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Essay about comparison
College level comparative essay
Essay about comparison
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The last big hoorah before Murphy gets lobotomized is the party scene. There are plenty different scenes in the movie that are very different than the book. The scene before the big party is one of those scenes. This scene is important in both the film and the novel because it shows how and why the party started. Both scenes contained candy and her friend coming through the window with bottles of liquor. Mr. Turkle wanted more then just the liquor in both scenes, he wanted a girl as well. Also the two girls that came to the ward came through the window in a loud manner. The ward was lit up in both scenes but not in the same way. Each scene has some similarities form the film and novel, and this scene has very few. There are so many differences …show more content…
In the novel this scene had a ton of dialogue between the guys and McMurphy before the girls got to the ward. McMurphy would be teasing Billy about what he is going to do with Candy once she gets their and how he made a bet that Billy will seduce her and sleep with her by the end of the night. In the novel McMurphy isn’t thinking of himself that night the party isn’t for him it’s for Billy. Before the girls came McMurphy and the guys just sat around the day room and became even closer. McMurphy was shown as a guy who cared about his family. McMurphy didn’t just throw this party to get himself wasted he threw this party because these men needed it. In the film this scene is very short and not shown well from the novel. By changing this scene up and making it shorter, it changed how the rest of the night was going to go. In the film McMurphy threw this party as a going away party for himself, and Billy getting with Candy was a last minuet idea. McMurphy woke everyone up in the ward and made it a real party. I think director/screenwriter Milos Forman and Bo Goldman did this to show the last and final hoorah of one of McMurphys greatest way to not only tick off nurse Ratched but by giving the guys something to remember and look out for when they finally get out. By shortening this scene and making it different, made McMurphy become portrayed a little differently. Even though they
In this paper I will be comparing the visit to the State Mental Institution and the
I chose the subject about “One Flew Over The Cuckoo’s Nest” written by Ken Kesey in 1962 for my research paper because my mother told me years ago of the accompanying film and how interesting it is. Two years ago a friend of mine came back from his exchange programme in the United States of America. He told me that he and his theatre group there had performed this novel. He was and still is very enthusiastic about the theme and about the way it is written. Although I started reading the novel, I didn’t manage to finish it till the day we had to choose our subjects at school. When I saw this subject on the list, which we were given by our English teacher Mr Schäfer, I was interested immediately. So I chose it.
This essay will be exploring the text One flew over the Cuckoo’s nest by Ken Kesey and the film Dead poet’s society written by Tom Schulman. The essay will show how the authors use over exaggerated wildcard characters such as McMurphy and Keating. The use of different settings such as an insane asylum and an all-boys institution. And Lastly the use of fore shading to show how the authors can use different texts to present similar ideas in different ways.
Ken Kesey’s “One Flew Over the Cuckoo’s Nest” is a unique fiction novel about oppression and rebellion in an American 1950’s Mental Hospital. In this highly distinctive novel, setting definitely refers to the interior, the interiors of the Institution. It also refers to the period this novel this was set in, the 50’s, 60’s where McCarthyism was dominant. Furthermore, it has great symbolic value, representing issues such as the American struggle of freedom and conformity. This essay shall discuss the ‘setting’ & its significance towards Ken Kesey’s “One Flew over the Cuckoo’s Nest”.
McMurphy relaxes slightly; however, he eventually continues to harass the nurse, despite his knowledge that she dictates the length of his confinement (Waldmeir 425). He crosses the line and throws a party on the ward in the middle of the night, bringing in two prostitutes and intoxicating the patients with a mixture of cherry flavored alcohol and codeine cough syrup. He does so knowing that he will face consequences for this event. However, he feels he must continue this self-destruction in order for the other patients to find themselves and their sense of freedom ( 427).
In 1962, when One Flew Over the Cuckoo's Nest (the Nest), was published, America was at the start of decade that would be characterized by turmoil. Involvement in Vietnam was increasing, civil rights marches were taking place in the south and a new era of sexual promiscuity and drug use was about to come into full swing. Young Americans formed a subgroup in American society that historians termed the “counterculture”. The Nest is a product of time when it was written. It is anti-authoritarian and tells the tale of a man's rebelling against the establishment. Kesey used metaphor to make a social commentary on the America of the sixties. In this paper I will deal with three issues that seem to strike out from the novel. First; is the choice that Kesey made in his decision to write the novel using first person narration. The second part of this paper will be an analysis of some of the metaphors and Kesey uses to describe America in the sixties. Finally I will speak about the some of the religious images that Kesey has put in the novel.
From the moment McMurphy enters the ward it is clear to all that he is different and hard to control. He’s seen as a figure the rest of the patients can look up to and he raises their hopes in taking back power from the big nurse. The other patients identify McMurphy as a leader when he first stands up to the nurse at her group therapy, saying that she has manipulated them all to become “a bunch of chickens at a pecking party”(Kesey 55). He tells the patients that they do not have to listen to Nurse Ratched and he confronts her tactics and motives. The patients see him as a leader at this point, but McMurphy does not see the need for him to be leading alone. McMurphy is a strong willed and opinionated man, so when he arrives at the ward he fails to comprehend why the men live in fear, until Harding explains it to him by
However, despite McMurphy’s lobotomy, it was impossible for Nurse Ratched to return the ward to its previous order; “it was difficult with McMurphy’s presence still tromping up and down the halls and laughing out loud in the meeting and singing in the latrines. She couldn’t rule with her old power anymore” (269). McMurphy had served his purpose by helping the patients gain confidence and break free from Nurse Ratched’s evil power. He helped Chief grow big again and overcome his silence and Billy Bibbit gained confidence.
