Compare And Contrast Porgy And Bess And Showboat

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Both Broadway shows Porgy and Bess and Showboat show that the portrayal of stereotypes was necessary to blacks’ involvement in entertainment. Porgy and Bess is a three act play first performed in 1935 that takes place in the fictitious Catfish Harbor, Charleston, South Carolina. George Gershwin, the composer, when preparing to write the music travelled to Folly Island, South Carolina in order to learn about the African-American culture in the state from a group of Geechees whose ancestors had been slaves. Gershwin’s good experience with the Geechees caused to him to express a need for change in the social system within the music for the show. However, not many people understood Gershwin’s approach at the time, and were very offended by the …show more content…

Celebrities such as Duke Ellington, Hall Johnson, and Ralph Matthews spoke out about the show. Ellington stated that “the times [were] here to debunk Gershwin's lampblack Negroisms." Other people were pleased that African-Americans were at least being portrayed in theatre. Porgy and Bess depicted that the black lifestyle was centered around drinking, gambling, violence, and drugs. Because the show had an all black cast, it opened up role opportunities for the African-American opera and jazz singers of the time. To his credit, Gershwin faced many producers who suggested that his entire play be white people in blackface. The show was not largely successful, with only 124 shows in it’s original run on Broadway.
Showboat, which first premiered in 1927, follows the story of Magnolia, the daughter of the owners of the showboat “The Cotton Blossom.” She falls in love with a …show more content…

Beulah was a classic example of the mammy stereotype. She was a giggly, independent woman who spoke in thick dialect and also happened to be “plus sized.” However, the first person to play her was an average sized white male named Marlin Hunt on the NBC radio show Homeward Unincorporated in 1939. When Hunt died the next year, Bob Corley took over as Beulah on the early 1940’s radio shows That’s Life and Fibber McGee and Molly. Two years after Beulah started broadcasting as it’s own radio show, Hattie McDaniel, and African-American woman, was cast in the role as Beulah. In 1939, McDaniels had become the first black woman to win an Academy Award, which she won for Best Supporting Actress as Mammy in Gone With the Wind. After creating Beulah, it took them eight years to cast accurately. She played into a stereotype that dated back to original minstrelsy, and McDaniels was a high achieving actress. The liberal black community criticized McDaniel for taking stereotyped roles. McDaniel responded that she would rather play a maid than be one in actuality (“Hattie”). At the time, roles that involved African-American stereotypes were could be looked at in a positive light because they provided black actors and actresses, such as McDaniel, to have a role in radio and other emerging forms of

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