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Role of women in beowulf
Role of women in beowulf
Role of women in beowulf
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The Anglo-Saxon poem, Beowulf is brimming with feats of archetypal heroism. The titular character engages in feats of strength, slays monsters, and ultimately sacrifices his life for the common good. Yet, in the final third of the poem the author uses a digression to create a more rounded character that understands the importance of politics and social alliances. Beowulf’s speech to his lord and uncle Hygelac after his victories over the beast known as Grendel and his mother, illustrates this shift towards a more civic-minded character that places importance upon relations within tribal society over his own glory. The digression takes place as Beowulf moves from heroic youth toward aged leadership, and serves to portray Beowulf not only as …show more content…
a mighty warrior, but as a man that possesses the socio-political acumen to rule. By placing news of political alliances before news of his own deeds, Beowulf shifts from a solely archetypal hero to a more realistic representation of a Scandinavian noble. Beowulf certainly has the glory of his deeds in mind upon reaching his native soil, yet that glory takes a secondary position in Beowulf’s speech to his lord Hygelac.
The betrothal of Hrothgar’s daughter, Freawaru to the son of the Heathobard chieftain, Froda weighs heavier on Beowulf’s mind. Hygelac makes it clear that he earnestly desires news of Beowulf’s deeds:
How did you fare, beloved Beowulf,
In your journey, when you suddenly resolved
to seek a far-off strife over the salt
…show more content…
sea, a battle in Heorot? Did you better at all the well-known woe of Hrothgar, the famous prince? (1987-92) Though his lord wishes to hear of the great battles Beowulf has endured, the mighty Geat instead speaks of the daily business in Heorot and of the betrothal, placing this news before his own victory over the monsters. Until this moment in the poem, Beowulf was concerned only with honor, duty, and his own fame, his desire to forestall recounting his deeds to Hygelac shows that these things may not be the only matters of import for him any longer. The author is revealing a Beowulf that still has a taste for fame and glory, yet is tempered by an interest in social affairs that may have violent repercussions in the future. Beowulf is no longer just a great hero, now he is also a hero in possession of sagacity in regards to the peace of his people. Beowulf’s speech to Hygelac not only shows the character’s development beyond archetypal deeds, but also reflects some of the cultural attitudes towards women within pre-Christian Europe.
Within his speech, Beowulf speaks highly of Hrothgar’s queen:
At times the famous queen,
bond of peace to nations, passed through the hall,
urged on her young sons; often she gave
twisted rings before she took her seat. (2016-19)
Beowulf clearly admires Wealtheow and understands her importance as a “bond of peace to nations” (2017). Beowulf’s regard for Wealtheow shows that the character sees great value in the role of women within his culture. This broader frame of mind in regards to gender roles makes the character a more realistic representation of a man within Norse culture given that the status and function of women in Norse society was perhaps a bit more complex than they were in the author’s own time. Beowulf’s speech pays similar respect to Hrothgar’s daughter, and the placement of this respect in the lines of his speech argues in favor of Beowulf as a more socially aware character in terms of how he views women in his culture and fleshes him out beyond the narrower archetype that he is portrayed as in earlier sections of the
poem. Just as the digression provides some insight into Beowulf’s view of women and their role in tribal society, it also illuminates Beowulf’s doubts concerning the limitations of these same roles. This doubt is expressed by Beowulf in explicit terms as he expresses his thoughts pertaining to Freawaru’s betrothal to Froda’s son: “She is promised, young, gold-adorned, to the gracious son of Froda; the ruler of the Scyldings has arranged this, the kingdom’s shepherd, and approves the counsel that he might settle his share of feud and slaughter with this young woman. But seldom anywhere after the death of a prince does the deadly spear rest for even a brief while, though the bride be good! (2024-31) Beowulf’s admiration for Freawaru may be evident, but he is clearly skeptical about her ability to keep the peace between two tribes in conflict. A good bride can perhaps maintain a fragile peace, but in Beowulf’s summation, the animosity of men and their hunger for power are not easily stayed by such marital alliances. This attention to what may eventually transpire upon Hrothgar’s death affords the reader a characterization of Beowulf that is more intelligent and forward-thinking than what is witnessed in earlier portions of the narrative. Beowulf’s concerns also lead him to an intuitive distrust of the Heathobards in general. Beowulf exhibits considerable wisdom in his opinion of the alliance between the Danes and the Heathobards. He astutely understands how past acrimony could in time make the peace provided by marriage ineffective. Beowulf foresees the problems this alliance may someday encounter: the sworn oath of earls will be broken, once bitter violent hate wells up in Ingeld, and his wife-love grows cooler after his surging cares. (2063-66) This digression continues to expand upon Beowulf’s character, making him more complex as well as foreshadowing the political savvy that will eventually make him king among his own people. No longer is fame and heroism the character’s sole purpose, Beowulf through this speech, begins to take shape as a a man of great strength and honor, but also of great wisdom. While Beowulf continues to display traits that keep him firmly rooted as a heroic figure throughout the rest of the poem, his particular speech to Hygelac provides a model of Beowulf that goes beyond the simple structure of a pagan hero. Beowulf’s emphasis on the importance of women and the alliances they create (although potentially fragile) through marriage shows that fame and glory are not always as important as the more delicate art of maintaining lasting peace. The digression presented and the order in which its contents are relayed to Hygelac make Beowulf as a character more grounded in an actual historical, socio-political context than some of his archetypically heroic brethren.
