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Women's role in greek literature
Women's role in greek literature
Antigone vs nora compare and contrast essay
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Discrimination against women is still a very real problem around the modern world. A Doll’s House written by Isben, involves a woman by the name of Nora and her family. The play takes place in southern Italy in the 1800s. Antigone is a play written by Sophocles, which takes place within a day in ancient Thebes, Greece. It tells the story of a girl named Antigone and the troubles she faces in an attempt to honor her deceased brother. A Doll’s House and Antigone portray women’s boundaries and what happens to those who dare to step outside of them, even if it is to save one whom they love. Nora and Antigone share rebellious, independent, and deceptive personalities.
Women were subservient and outspoken in previous eras and their societies; however, Antigone and Nora rebelled against stereotypical images of women. Ismene, Antigone’s sister, was against the burial of their brother Polynices. “Remember we are women we’re not born to contend with men. Then too, we’re underlings, ruled by much stronger hands, so we must submit in this, and things still worse (Sophocles, pg 18).” When Antigone tells her sister of her plans to bury Polynices, Ismene attempts to convince her not to. By Antigone burying her brother she would be going against Creon’s word, which would be absurd. Women were not to disobey men, let alone the king of Thebes. In A Doll’s House Nora tells Helmer, her husband, about her father during their last discussion. “He used to call me his doll child, and play with me as I played with my dolls (Isben, 197).” Nora is confronting Helmer about how she is being treated. She compares her life to that of a doll’s. She has been told her entire life what to do, how to feel, and what to think. She is now stepping outs...
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... able to have one last night of her normal life.
Overall, both Antigone and Nora showed that women are capable of being their own person. Which during the times these plays were written was an outrageous idea. Their rebellious, independent, and deceptive personalities allowed them to overcome obstacles and conflict. Undoubtedly though, these characters helped pave the way for improvements with women’s rights. Since Antigone and A Doll’s House era, equality for women has become an increasingly common idea in society.
Works Cited
Ibsen, Henrik. A Doll's House. World Literature: An Anthology of Great Short
Stories, Poetry, and Drama. Columbus, Ohio: McGraw Hill Glencoe, 2004.
140-202. Print.
Sophocles. Antigone. World Literature: A Anthology of Great Short Stories,
Poetry, and Drama. Columbus, Ohio: McGraw Hill Glencoe, 2004. 14-57. Print.
Captivatingly, both women act daringly, regardless of the culturally constructed labels as women, products of incest and wickedness. They use their “otherness” as a power mechanism, rather than an excuse to passivity. In conclusion, Elphaba and Antigone challenge conventional roles of gender, as they are strong, courageous figures of rebellion and exemplify a lack of traditional gender normativity.
“Remember we are women, we’re not born to contend with men” (Sophocles, 18). The popular literary works, Antigone and A Doll’s House, written by Sophocles and Ibsen, are two famous tragedies that have been performed and read throughout the decades. Although countless audiences have been entertained by these well written plays, few would care to guess that many lessons and several unfortunate truths can be found with a less than tedious inspection of the characters and the reactions they give to their circumstances. The two main characters in these stories, Antigone and Nora, face adversities and problems that are amplified by their society’s views on the rights and abilities of women. The two main male characters in these plays, Creon and Helmer, cause the greater part of the struggle that the female protagonists face. The difficulties that Helmer and Creon create during the plot of these stories are the cause of three major characteristics of what one would consider typical to a headstrong man in a leadership position. The three features of Creon and Helmer that lead to the eventual downfall of Antigone and Nora, are pride, arrogance, and ignorance.
In conclusion, it becomes obvious by these three plays that for a woman to achieve kleos in ancient Greece, she usually had to become more man-like in her role. The murders committed by Electra and Medea, the bravery of Antigone—all three of these were fulfilled by what would have normally been considered a man’s role. A woman could rarely be considered a hero unless she became like a man in her actions. Otherwise, she would be only a simple woman.
One of the conflicts in Antigone, is the struggle between men and women. Ismene tells Antigone that since birth, women “were not born to contend with men,” (75) displaying women’s obedience and passivity. In the same passage, Ismene says: “we’re underlings, ruled by stronger hands,” (76) a representation of men’s aggressive and “stronger hands” that dominate women and treats them as second-class citizens. The only woman in Thebes who desires to break free from these chains is Antigone, who stands up against Ismene’s passivity urging her to “submit to this,” (77) and defy Creon by burying Polynices. By breaking Creon’s edict, Antigone challenges the traditional gender roles women and men play. In what ways does the theme of gender in Antigone, demonstrate the passion and choices behind Antigone and Ismene’s decisions?
Nearly every society, Nora and Antigone's are no exception, dictates a specific place or purpose for women, and while Nora and Antigone's respective societies possess some similarities regarding women's place and purpose, they contain several important differences. In Antigone, for example, the relative worth and status of women in Thebian society seems clear; women are to submit to the rule of man. Ismene suggests this submissive attribute of women in Thebian society when she begs Antigone not to defy Creon's commands, "Remind ourselves that we are women and as such are not made to fight with men." (193) Evidently the Thebian society controlled by men has kept a lid on women's individuality so much so that even a member of the royal family, Ismene, speaks of the futility in attempting to clash with the rule of man. Furthermore, Creon asks Antigone if she is "ashamed to differ from such men [the Chorus]?" (212) This suggests that in Thebian society w...
