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Gender themes in literature
Feminism as a special topic in literature
Gender themes in literature
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Opposites balance each other out, and without opposites the world would be a very bland place. Nothing new would be learned because everyone shares all of the same beliefs and there would be no progression. Progression relies on varying opinion and questioning authority. “Woman Warriror” by Maxine Kingston is a story about a family who has recently moved from China and tries to assimilate themselves in the new culture while still having expectations that were produced from their old culture. At one point Brave Orchids sister, Moon Orchid, moves in with them but ends up struggling to find a place for herself in the fast paced difficult life in “The Western Palace”. Brave, written by Chapman, is a movie about a feisty young woman named Merida …show more content…
who struggles with the strict guidelines set up for her by her family tries to break free from cultural norms so that she can express herself and be the person that she wants to be.
In “Woman Warrior” and Brave the characters Moon Orchid and Merida play complete opposites. Merida plays a strong woman warrior who always opposes authority while Moon Orchid is silent and allows everyone to mistreat her. Merida is a signal of strength and power and a woman warrior while Moon Orchid embodies what it means to have none of the qualities that a woman warrior should have because she is submissive and allows herself to be mistreated on a constant basis.
Moon Orchid is on the very far side of the spectrum because she is completely submissive and listens to anything that she is told. When Moon Orchid is confronted with a problem she attempts to run and hide from her problems. She demonstrates this when she says, “I’m scared,” said Moon Orchid. “I want to go back to Hong Kong” (1750). Instead of confronting her problems like she should she models what it means to be submissive and not an example of a true woman warrior. She is not a role model that girls should grow up looking at. Moon Orchid does not show strength because she has many obstacle in her life and she just gives up and
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allows herself to be pushed down instead of standing up and fighting for her rights. Moon Orchid does not want to confront her husband even though he left her and hurt her deeply by abandoning her. She was wronged by him and has the opportunity to try to fix it she decides to be submissive rather than aggressive so she doesn't have to cause a commotion. She does not want to do anything like this so Brave Orchid, her sister, has to do all of the talking and they end up getting no where with the conversation. This is bad because people should stand up for themselves when the have been hurt or when someone has done something with the intent of malice. “The next odd thing Moon Orchid did was to cry whenever anyone left the house. She held on to them, pulled at their clothes, begged them not to go. The children and Brave Orchid’s husband had to sneak out. “Don’t let them go,” pleaded Moon Orchid. “They will never come back” (2300). She is fearful of abandonment and that if someone even leaves for a short amount of time then they will never ever come back. She has become so dependent on other people and she is to able to do anything for herself. Her lack of independence and constant worrying are not attributes that a woman warrior would have. She is not a woman warrior because she does fight for herself nor is she able to speak up and stand up against all of the things that people do to her. Merida, on the other hand, embodies everything that it means to be a woman warrior because she is smart, strong, and courageous.
She does not worry about how other people will see her, she just wants to be herself. She questions all authority and does not blindly follow rules that are laid out for her. There is a competition where the men of her village compete for her hand in marriage. She was not interested in any of them but her parents were not giving her a say in her own engagement so she proclaims, “I, Merida, will shoot for my own hand in marriage” (Chapman). She does not sit there silently when she sees something that she disagrees with. She knows that it will enrage her parents and most of the village but she decides to fight for her own rights because no one else will. A woman warrior does exactly this, fights not just with her words but with authoritative actions like this that challenge the standards that a society sets for its people. Merida believes that she can change her future and that path is not set for her to follow as she says, “There are those who say that fate is something beyond our command. That our destinies are not our own. But I know better. Our fate lives within us. You only have to be brave enough to see it” (Chapman). This is part of what makes her such a brave person; not believing that everything is out of her hand, but deciding that she will make and impact on the world. She is a perfect embodiment of a woman warrior and a modern day
princess that does not just pine over her Prince Charming. She is an example that all people should follow because of her strength, courage, and wit. More character like her need to exist and be shown to the public because females need a strong female role model if they wish to be a woman warrior when they grow up. Both Moon Orchid and Merida have certain expectations that people want them to fulfill. Moon Orchid is expected to be the traditional Chinese wife who obeys the husband and never says anything controversial. Moon Orchid is expected to be the docile housewife that can always be counted on to be supportive of whatever anyone else wants. Merida has certain expectations that her parents want her to be. They do not want her to be the feisty warrior and princess that she is; they want her to marry a nice young lad and to try to be as perfect as possible. The difference between these women is quite clear because Merida fights these expectations and becomes the person that she wants to become rather than the person that her parents want. Merida and Moon Orchid are complete opposite sides of the spectrum. Although Moon Orchid is not a role model or an example, characters like her are needed to exemplify other characters who embody the traits of a woman warrior by contrast. All in all, a woman warrior is someone that is both physically and mentally tough who does not take no for an answer and who always fights against oppression. So how do you embody what it means to be a woman warrior?