Beowulf opens with a short account of the victorious Danish king Scyld Scefing, whose pagan ship-burial is described. His body was carried on board a ship, piled up with arms and treasures: the ship passed out to sea. The reigns of Scyld’s son and grandson, Beowulf and Healfdene, are mentioned, and we then meet Hrothgar, the son of Healfdene. In The Saga of King Hrolf Kraki we also meet a Hrothgar, but his name is abbreviated into Hroar. Hroar is a notable figure, just as in Beowulf, ruling over the northern English kingdom of Northumberland until forced into a disastrous conflict. King Hrothgar builds a splendid hall, call...
“Staring at his grotesquely muscled shoulders--stooped, naked despite the cold, sleek as the belly of a shark and as rippled with power as the shoulders of a horse--I found my mind wandering...He was dangerous” (155). Even from the first day Beowulf showed up at Hrothgar’s kingdom, Grendel knew he was dealing with something worse than a hero. Once they finally start to battle, the monster in Beowulf is fully revealed to Grendel and Grendel sees again the stupidity and meaninglessness in the human’s definition of a hero.“Grendel, Grendel! You make the world by whispers, second by second. Are you blind to that? Whether you make it a grave or a garden of roses is not the point. Feel the wall: is it not hard?...Hard, yes! Observe the hardness, write it down in careful runes. Now sing of walls! Sing!” (171). Beowulf forces Grendel to make a fool of himself and unlike Unferth who longs for a heroic death, Beowulf knows he is going to win and has no desire to die. His mindset of victory, groups him with monsters who have one goal, to kill and never be killed. This shatters the Anglo-Saxon ideals of heroism and in Grendel’s death, when he is surrounded by oblivious creatures who don’t have a purpose, the meaninglessness of it all, including the meaninglessness of heroic deeds becomes evident to the
Clark, Gorge. “The Hero and the Theme.” In A Beowulf Handbook, edited by Robert Bjork and John D. Niles. Lincoln, Nebraska: Uiversity of Nebraska Press, 1997.
8. Based on Beowulfs opening address to Hrothgar my first impression is that he is very confident and perhaps even self obsessed. He brags about his success and his strength. He says “of my youth have been filled with glory” and also states “my people have said, the wisest, most knowing, and best of them, that was duty was to the Danes’ Great king. They have seen my strength for themselves, have watched me rise from the darkness of war, dripping with my enemies blood. I drove five great giants into chains, chased all of that race from the earth.” And also to continues to list all of his world changing achievements that he accomplished all on his own. To me personally, he comes off as self conceded and feels as if he is untouchable.
Beowulf's intention is to honor the allegiance between his father, Ecgtheow, and Hrothgar. When Ecgtheow was alive, he killed Heatholaf, who was a Wulfing, and it started a war. Hrothgar decided to send treasure to the Wulfings, which repaired the conflict and ended the war. The memory of the great Beowulf was then cherished by the Geats.
Hygd, wife of Hygelac, the King of Geats, is mentioned several times, although we never hear her speak. She offers Beowulf the throne when he returns home from fighting the dragon, but the narrarator of the poem tells us, "There Hygd offered him throne and auth...