Feminism is the advocacy of women’s right and is on the grounds of political, social, and economic equality to men. Centuries ago, women did not share the same equality as men. Men and women’s gender roles were practiced with greater acceptance than by today’s standards. More-over, gender roles among women decades ago, were wrapped within the limits of their political, economic, and social rights and freedoms. The man’s role was to work and to make important final decisions for the family. Were-as, the wives were to stay home with the kids and obey her husband. Feminism changed all those aspects in the world for men and women to be treated to have the same rights. “A Doll’s House” is a profound play to make direct connection on why feminism started. The main character in the play Nora is wife and a mother that struggling to gain equality in her life. In
The book also has conflict between Antigone and her sister, Ismene. In the opening chapter, Ismene becomes central to this moralistic tale as she stands for all that was expected of women in Greece in 5BC. She alone, in her dialogue shows us, right from the beginning why Antigone is so brave in her decision to bury Polyneices when she says; “Two women on our own faced with a death decree – women, defying Creon? It’s not a woman’s place. We’re weak where they are strong. Whether it’s this or worse, we must do as we’re told.”
Despite the male dominant society of Ancient Greece, the women in Sophocles’ play Antigone all express capabilities of powerful influence and each individually possess unique characteristics, showing both similarities and contrasts. The women in the play are a pivotal aspect that keeps the plot moving and ultimately leads to the catharsis of this tragedy. Beginning from the argument between Antigone and Ismene to Eurydice’s suicide, a male takes his own life and another loses everything he had all as a result of the acts these women part take in. The women all put their own family members above all else, but the way they go about showing that cherishment separates them amongst many other things.
Although ancient Greece was a male-dominate society, Sophocles' work Antigone, portrays women as being strong and capable of making wise decisions. In this famous tragedy, Sophocles uses the characters Ismene and Antigone to show the different characteristics and roles that woman are typical of interpreting. Traditionally women are characterized as weak and subordinate and Ismene is portrayed in this way. Through the character of Antigone, women finally get to present realistic viewpoints about their character.
Greek tragedy incorporates female characters that symbolize women in Ancient Greece. Through the portrayal of Antigone in the playwright, Antigone in Antigone by Sophocles and Penelope in the epic poem, The Odyssey by Homer, these two women play opposing roles depicting how they appear to society through their actions. In both of these stories, they embody the ideals of passionate women who are very loyal and brave. Through other female characters in each story such as Penelope and Ismene, we can construct a better view of traits illustrated by Antigone and Penelope.
Antigone is Sophocles Greek tragedy where we see a woman as the main character. Antigone is part of the “saga of Thebes” that deals with Oedipus Rex and Oedipus at Colonus. Produced around 442 B.C., we see the children of Oedipus deal with what fate has brought them. Antigone deals with the conflict of her burying her brother which would be in defiance of an order given by an egotistical ruler, Creon. In Antigone, one s...
Antigone points out many things , however one of the main things that it points out is how bad gender inequality is back in the old day. It shows many examples of how many societies were run back then. It proves to me how women and men were portrayed in the Greece society, are the equal or different, what gender expectations do they follow or fight against?
In the play Antigone, by Sophocles, it is greatly apparent just within the first few exchanges between Ismene and Antigone that there are various social issues surrounding the women in ancient Greece. The play raises many gender and socially related issues especially when looking at the contextual background of the playwright and the representation of the women within the play. When the characters of the first scene begin their analog, it is important to note what they are actually saying about each other and what their knowledge of their own social status is. The audience is first introduced to Antigone who we later learn is the antagonist of the play as she rebels against the protagonist, Creon. Her sister, Ismene, is the second character the audience is introduced to, hears of Antigone's plan to bury their brother's body in the first scene. Ismene’s actions and words give the reader the hint that her sister’s behavior is not usual, "so fiery" and "so desperate" are the words used to describe Antigone's frame of mind. At this very early point in the play the reader discovers that Antigone is determined to carry out her mission to bury her beloved brother. However, she is in no position that gives her the rights as a woman, sister, or even future queen to make her own decisions and rebel. Instead, her decision to bury her brother demonstrates her loyalty to her family, the gods, and to all women. Her motivation for those decisions will end up driving her far more than that of what the laws set by Creon have implemented. She shows no fear over disobeying the king and later says about the punishment of death "I will lie with the one I love and loved by him"(Sophocles, 2). Throughout the play the reader can see the viewpoint of an obedient woman, a rebellious woman, and the social norms required for both of them.
When Antigone comes to her sister for assistance in burying their brother’s body, Ismene refuses. While this may be seen as an example of her cowardly, docile nature, such as how the line “You ought to realize we are only women” (61) is often interpreted, it shows that Ismene was aware of where she stood in Theban society. It is common knowledge that Ancient Greece was a patriarchy, with women holding little to no political power. Even beyond the fact that she and Antigone are women living in a male-dominated society, Ismene recognizes how low their family has fallen, with herself and Antigone being the children of a kin-slayer and his wife. A reasonable person in Ismene’s situation would most likely have acted in a similar manner, as it would be far too great of a risk to defy Creon. Ismene was simply aware that no one would come to the aid of Oedipus’s daughters when they faced “the edict of death”
“...never let some woman triumph over us. Better to fall from power, if fall we must, at the hands of a man —never be rated inferior to a woman, never.” This quote spoken by Creon, in Sophocles’ Greek tragedy Antigone, adequately represents the opinion on women during the time in which Antigone would have been alive. Women were viewed as lower than men and were expected to be docile and passive. They were expected to never object to a man’s words, no matter if those words were to be unfair or unjust. Despite this, Antigone refuses to follow one of the most fundamental teachings of her culture by burying her brother even though the king, Creon, explicitly forbids the action, since her brother is a traitor. She rebelliously does what she feels is right, which cannot be said for her sister, Ismene. Ismene represents what a woman of her time was viewed as: weak and submissive to men’s