Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Examples of courtly love in medieval literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Examples of courtly love in medieval literature
Etched in the backbone of numerous medieval texts is the closing line of Dante's Paradiso, "the love that moves the sun and the other stars" (Paradise XXXIII; 145). This short line of iambic pentameter encapsulates the broad notion of divine love, which in the Medieval Period, was considered the driving force towards the infinite. In Dante's Divine Comedy, Julian of Norwich's Revelations of Divine Love, and Thomas Aquinas Summa Theologica, divine love is a central theme exposed in true human love through poetic pilgrimages, mystic revelations, and philosophical teachings. Each work exposes human love in its most charitable and pure form as interrelated with divine love and in its most passionate and self-serving form as distinguished from the divine.
Dante Alighieri was steeped in Latin and vigorous in all the liberal arts, however, he chose to
…show more content…
This is evident in Thomas Aquinas' Summa Theologica with regards to Question 94's Third Article: Do All Virtuous Acts Belong to the Natural Law? Regan explains virtue as "human excellence [which there are] three kinds: intellectual, moral, and theological" (Regan 217). Intellectual virtue consists of scientific knowledge, theories, and the 'natural law' as well as 'practical wisdom and skills.' Moral virtue is the ability to act practically through one's wisdom. Theological virtue consists of three supporting virtues: "faith, hope, and charity" (Regan 217). In Aquinas' answer he asserts that "all virtuous acts belong to the natural law, since one's own reason by nature dictates that one act virtuously" (Regan 45). Aquinas emphasizes the notion that human virtue, which consists of charity – the most excellent of all virtues which is to love God and love others – belongs to the natural law human beings are inclined to follow. Above this natural law is divine law, which surpasses all human
Dante, an Italian poet during the late middle ages, successfully parallels courtly love with Platonic love in both the La Vita Nuova and the Divine Comedy. Though following the common characteristics of a courtly love, Dante attempts to promote love by elevating it through the lenses of difference levels. Through his love affair with Beatrice, although Beatrice has died, he remains his love and prompts a state of godly love in Paradiso. Dante, aiming to promote the most ideal type of love, criticizes common lust while praises the godly love by comparing his state of mind before and after Beatrice’s death. PJ Klemp essay “Layers of love in Dante’s Vita Nuova” explains the origins of Dante’s love in Plato and Aristotle themes that designate
Characters in literature who exhibit pride or live as a voice of reason, often share certain characteristics between each other. Prideful characters often allow their pride to influence their actions, while voices of reason advise the lead character, hoping that the lead character will listen to them. Dante’s Inferno and Sophocles’ Oedipus Rex share similarities through their lead characters, Dante (the pilgrim) from Dante’s Inferno and Oedipus from Oedipus Rex, as well as through their voices of reason, Virgil from Dante’s Inferno and Creon from Oedipus Rex
In Dante’s Inferno, the relationship between Dante the Pilgrim and Virgil the Guide is an ever-evolving one. By analyzing the transformation of this relationship as the two sojourn through the circles of hell, one is able to learn more about the mindset of Dante the Poet. At the outset, Dante is clearly subservient to Virgil, whom he holds in high esteem for his literary genius. However, as the work progresses, Virgil facilitates Dante’s spiritual enlightenment, so that by the end, Dante has ascended to Virgil’s spiritual level and has in many respects surpassed him. In Dante’s journey with respect to Virgil, one can see man’s spiritual journey towards understanding God. While God loves man regardless of his faults, His greatest desire is to see man attain greater spirituality, in that man, already created in God’s image, may truly become divine, and in doing so, attain eternality.
