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Recommended: Tragedy in sophocles
Rich hues of red and blue fill the stage as a haunting melody floods the auditorium, mourning the devastating deaths that have plagued the city of Thebes in the recent days. The audience is stunned into silence and a collective breath is held in anticipation of what other tragedies could possibly befall the great city. Written by Sophocles in 441 BC, this ancient Greek tragedy follows the story of Antigone, the daughter of Oedipus, as she desperately tries to bury the body of her deceased brother against the current King’s wishes. However, Seton Keough High School creatively adapted the classic play to be more modern, setting it in New York City in 1968. This adaptation took advantage of the all-female cast, as the Women’s Liberation Movement …show more content…
was also emerging during this time, which allowed the cast to seamlessly weave feminist related issues into the story, adding a new dimension to the play yet still staying true to the original story. A shining aspect of this production was the amount of artistic creativity shown by the cast. Hope Hanley, Rebekah Lopez, and Arianna Platania choreographed beautiful, passionate dances which were performed at integral progressions in the plot that helped to convey the characters’ emotions and add another level of depth to the scenes. In addition, Hannah Yost wrote and performed an original song “Does He Know”, for her character, Eurydice. Her fragile and brittle voice along with the acoustic guitar created an authentic air of grief, making the scene truly resonate with the audience. Ryann Cooper and Grace LaCount led the show as Antigone and Kreon, respectively.
Cooper portrayed her character’s courage and obstinacy through her expressive physicality, often crossing her arms and holding a tall and assertive posture. She also exhibited an extensive emotional range, simultaneously conveying both her outrage and distress though her various tones. LaCount clearly depicted the powerful Kreon through her imposing stage presence and her demanding intonation. LaCount also demonstrated her character’s development though the idiosyncrasies in her facial expressions. In one scene in particular with Haimon, Kreon’s son, her face morphed seamlessly from cruel and merciless to sorrowful and regretful, showing her character’s camouflaged sensitivity. Other standout actors were Pria Graham as Haimon and Jessica Harzer as Teiresias. In Haimon’s fervent argument with Kreon, the passion and vitality that Graham put into her character undoubtedly translated into Haimon’s fierce love for Antigone. On the other hand, Harzer added substantial comedic relief during the play through her perfectly timed quips and comical physicality. Technically, an outstanding aspect of this production were the meticulously detailed masks used by the ensemble during various scenes throughout the show. These tropes of traditional Greek theatre payed homage to the play’s origin while still creating a visually appealing aspect to the contemporary scenes. Seton Keough High School’s rendition of
“Antigone” was ultimately a success, proving that the themes of love, morality, and power truly stand the test of time.
The character must decide whether or not to allow the employee’s cousin to work in their restaurant. The cousin must provide for his family through the cold winter or they will become homeless. The character also knows that the law requires him to check the citizenship of all employees and forbids him to hire anyone who is in the country illegally.
In the play Antigone Sophocles presents the tragic consequence of a bloated ego. The play is set in Thebes, Greece before the Common Era. King Oedipus renounces his throne after discovering that he has unknowingly married his mother and inadvertently killed his father leaving the thrown to his wife’s brother, Creon (725). Oedipus’s two sons, Eteocles and Polyneices, die in war. The newly crowned King Creon, buries Eteocles with full honors for his support of Thebes and refuses the burial of Polyneices as punishment for fighting against Thebes. The play’s name sake and daughter of Oedipus, Antigone, is forced to go against the command of her uncle to bury her brother and is sentenced to imprisonment until death for defying his command. Haimon, Creon’s son, hears of his future bride’s sentence and attempts to reason with his father. However, blinded by rage and ego Creon will not listen to reason.
