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Short note on stream of consciousness technique
Theme in the jilting of granny weatherall
The Jilting of Granny Weatherall (By Katherine Anne Porter
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"The Jilting of Granny Weatherall," with its third-person, stream of consciousness point of view, is not the first story one would think to make into a film. However, it was done! Please watch the short film version and discuss what the director did to the story to make it into a film. Is it a successful adaptation, to your mind? Why or why not? The film version of "The Jilting of Granny Weatherall" was certainly a successful adaptation especially since the written text was told from a third person, stream of consciousness point of view, which at times was very confusing to read or understand. For instance, the settings in the written text, Granny was the entire time on her bed while having all these flashbacks and thoughts going through
Marriage is a commitment that couples vow to love each other, and committed during their toughest times. Chris Offutt, the author of the short story called "Aunt Granny Lith" explains the trials and choices in a marriage between the couple Beth and Casey. Three parts in marriage are vital: communication, trust in one another, and unconditional love. All three elements will lead to a successful marriage. Marriage is what you put into your relationship not what you can get out of it. It is a team effort. Couples shouldn 't give 50/50 they should give 100/100 effort into marriage. Offutt describes these three parts throughout the story.
In “The Jilting of Granny Weatherall” by Katherine Anne Porter, we learn of an elderly woman who is lying on her death bed watching her life pass before her eyes. We learn, from these flashbacks, how much she has overcome and endured, and how she's put her whole heart into being a mother and wife up until her last breath, when she blew out the candle and rode with her Father in a cart to heaven. It’s this very reason why Porter, in my opinion, chose Granny as the narrator of this story; so we could see the story through her eyes, being able to relate and appreciate it better.
In the story, The Jilting of Granny Weatherall, written by Katherine Porter, Granny Weatherall is a character of depth. Her name is synomonous with her character. Three main qualities of her character are her strength, her endurance, and her vulnerability. Her strength is not so much physical but mental. She lies upon her bed contemplating all that she needs to do. Her daughter Cornelia does not even come close to handling affairs as well as she does in her own mind. In addition, she tell the Doctor Leave a well women alone...I'll call you when I need you. She does not like the patronizing position that she finds herself in. The fact that she has already avoided death once seems to add to her image of strength. As we follow her mental ramblings we obtain insight to her character as a woman that has endured heartache as well as hardship.
Porter, Katherine Anne. “The Jilting of Granny Weatherall.” Literature: Reading, Reacting, Writing. Fort Worth: Harcourt, 2000.
Porter, Katherine Anne. "The Jilting of Granny Weatherall." Flowering Judas and other Stories. New York : Harcourt, Brace and Co., 1958 180-187
“The Jilting of Granny Weatherall,” a short story by Katherine Anne Porter, describes the last thoughts, feelings, and memories of an elderly woman. As Granny Weatherall’s life literally “flashes” before her eyes, the importance of the title of the story becomes obvious. Granny Weatherall has been in some way deceived or disappointed in every love relationship of her life. Her past lover George, husband John, daughter Cornelia, and God each did an injustice to Granny Weatherall. Granny faces her last moments of life with a mixture of strength, bitterness, and fear. Granny gained her strength from the people that she felt jilted by. George stood Granny up at the altar and it is never stated that she heard from him again. The pain forced Granny to be strong.
Although the film was quite different from the book, I think it was a successful adaptation. Through the many changes made to the book, the movie was still able to capture the main idea of the text: you can’t have living without dying. In my paper, I will discuss the changes to Winnie Foster and Miles Tuck, why I believe the director rearranged the sequence of events, and how the director used different film techniques to set the tone during different scenes.
Common among classic literature, the theme of mortality engages readers on a quest of coping with one of the certainties of life. Katherine Anne Porter masterfully embraces the theme of mortality both directly and indirectly in her story, “The Jilting of Granny Weatherall.” Understanding that all mankind ultimately becomes subject to death unleashes feelings of dread and anxiety in most people; however, Granny Weatherall transitions from rushing to meet her demise in her sixties to completely denying she is on her deathbed when she is eighty. Readers have seen this theme of mortality reverberated over and over in literature, but what makes this story stand the test of time is the author’s complexity. In Katherine Anne Porter’s
If the movie based on Sam Hanna Bell’s novel December Bride is considered to be good, it is only because the novel itself is nothing short of great. Having viewed the movie on two separate occasions, some four months apart, this writer found herself to still be somewhat bewildered by a few of the events portrayed. The novel clears the Irish fog swirling around those events creating a much more solidly constructed story. In addition, the characters of Sarah and Frank are developed to a much deeper level. The great leap in years that occurs at the end of the movie is shortened in the novel and in consequence, the story flows more smoothly. Perhaps December Bride would have faired better as a TV mini-series with hours and hours at its disposal rather than being confined to the short span of time allotted the movie.