“If you would not be forgotten as soon as you are dead and rotten, either write things worth reading or do things worth writing.” This maxim applies to the poet Dante Alighieri, writer of The Inferno in the 1300s, because it asserts the need to establish oneself as a contributor to society. Indeed, Dante’s work contributes much to Renaissance Italy as his work is the first of its scope and size to be written in the vernacular. Due to its readability and availability, The Inferno is a nationalistic symbol. With this widespread availability also comes a certain social responsibility; even though Dante’s audience would have been familiar with the religious dogma, he assumes the didactic role of illustrating his own version of Christian justice and emphasizes the need for a personal understanding of divine wisdom and contrapasso, the idea of the perfect punishment for the crime. Dante acts as both author and narrator, completing a physical and spiritual journey into the underworld with Virgil as his guide and mentor. The journey from darkness into light is an allegory full of symbolism, much like that of Plato’s Allegory of the Cave, which shows a philosopher’s journey towards truth. Therefore, Dante would also agree with the maxim, “Wise men learn by others’ harms; fools scarcely by their own,” because on the road to gaining knowledge and spiritual enlightenment, characters who learn valuable lessons from the misfortunes of others strengthen their own paradigms. Nonetheless, the only true way to gain knowledge is to experience it first hand. Dante’s character finds truth by way of his own personal quest.
Divine love is an essential moving block from a state of misery to one of happiness. We learn that Virgil has only come to Dante’s aid because he has been summoned by Beatrice. This is an example of relying on divine love. He says to Dante “Do not fear, the journey we are making none can prevent: such power did decree it. Wait here for me and feed your weary spirit with comfort and good hope; you can be sure I will not leave you in this underworld” (Dante pg.45). Despite fear Virgil reasures Dante with indirect and divine love. Virgil and Dante are anxious and weary about the journey that they are about to take on. However, Virgil reassures Dante that he will not leave him in the underworld. Instead they both will eventually ascend to paradiso. He believed that sometimes it is important to live through other people 's happiness in order to seek happiness. Dante felt that having knowledge of the divine love will eventually lead to happiness and get one through the hard times. Even in the inferno, divine love is still present and guides Dante through his battles, fears, emotions and
Alighieri, Dante. The Divine Comedy of Dante Alighieri: Inferno. Trans. Allen Mandelbaum. Notes Allen Mandelbaum and Gabriel Marruzzo. New York: Bantam Books, 1980
Aristotle claims that there are two types of virtue: intellectual and moral. Intellectual virtues must be taught, so it requires experience and time. On the other hand, “none of the moral virtues arises in us by nature; for nothing that exists by nature can form a habit contrary to its nature.” (Aristotle 23) He says that when we are born, we all have the potential to be morally virtuous; it just depends on our upbringing and habits that determine who actually becomes virtuous. He confirms this with a metaphor to government, when he says, “legislators make the citizens good by forming habits in them.” (23) This is showing that on all levels, virtue is something that needs to be taught.
The Symposium, The Aeneid, and Confessions help demonstrate how the nature of love can be found in several places, whether it is in the mind, the body or the soul. These texts also provide with eye-opening views of love as they adjust our understanding of what love really is. By giving us reformed spectrum of love, one is able to engage in introspective thinking and determine if the things we love are truly worthy of our sentiment.
"So this is love, so this is what makes life divine." recited from Cinderella. This quote is equivalent to one of John A. Lee's theory, eros, is like a fairy tale love story or a fantasy love. An erotic lover focuses on the beauty and the physical attraction, for example, love at first sight. Studies show people who identify as an eros lover have a solid optimistic viewpoint about the future of their love relationship. Similarly to Cinderella the movie, the prince fell...
Love, in classical Greek literature, is commonly considered a prominent theme. Love, in present days, always appears in the categories of books, movies, music, etc. Interpreted differently by different people, Love turns into a multi-faceted being. In Plato’s work Symposium, Phaedrus, Pausania, Eryximachus, Aristophane and Agathon, each of them presents a speech to either praise or definite Love. Phaedrus first points out that Love is the primordial god; Pausanias brings the theme of “virtue” into the discussion and categorizes Love into “good” one or “bad” one; Eryximachus introduces the thought of “moderation’ and thinks that Love governs such fields as medicine and music; Aristophanes draws attention to the origin and purposes of Love; Agathon enunciates that the correct way to present an eulogy is first to praise its nature and gifts.