However, McMurphy and Bromden’s relationship is strained after McMurphy uses him in a rigged bet. But, the two band together soon after to defend George from the aides when Ratched insists that those who went on the trip be cleaned because of who they were with. The resulting fight lands Bromden and McMurphy in isolation, where a kind nurse tells them about being tired of the overly aggressive and strict nurses. Ratched attempts to get McMurphy to admit he was wrong, and when he refuses, he and Bromden are sent for electroshock therapy, and Bromden struggles while McMurphy jokes and simply accepts it. After a few more treatments, McMurphy is brought from isolation to prevent the patients from idolizing him. The other patients try to convince McMurphy to escape, knowing Ratched will punish and harass him severely, but he refuses to as Billy’s date with Candy is that night. He gets Turkle to open the window for Candy, who arrives with a friend and a ton of alcohol. They get everyone drunk, and Billy and Candy sidle into the Seclusion Room by themselves. Trying to figure out a remedy to the situation, McMurphy discusses an escape plan, possibly involving tying Turkle up so he can keep his job, and simply making it look like the mayhem from the party was
Everybody wants to be accepted, yet society is not so forgiving. It bends you and changes you until you are like everyone else. Society depends on conformity and it forces it upon people. In Emerson's Self Reliance, he says "Society is a joint stock company, in which the members agree, for the better securing of his bread to each shareholder, to surrender the liberty and culture of the eater." People are willing to sacrifice their own hopes and freedoms just to get the bread to survive. Although the society that we are living in is different than the one the Emerson's essay, the idea of fitting in still exists today. Although society and our minds make us think a certain way, we should always trust our better judgment instead of just conforming to society.
Fred Wright, Lauren's instructor for EN 132 (Life, Language, Literature), comments, "English 132 is an introduction to English studies, in which students learn about various areas in the discipline from linguistics to the study of popular culture. For the literature and literary criticism section of the course, students read a canonical work of literature and what scholars have said about the work over the years. This year, students read One Flew over the Cuckoo's Nest, by Ken Kesey, a classic of American literature which dates from the 1960s counterculture. Popularized in a film version starring Jack Nicholson, which the class also watched in order to discuss film studies and adaptation, the novel became notable for its sympathetic portrayal of the mentally ill. For an essay about the novel, students were asked to choose a critical approach (such as feminist, formalist, psychological, and so forth) and interpret the novel using that approach, while also considering how their interpretation fit into the ongoing scholarly dialogue about the work. Lauren chose the challenge of applying a Marxist approach to One Flew over the Cuckoo's Nest. Not only did she learn about critical approaches and how to apply one to a text, she wrote an excellent essay, which will help other readers understand the text better. In fact, if John Clark Pratt or another editor ever want to update the 1996 Viking Critical Library edition of the novel, then he or she might want to include Lauren's essay in the next edition!"
One Flew Over the Cuckoo’s Nest was a critically acclaimed novel written by Ken Kesey and later on a movie adaptation, directed by Milos Forman, which was similarly critically acclaimed earning itself an extremely high 96% on rotten tomatoes. However said appraisal of both works, does not excuse the gleaming errors and artistic licensing seen throughout the entirety of the film. Granted there were no major plot holes and alterations present, the physical descriptions of the various characters within the story as well as their behavior differed quite a bit from their silver screen counterparts. The most critical physical and behavioral differences can be seen quite clearly when comparing the book versions of Nurse Ratched, Randal McMurphy and the ward patients of the mental institute.
The setting of Ken Kesey’s One Flew Over the Cuckoo’s Nest is a psychiatric ward in Oregon during the 1950s. The reader is only able to view the setting through Chief Bromden’s narration; Bromden breaks down the institution into a system of parts, like a machine, and attributes simple yet symbolic names for each. For example, he calls the electroshock therapy room as the Shock Shop, refers to the ward as the Inside and the rest of the world as the Outside, and views the facility as a machine called the “‘Combine’, which [to him] is a huge organization that aims to adjust the Outside as well as [Nurse Ratched] has [adjusted] the Inside” (30), Because Bromden relates the ward to a machine, he views it as a “web of wires with [Nurse Ratched] at
Ken Kesey in his novel One Flew Over the Cuckoo 's Nest question a lot of things that you think almost everyday. With this famous portrait of a mental institute its rebellious patients and domineering caretakers counter-culture icon Kesey is doing a whole lot more than just spinning a great yarn. He is asking us to stop and consider how what we call "normal" is forced upon each and every one of us. Stepping out of line, going against the grain, swimming upstream whatever your metaphor, there is a steep price to pay for that kind of behavior. The novel tells McMurphys tale, along with the tales of other inmates who suffer under the yoke of the authoritarian Nurse Ratched it is the story of any person who has felt suffocated and confined by our
Societal influence can often lead one to the misconception of personal mental instability, this is evident in both two works by Ken Kesey and James Mangold. In One Flew Over the Cuckoo’s Nest by Ken Kesey a charismatic criminal, Randle McMurphy is forcefully admitted to a state asylum despite his perfectly healthy mind. His minimal interaction with a supervising doctor reveals the complicated attitude the film takes towards mental illness. Throughout the film, the mental state of McMurphy continues to be questioned as he rebellion escalates with hospital authorities. Similarly, in a Girl, Interrupted directed by James Mangold, a conclusion is made upon Susanna Kaysen after she is interviewed for only 20 minutes. These 20 minutes resulted in her stay in a mental asylum for two years. She finds herself stuck between choosing the inside world or facing the reality on the outside. After facing numerous criticisms, both resources showcase a different point of view for readers. One Flew Over Cuckoo’s Nest