Firstly, Brave Orchid is a woman warrior because she receives an education later in life. Kingston writes, “Not many women get to live out the daydream of women – to have a room, even a section of a room, that only gets messed up when she messes it up herself” (Kingston 61). In this passage, Kingston reveals that a woman going off to live at school was not a commonality. Amongst the other women she lives with, she is by far the oldest. Despite the fact that older women are supposed to be wiser, Kingston does not provide any characters at school that share Brave Orchid’s age; she is about twenty years everyone’s senior. Therefore, being a fully grown adult woman attending medical school must have been a rarity. She did not subject herself to
Thus born The Woman Warrior, a chronicle of a Chinese American woman's personal sufferings and triumphs, of duplicities and truths, and of struggles and breakaways; a requiem for all the victims of the old culture whose soundless cries have not been heard and who died without a name, engulfed by the darkness and the silence. In her world then, at least, the failed heroine Fa Mu Lan is redeemed.
The story of Fa Mu Lan portrayed in the chapter White Tigers cleverly showcases Kingston’s expectations of the society where women are seen worthless. Within the story, Kingston provides the reader a contrast between her real life and her imagination to appeal to the reader about the frustration in her life. Furthermore, Fa Mu Lan was portrayed as a powerful warrior and at the same time a loving and caring mother. Portraying the character Fa Mu Lan with these qualities, writer was successfully able to demolish traditional Chinese beliefs about women in the society, while keeping the balance between power roles and feminine
Since people who have different identities view the American Dream in a variety of perspectives, individuals need to find identities in order to have a deep understanding of obstacles they will face and voices they want. In The Woman Warrior, Maxing Hong Kingston, a Chinese American, struggles to find her identity which both the traditional Chinese culture and the American culture have effects on. However, in The House on Mango Street, Sandra Cisneros clearly identifies herself as a Hispanic woman, and pivots to move up economically and socially to speak for her race. Even though both Kingston and Cisneros look for meanings of their identities, they have different approaches of reaching the full understanding.
Clashing swords, miraculous survivals, pain of loss, and heroic sacrifice are all terrifying yet thrilling moments in a battle. The strong possibility of death and the frailty of human life add into the suspense of battle. Yet the reasons behind the wars, death, and suspense can be overlooked. The stories behind the warriors who have died will not be told again, but the stories of warriors still alive are what give the men strength to continue fighting against impossible odds. Ultimately, the reason of why a man would risk his life in battle is for someone, or something, he loves. Like in Gilgamesh and the Iliad, women help encourage and influence the protagonists to be the heroes and protectors they are meant to be.
Maxine Hong Kingston’s novel The Woman Warrior is a series of narrations, vividly recalling stories she has heard throughout her life. These stories clearly depict the oppression of woman in Chinese society. Even though women in Chinese Society traditionally might be considered subservient to men, Kingston viewed them in a different light. She sees women as being equivalent to men, both strong and courageous.
Due to traditional stereotypes of women, literature around the world is heavily male-dominant, with few female characters outside of cliché tropes. Whenever a female character is introduced, however, the assumption is that she will be a strong lead that challenges the patriarchal values. The authors of The Thousand and One Nights and Medea use their female centered stories to prove their contrasting beliefs on the role of women not only in literature, but also in society. A story with a female main character can be seen as empowering, but this is not always the case, as seen when comparing and contrasting Medea and The Thousand and One Nights.