“Remember we are women, we’re not born to contend with men” (Sophocles, 18). The popular literary works, Antigone and A Doll’s House, written by Sophocles and Ibsen, are two famous tragedies that have been performed and read throughout the decades. Although countless audiences have been entertained by these well written plays, few would care to guess that many lessons and several unfortunate truths can be found with a less than tedious inspection of the characters and the reactions they give to their circumstances. The two main characters in these stories, Antigone and Nora, face adversities and problems that are amplified by their society’s views on the rights and abilities of women. The two main male characters in these plays, Creon and Helmer, cause the greater part of the struggle that the female protagonists face. The difficulties that Helmer and Creon create during the plot of these stories are the cause of three major characteristics of what one would consider typical to a headstrong man in a leadership position. The three features of Creon and Helmer that lead to the eventual downfall of Antigone and Nora, are pride, arrogance, and ignorance.
The stage and set of this production is in the tiny and dismantled apartment of Cinna, as if a box set. The rest of the play unfolds off-stage, as if in a contemporary setting. There are flashes to the “outside” including protests, police officers,
One on side is Antigone, representing piety and faithfulness to the gods and their traditions; on the other side is Kreon, representing human authority and faithfulness to mortal law and its traditions. Contributing to the piety, human authority tensions are the personal and legal views of Antigone and Kreon, among other figures in the
By the use of visual design elements, the overall production of the play can be considered abstract. For example, the set design uses very little props and forces the audience to focus more on the actors and costumes. In addition, the set designer used very dark and dreary color such as black and grey to display the plague that was taking over the city of Thebes. During this time period that the play produced, the plague has made the people in the city weak, bitter, and unhappy. By using colors that represent this internal feeling that the characters are experiencing, the actors move in a certain way that coincidentally goes hand and hand with the set design. In further detail, the costume designer did a fantastic job of portraying certain status ranking by the color of robe they were wearing. For example, Oedipus was wearing a silk, garnish robe that represented royalty and a sophisticated man. Whereas, the ordinary people of Thebes were wearing dull, grey robes that displayed their lack of social ranking. All in all, the visual design elements were used in an appropriate manner that allowed the audience to get a better understanding of the abstract world that this play took place
Karen Hawkins once stated, “I’ve often thought it unfair that women are expected to stay at home when there’s a fight to be won. If a woman has the strength to bear a child, she can swing a sword as well as any man.” Women have the power to persuade and support a cause they believe in, despite men being supposedly stronger. This holds true in Sophocles’ play Antigone, in which the title character is not afraid to stand up for her beliefs during a time where women were mostly ignored. Antigone contradicts the stance that literary critics hold on classic literature; given the unique characterization of Antigone that is unusual for her time. Her portrayal as a feminist figure, her static character, and the opposing views of Antigone and Creon show that Antigone promotes awareness of feminism.
There are many foils and parallels in Antigone, and the foil between Antigone and Kreon is a particularly interesting one because it can show the idea of valuing family and gods over government and man. These two characters are in a constant battle of will and wits throughout the play which gives us a good idea of their differing views. Antigone shows her value of family and loyalty to the gods through her clashes with Kreon who holds government and man as a priority. Examining their differences in their beliefs of family and government and the gods and man can help us understand a hidden idea from Sophocles.