The Divine Comedy and the Bible are similar and different in many ways. Dante includes Paradiso (Heaven), Purgatory, and Inferno (Hell) in The Divine Comedy. It talks about where people go when they die. The Bible differs from this because there is only Heaven and Hell. There is not a middle place, such as Purgatory, where people go to repent of their sins even after death. Also, unlike Inferno, Hell is not split up into many categories. In the Bible they go straight into Heaven or Hell. Also, everyone’s new bodies in the two stories are different. The Divine Comedy and the Bible have several complex ideas, and the comparisons and contrasts of the two are interesting.
The modern concept of love owes a great deal to the Humanist tradition of the Renaissance. The humanists focused on perfection and exaltation of this life as opposed to the afterlife. In Tristan and Iseult the seeds of Renaissance love are present in the Middle Ages. To the modern eye, it is a mystery how the period of the Middle Ages produced the seeds of the diametrically opposite Renaissance. Yet it is necessary to understand this transformation if one is to fully comprehend the forces that helped produce the modern consciousness. Courtly Love is a transitional concept that emerged in the Middle Ages. It is transitional because it emerged early and acknowledges God as the creator of love, yet it concentrates on the lovers themselves. The tale of Tristan and Iseult is one of the oldest tales that exhibits courtly love. The Love of Tristan and Iseult, as a metaphor for courtly love, is pivotal to the transition from the Middle Ages' focus on community and afterlife to the Renaissance focus on the individual and earthly happiness.
The Divine Comedy, written in the 14th century by Dante Alighieri, is a heroic epic. Throughout Dante’s literary work, he outlines his scientific understandings of the world, his political views and provides the reader with a moral compass and spiritual map of which to follow. This poem is written in three parts, Inferno, Purgatorio, and Paradisio, each of which is broken down into individual cantos. Inferno includes 34 cantos, whereas Purgatrio and Paradiso each contain 33 cantos, however, the first canto of Inferno is really an introduction to the poem.
Virtue is such an abstract concept that it is impossible for individuals or even societies as a whole to clearly and unequivocally define it, so there must be some form of a higher authority capable of defining human virtues tout court in order for such a thing to even exist. Because of the impact one's environment can have on his or her belief system there is a wide range of conflicting ideas regarding human virtue around the globe, which indicates that no intrinsic definition of human virtues exists for humans. Therefore, human beings alone are only able to speculate as to the nature of human virtue that cannot serve as concrete standards people must live up to as opinions generally do not have enough certainty to function as definitions. Thus, there must be a non-human higher power that outlines what is and is not thought to be excellent for all human beings, regardless of age, race, gender, or belief system.
“All of morals comes down to the virtues.” (Keenan, 142) Keenan asserts that these virtues are the cardinal virtues, consisting of courage, temperance, justice, and prudence, and date back to Aristotle in Ancient Greece. The word cardinal is derived from the root, cardo, meaning hinge. Simply stated, the Christian moral life hinges on the cardinal virtues. Keenan suggests an updating of the cardinal virtues to become justice, fidelity, self-care, and prudence. He provides reasoning for the new virtue list. He defines each virtue with its social implications. For example, individuals should seek to set up society with equal justice for all persons. These descriptions help the Christian understand when the virtues are best applicable to self and/or others. Thomas Aquinas adds three theological virtues to the mix: faith, hope, and charity. Familiar from the thirteenth chapter of I Corinthians, these virtues seek to help Christian theologians through the ages maintain the integrity of the Gospel and continue to make it relevant in the modern world. Keenan recounts Bernard of Clairvaux’s beliefs that cultivating the virtues is a way to assimilate with the humanity of Jesus. (Keenan, 136) According to Aquinas, “Every human action is a moral action.” (Keenan, 142) The purpose of the virtues is to guide Christians, and when the Christian studies and applies the virtues to his life, his actions will demonstrate morality. The Bible heralds in Proverbs 3:32, “Devious people are detestable to the Lord, but the virtuous are his close