...re many similarities when it comes to technique, characterization, themes, and ideologies based on the author's own beliefs and life experiences. However, we also see that it appears the author herself often struggles with the issue of being herself and expressing her own individuality, or obeying the rules, regulations and mores of a society into which she was born an innocent child, one who by nature of her sex was deemed inferior to men who controlled the definition of the norms. We see this kind of environment as repressive and responsible for abnormal psyches in the plots of many of her works.
Early Chinese women and modern American women have more in common than one may think. Unfortunately, they both sell themselves short, not realizing the potential that they hold and by letting men control the world that they live in. Unlike the earlier times in America when women were appreciated for their contributions to the world, women in these stories and modern America try to please men and be equal to them. Like Lady Han is portrayed in the story "The Boot Reveals the Culprit," a silly woman after silly dreams. There is no credibility to the actions of women in these two time periods in these two different places. They are only objectified instead of personified, given little thought to what they think or feel - which is the worst case of anti-feminism there is.
Thought out the entire novel, the author depicted the stereotypes of women and the mental and physical harm that resulted from the inferiority. Meanwhile, men craved to be overpowering, both on the battlefield and in the community. The gender differences were in just. both gender should be equal and have equal advantages to becoming the stronger version of themselves.
Throughout history society has been controlled by men, and because of this women were exposed to some very demanding expectations. A woman was expected to be a wife, a mother, a cook, a maid, and sexually obedient to men. As a form of patriarchal silencing any woman who deviated from these expectations was often a victim of physical, emotional, and social beatings. Creativity and individuality were dirty, sinful and very inappropriate for a respectful woman. By taking away women’s voices, men were able to remove any power that they might have had. In both Alice Walker’s “The Color Purple” and Kate Chopin’s “The Awakening”, we see that there are two types of women who arise from the demands of these expectations. The first is the obedient women, the one who has buckled and succumbed to become an empty emotionless shell. In men’s eyes this type of woman was a sort of “angel” perfect in that she did and acted exactly as what was expected of her. The second type of woman is the “rebel”, the woman who is willing to fight in order to keep her creativity and passion. Patriarchal silencing inspires a bond between those women who are forced into submission and/or those who are too submissive to maintain their individuality, and those women who are able and willing to fight for the ability to be unique.
The main character, who is also the narrator is facing both woman vs. society and woman vs. self. The narrator is slowly slipping into madness, and it
...ime. Majority of the women in the novel overcame the tough traditions of women treatment in ancient Chinese culture. The ancient Chinese culture believed that women should fall under patriarchy and strict ethics. This gave women no opportunity to move up the social class ladder. Being treated poorly effected would often affect women. Women like Lindo represent the power of escaping the oppressive atmosphere. Lindo decided to leave when she saw the Huang couldn’t control her anymore. Women had to be able to find their own independent identity. Ying-Ying is an example of this since she always wished to be found by someone, but inevitably she realized that she was her solution to finding her wholeness. Today modern women can express their thoughts, independence, and creativity. Aid should be continually provided for liberating women from oppression and discrimination.
In multiple instances throughout the film, female characters violate gender norms by acting as both warriors and leaders because they are adapting typically masculine traits. In the film, women are the majority of the labor force in Iron Town. Men are merely there to do the labor that needs the most physical power. “Americans oversimplify Japanese women as demure, submissive, and oppressed” (Kyu Hyun, 2002, 38). This quote shows that the stereotype of women in Japanese culture was just like the western perspective where they were below men.
Both men and women fought on the battlefield. Hundreds of women served as nurses, laundresses, cooks and companions to the male soldiers in the Continental Army.6 In addition, there were some that actually engaged in battle. Seeing "no reason to believe that any consideration foreign to the purest patriotism,"7 Deborah Sampson put on men's clothing and called herself Robert Shirtliffe in order to enlist in the Army. "Robert Shirtliffe" fought courageously; "his" company defeated marauding Indians north of Ticonderoga.8 There is also the valiancy of the water carrier Mary Hays, otherwise known as Molly Pitcher, who took up arms after her husband fell.9 As a six-foot tall woman, Nancy Hart was considered an Amazon Warrior. Living in the Georgia frontier, this "War Woman" aimed and, with deadly accuracy, shot British soldiers who invaded the area.10 Mentioned in the beginning of this essay was Margaret Corbin, another woman on the battlefield.