Despite its age, Antigone by Greek playwright Sophocles is still relevant to many issues plaguing modern society to this day. Over the course of Antigone, both the actions and the inactions show parallels to modern life, some of which can be troubling, others are perfectly acceptable. By examining Sophocles’ tale, readers will handily notice the timeless nature of Antigone, and how it is connected to modern life. Antigone takes place shortly after a war which claimed the lives of the two sons of Oedipus, Eteocles and Polyneices, Eteocles was given a burial, but Polyneices was not. Creon, the uncle of Antigone and new ruler over Thebes, issued a decree which banned any funerals of Polyneices which may have been planned, due to his belief that
In the play Antigone, by Sophocles, it is greatly apparent just within the first few exchanges between Ismene and Antigone that there are various social issues surrounding the women in ancient Greece. The play raises many gender and socially related issues especially when looking at the contextual background of the playwright and the representation of the women within the play. When the characters of the first scene begin their analog, it is important to note what they are actually saying about each other and what their knowledge of their own social status is. The audience is first introduced to Antigone who we later learn is the antagonist of the play as she rebels against the protagonist, Creon. Her sister, Ismene, is the second character the audience is introduced to, hears of Antigone's plan to bury their brother's body in the first scene. Ismene’s actions and words give the reader the hint that her sister’s behavior is not usual, "so fiery" and "so desperate" are the words used to describe Antigone's frame of mind. At this very early point in the play the reader discovers that Antigone is determined to carry out her mission to bury her beloved brother. However, she is in no position that gives her the rights as a woman, sister, or even future queen to make her own decisions and rebel. Instead, her decision to bury her brother demonstrates her loyalty to her family, the gods, and to all women. Her motivation for those decisions will end up driving her far more than that of what the laws set by Creon have implemented. She shows no fear over disobeying the king and later says about the punishment of death "I will lie with the one I love and loved by him"(Sophocles, 2). Throughout the play the reader can see the viewpoint of an obedient woman, a rebellious woman, and the social norms required for both of them.
Antigone is a play about a woman who disobeyed the King's order to not bury her brother. The play was written by the famous Greek tragedian, Sophocles, in 441 B.C. The story took place in the city of Thebes and the time period is not mentioned. The main characters introduced in the play are of Antigone, Ismene, Creon, and Haemon. The primary focus was centered on Antigone and the consequences she faces after breaking the King's orders.
Antigone’s character is indeed among the first to stand up for women in a society that has remained patriarcha...
Discrimination against women is still a very real problem around the modern world. A Doll’s House written by Isben, involves a woman by the name of Nora and her family. The play takes place in southern Italy in the 1800s. Antigone is a play written by Sophocles, which takes place within a day in ancient Thebes, Greece. It tells the story of a girl named Antigone and the troubles she faces in an attempt to honor her deceased brother. A Doll’s House and Antigone portray women’s boundaries and what happens to those who dare to step outside of them, even if it is to save one whom they love. Nora and Antigone share rebellious, independent, and deceptive personalities.
Sophocles opens the play up after Eteocles defeated Polyneices to be the new ruler of Thebes, and leaves Polyneices body outside to rot for challenging him for power. These were two brothers that were torn apart because of their need for more power. Antigone does not want her brother’s body to rot on the street and plans to bury it properly with the help of her sister, Ismene. This is directly against an edict Creon has proclaimed saying to leave the body alone. The significance in their defiance is greater than just a power struggle because it is the first time in this anthology we see a woman defy a man’s order. Previously men have not had to worry about women when it comes to power, because they did not question what they were told to do. Antigone’s defiance of Creon causes Haemon, her fiancé, to defy his father trying to free Antigone from a certain death sentence. This action of defiance leads to Creon freeing the women which upsets the gods. The gods are upset in the way Creon has handled the opposition shown by Antigone, Ismene, and Haemon. Woman fighting for power has caused Creon to act against the gods and ultimately the death of his wife and children as
The play Antigone, is only one of a series of plays that link up with the other ones in a kind of consecutive order. The last one of this play series is called Antigone. The story is set in Thebes during ancient Greece and has great ties into Greek Mythology. In the play, Antigone is the daughter or King Oedipus, who if remembered correctly was told that he would murder his father by a soothsayer which led him on a journey away from his family, but little did he know that he was adopted and would run right into the path of his father whom he was to murder. The deed being done he marries his mother and has wonderful children. One of these children is the aforementioned Antigone and her and her sister Ismene. They are the last two left carrying the burden of the family curse that has been passed down for a few generations. At the beginning of this story Antigone has been caught giving her brother Polynices a proper burial by sprinkling dirt on his body even though this has been strictly forbidden by the king of Thebes, Creon, has made known that if anybody goes against his orders, they shall die immediately. The interesting aspect about the story is the moral high ground that Antigone decides to take by making a