Katherine Ann Porter’s short story, “The Jilting of Granny Weatherall,” is entirely about death and longing. Throughout the story, it is evident that Granny Weatherall longs for both of her lost lovers as she is nearing her death. But there is someone else who Granny wants to see: her favorite daughter, Hapsy. Unfortunately for Granny, Hapsy is dead and has been for a long time. The tragic loss of her beloved Hapsy has a tremendous impact on Granny’s death, both socially and psychologically.
Katherine Anne Porter wrote “The Jilting of Granny Weatherall” to showcase how one woman responds to loss with strong faith. The reader is introduced to a feisty eighty year old woman named Granny Weatherall. Granny Weatherall is near death and while laying in her bed she starts to reminisce about past events in her life which include her being jilted by George, her fiancé. Then later on, Granny marries a man named John, who soon later dies leaving her with four kids. Granny assumes the role of both mother and father by taking care of everything for her kids. When Granny turns sixty, she prepares for death by seeing all of her kids and their children. On Granny’s bed side is Cornelia, her daughter, her doctor, and Father Connolly, a Roman
While watching the movie and reading the play of Cat on a Hot Tin Roof many changes are made evident. In 1958, movie laws regulated what could be said and shown in movies. Because of this, there were many small changes, along with some large changes such as the story about skipper, the storm, and the cellar scene. These changes made a great difference between the movie and the play.
In the final moments of life, the mind becomes a vast gallery of memories, visiting all of the memories once lived – reflecting on feelings of joy, grief, and moments that define one’s journey. Throughout her final breaths, Granny Weatherall falls in and out of consciousness that subconsciously takes her back into the memories she once lived, both good and bad. The overflowing stream of consciousness enacted by Granny is apparent within Katherine Anne Porter’s short story, “The Jilting of Granny Weatherall”. Amid the course of the short story, readers are informed of a canon event that permanently scarred Granny’s life, leaving her with a life full of sorrow, heartbreak, and a feeling of betrayal. In and out of consciousness, Granny’s waterfall of emotion pours out as she is reminded of being
One thing I noticed about this movie in comparison to Perrault 's story is how the women differ. In the story Little Red is portrayed as a girl who doesn’t think for herself and just gives out any information. In this quote from Little Red Riding Hood the narrator says, “The poor child, who did not know that it was dangerous to stop and listen to wolves, said…”(Pg. 12) Here we see how Little Red doesn’t think for herself and just gives out information. However, in the movie Haley tricks Jeff by giving him wrong information, “You know, actually, it 's kinda funny. Because every time I would mention some obscure singer or band, you knew so much about them. But not right away, it was like a few minutes later. Maybe enough time to look them up on the web?” In this quote, we see Haley as an intelligent women and unlike Fairy Tales where we always have women portrayed as ditzy or unaware. I thought it worked well because this shows that women are smart and capable unlike the Fairy Tales. Throughout the whole story, Haley plays many games with Jeff and always seems to be one step ahead. For a fourteen year old, Haley’s performance was wonderful. Her character was brave, bright, and very sharp. Although, in the beginning her character did appear like Little Red in the novel, but she amazes the audience towards the rising action. This movie shows how women should not be considered weak and can fight for
Adaptation of any kind has been a debate for many years. The debate on cinematic adaptations of literary works was for many years dominated by the questions of fidelity to the source and by the tendencies to prioritize the literary originals over their film versions (Whelehan, 2006). In the transference of a story from one form to another, there is the basic question of adherence to the source, of what can be lost (Stibetiu, 2001). There is also the question of what the filmmakers are being faithful to or is it the novel’s plot in every detail or the spirit of the original (Smith, 2016). These are only few query on the issue of fidelity in the film adaptation.