While the classic battle between good and evil forces is a major theme of the medieval epic Beowulf, one may question whether these good and evil forces are as black and white as they appear. Scholars such as Herbert G. Wright claim that “the dragon, like the giant Grendel, is an enemy of mankind, and the audience of Beowulf can have entertained no sympathy for either the one or the other” (Wright, 4). However, other scholars such as Andy Orchard disagree with this claim, and believe that there is “something deeply human about the ‘monsters’” (Orchard, 29). While Grendel, Grendel’s mother, and the dragon are indeed portrayed as evil and violent foes, there are parts within Beowulf that can also lead a reader to believe that the “monsters” may not be so monstrous after all. In fact, the author of Beowulf represents the “monsters” within the poem with a degree of moral ambivalence. This ambivalence ultimately evokes traces of sympathy in the reader for the plight of these “monster” figures, and blurs the fine line between good and evil within the poem.
Beowulf outlines turmoil between three opponents: Grendel, Grendel’s mother, and the Dragon. These separate discords each serve to fulfill different metaphoric purposes. Grendel’s character epitomizes the adverse persona of how an Anglo-Saxon warrior should not be. His mother represents everything that a woman during the time era should seldom be. Lastly, the Dragon embodies all the values that an Anglo-Saxon king should not dare retain. Without a doubt, the symbolic implications of the monsters in Beowulf bring the context to a new level of understanding.
Once Grendel and his mother are killed, the king showers Beowulf in gifts. Beowulf shows humility and accepts the gifts, and quietly returns to his home. He does not want to bask in his glory. "So they went on their journey, and Hrothgar 's generosity was praised repeatedly"(Beowulf 1885-86). This quote symbolizes the relationship between the King of Danes and Beowulf, because he is constantly thanking him for the gifts. It is not just seen as a business deal where Beowulf has come to provide a service, and collect his reward. There is much more to his actions, he genuinely provides services to the king for the greater good. He is humble in nature, where he is not looking for attention. He does not gloat that he is truly the best warrior he sort of just thanks the king. The king of Danes states to Beowulf "In all things you are even tempered, prudent, and resolute"(Beowulf 17056). It is already known that he is a great warrior, so there is no need for him to overly express
Beowulf’s life was truly epic struggle. The monsters he battled made it so. Grendel and the dragon, capable of crushing men physically, stood for evils that could just as easily crush men in spirit. These two beasts represented society’s greatest fears, as well as detriments, and Beowulf fearlessly took them on. Grendel taught the hero a valuable lesson about maintaining one’s humanity in a world dominated by the dogs of war. The dragon, showed Beowulf’s mortality, his imperfection, but the hero eradicates it nonetheless, saving his people from not only physical threat, but sin. Bringing in such spiritual and moral dimensions, these two beasts certainly give the story of Beowulf depth.
Beowulf, a Geat, hears about Hrothgar's troubles, gathers fourteen of the bravest Geat warriors, and sets sail. The Geats are greeted by the members of Hrothgar's court, and Beowulf tells the king of his previous successes as a warrior. During the banquet Unferth, a Danish soldier, doubts Beowulf's past accomplishments, and Beowulf, accuses Unferth of being a brother-slayer. At this banquet Hrothgar promises Beowulf many riches and treasures if he can slay Grendel.
Wright, David. “The Digressions in Beowulf.” In Readings on Beowulf, edited by Stephen P. Thompson. San Diego: Greenhaven Press,1998.
Promp: what does beowulf have to say about women? Specifically, what is a women’s proper role in Beowulf? Consider actual Anglo- Saxon queens
The women characters in Beowulf show that during the time period in which this was written, the roles of women were clearly defined. While, the author's views on women may never be fully revealed, it is made apparent that he believes in male superiority, and disobedient females ought to be suppressed. Like Wealhtheow, females were to exert minimal power and influence, but should always keep the drinks coming.
There are three prominent monsters in the Beowulf text, Grendel, his mother, and the dragon. While the dragon proves to be the most fatale of foes for Beowulf, Grendel and his mother do not simply pose physical threats to the Germanic society; their roles in Beowulf are manifold. They challenge the perceptions of heroism, a sense of unrivalled perfection and superiority. Moreover, they allow the reader to reconsider the gender constructs upheld within the text; one cannot help but feel that the threat that these monsters present is directed towards the prevalent flaws in Beowulf’s world. Moreover, what makes these monsters is not their physical appearance; it is what they embody. Both Grendel and his mother have humanlike qualities yet their monstrous appearance arises from what their features and mannerisms represent. The challenge they pose to societal paradigms makes them far more terrifying to our heroes than any scaled flesh or clawing hand. These monsters provide the ‘most authoritative general criticism […] of the structure and conduct of the poem’. Their presence provides contrast and criticism of the brave society (Heaney 103).