billy Pilgrim's life went in chronological order, it would become apparent that he merely lived his life. The world still moved around him, war, fire-bombing, the progression of the television set, but Billy took a passive role in his own existence. Billy Pilgrim stays the same humdrum being his entire life. Vonnegut used the repetition of Billy's life and phrases such as "Somewhere a big dig barked" to exhibit how some things just do not change (168). He points out that the people in the novel "are so sick and so much the listless playthings of enormous forces" (164). Billy knows that he is going to die anyway, regardless of what he does or does not do, and he plainly wants to remain unscathed during his journey. Vonnegut used this publication as a vehicle to show that it is not enough to live a life to its end, the approach that Billy employed.
Billy Pilgrim, the protagonist, jumps from place to place and is in a constant time warp while on the planet Tralfamadore. Since Vonnegut uses the planet Tralfamadore and the Tralfamadorian people to take Billy from place to place and time frame to time frame, in the novel he constantly respects the phrase "So it goes," which describes the Tralfamadorians' view of death. Vonnegut's manipulation of time and place is definitely unusual.
In Kurt Vonnegut’s Slaughterhouse-Five the main character Billy Pilgrim experiences few emotions during his time in World War II. His responses to people and events lack intensity or passion. Throughout the novel Billy describes his time travel to different moments in his life, including his experience with the creatures of Tralfamadore and the bombing of Dresden. He wishes to die during most of the novel and is unable to connect with almost anyone on Earth. The fictional planet Tralfamadore appears to be Billy’s only way of escaping the horrors of war, and acts as coping mechanism. Billy seems to be a soldier with Post Traumatic Stress Disorder (PTSD), as he struggles to express feelings and live in his reality. At the beginning of the novel the narrator proposes his reason for writing the book is to explain what happened in the Dresden fire bombing, yet he focuses on Billy’s psyche more than the bombing itself. PTSD prevents Billy from living a healthy life, which shows readers that the war does not stop after the fighting is over and the aftermath is ongoing. Billy Pilgrim’s story portrays the bombing and war in a negative light to readers, as Vonnegut shows the damaging effects of war on an individual, such as misperception of time, disconnect from peers, and inability to feel strong emotions, to overall create a stronger message.
Billy is also traumatized by the extreme loss in his life. Everywhere he looks, he experiences great loss. First his father dies in a hunting accident, then he gets in a plane crash and everyone aboard dies but him, and while he is in the hospital recuperating, his wife dies of carbon monoxide poisoning. There is so much death surrounding his life, that it is no wonder Billy has not tried to kill himself yet.
O’Brien figured out that even if someone died, you can still make them alive by telling their stories. Linda is O’Brien’s example of storytelling being the healing process of pain, confusion, and sadness that comes with unexpected death. After she dies, he uses his imagination to bring her back to life, and he also believes that the death can still be alive through literature. The death of Linda portrays how soldiers can deal with death in Vietnam even when they encounter so many people dying in the war.
He has seen so much death all through the war and the bombing of Dresden. In Slaughterhouse Five whenever any living thing dies because of the war, medical reasons or accident the first comment by Billy is “So it goes”. “The real Iron Maiden was a medieval torture instrument, a sort of boiler which was shaped like a women on the outside-and lined with spikes. The front of the women was composed of two hinged doors. The idea was to put a criminal inside and then close the doors slowly. There were two special spikes where his eyes would be. There was a drain at the bottom to let out all the blood. So it goes” (36). One of the most gruesome deaths described in the book has no emotional effect on Billy. The war wipes out the sentimental mindset of death from the minds of Billy and others who experience the destructiveness in
At some point in everybody’s life they feel the sorrow and anguish of losing somebody. The the stories “Nashville Gone to Ashes” and “When It’s Human Instead of When It’s Dog”, both a widow and widower are not able to move on with their life after the loss of their loved one. In both cases the mister and the widow both come to the conclusion that their significant other is not coming back leading them to find ways to cope with their deaths, move on and function the best they can with their lives.
In Chapter 2 of Slaughterhouse Five, we learn an awful lot about Billy Pilgrim. We learn that he was born an only child, drafted for military service, taken prisoner by the Germans, returned home a successful optometrist and had a nervous breakdown.
Death and Reality in "Where Are You Going, Where Have You Been?" by Joyce Carol Oates
Billy is used to showing that everything happens because of fate. As a prisoner, Billy has no control over his day to day life. While Billy is in Dresden, the city is bombed, because of luck, only Billy and a few others survive the bombing in a slaughterhouse. The people of Tralfamadore tell Billy that humans do not understand time because everything they do is in singular progression.
The books we read in Creative Writing are Slaughterhouse-Five and The Things They Carried. Slaughterhouse-Five was written by Kurt Vonnegut in 1969 and The Things They Carried was written by Tim O’Brien in 1990. The Things They Carried and Slaughterhouse-Five are two examples of anti-war literature. Slaughterhouse-Five is a story describing the time traveling between periods of time in Billie’s life. Billie is an American prisoner in the Dresden, Germany. The Things They Carried is a journal of the events that occurred in the Vietnam War that the author writes from the Alpha Company. These two stories are similar and different in their description of the horrors of war. They are classic anti-war books. The two books are successful in blending fiction and nonfiction items to demonstrate dreamlike and unbelievable descriptions that give a complete picture of war.
In Slaughterhouse Five, written by Kurt Vonnegut, the plot focuses on a man who tends to regress back to his childhood, and earlier life, using three important themes. These important themes are the destructiveness of war, the illusion of free will, and the importance of sight. In this novel, Kurt Vonnegut reflects on his experiences in the war in 1945 as a prisoner of war. This man is named Billy Pilgrim. Billy Pilgrim is a former prisoner of war who tends to be stuck in the same mindset as before.
...ho never recovered after experiencing the death of his entire family. Through substance abuse, affairs with Risa Walker, and his use of memory to escape the reality that his family is no more, he proves to be the least successful character in the novel at coping with death. The new questions then become whether or not one ever has such access in order to pull through grief, or, does someone even want to? Reading about Billy he shows us how we should not cope with death, we learn that what is needed at times like this is someone by your side, someone you can lean on, and someone to love you, all of which Billy really does not have. Most human beings do not have that someone to help them cope with death so the responsibility of moving on then falls on them. It is up to them to decide if they want to move on or live the rest of their lives replaying that tragic event.