There are many foils and parallels in Antigone, and the foil between Antigone and Kreon is a particularly interesting one because it can show the idea of valuing family and gods over government and man. These two characters are in a constant battle of will and wits throughout the play which gives us a good idea of their differing views. Antigone shows her value of family and loyalty to the gods through her clashes with Kreon who holds government and man as a priority. Examining their differences in their beliefs of family and government and the gods and man can help us understand a hidden idea from Sophocles.
Antigone and Kreon’s beliefs hold family and government at opposite places in their values. Antigone shows her high value of family
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when she willingly endangers her life and eventually loses it to honor her deceased brother Polyneices. Even though the penalty is death for disobeying the rules set by Kreon, she shows no hesitation in disregarding the government’s authority for the sake of her family. Kreon however holds his position in the government over the importance of family honor when he decreed that Polyneices body could not be buried. He further displays this when he condemned Antigone even though she was his sister’s daughter and his own son was going to marry her. Though Antigone died in the end of the play and Kreon lived, the play seemed to favor Antigone’s beliefs and portray Kreon’s values as incorrect compared to Antigone. Haimon Kreon’s son claimed that the people of Thebes were siding with Antigone too; saying things like, “no death more awful, no deeds more noble than hers; with her own brother fallen slaughtered, then not buried, she wouldn’t leave him for dogs’ and crows’ butchering. Shouldn’t her fate be golden glory?” (Lines 842-847) Even the people of Thebes thought Antigone was doing a great deed by putting herself in jeopardy for the sake of her brother’s honor. Sophocles favor of Antigone’s beliefs helped to place the importance of family over government in Antigone. The foil between Antigone and Kreon is also clear in their positions on respecting gods or man.
Antigone definitely values the gods over men because she wanted to honor her brother because of family duty and respect to the traditions of the gods. She disregarded the human opinion of Kreon in favor of the gods. As she once stated to Kreon “I didn’t suppose your decree had strength enough, or you, who are human, to violate the lawful traditions the gods have not written merely, but made infallible.” (Lines 555-558) Sophocles inclusion of this statement would certainly give credit to Antigone’s side considering the people of the time valued the traditions of the gods highly and would disagree with those who opposed it. Kreon often disregarded the rules of the gods or their warnings. Aside from originally violating the traditions of the gods with his dishonoring Polyneices’ body, he also tried to ignore Teirsias’ prophetic warnings and accused him of being bribed until Koryphaios also said he should follow Teirsias’ advice. However, even when he did listen to him, he incorrectly followed his plan and his son died because of his mistakes. In the end Antigone was dead and Kreon was alive, yet Kreon was miserable because his last son and his wife died because of him while Antigone died bravely and willingly because she believed she would be rewarded after death. Kreon’s disregard for much of the gods’ warnings and traditions was displayed much more negatively than Antigone who
respected the gods’ and her brother to the point of death. After considering the foil of Antigone and Kreon’s opposing views of family and earthly authority and the gods and humans, we can see how Sophocles was trying to show his audience the higher importance of family and the gods. Antigone’s devotion to honoring her brother seems to be far more admirable than Kreon’s disrespect of family values. Additionally, Antigone’s loyalty to the traditions of the gods even to the point of death appears to be heroic while Kreon pridefully ignores these traditions and fails to properly heed the gods’ warnings. Overall, Sophocles displayed the idea that family and the gods should be prioritized over earthly governments and men.
The plot revolves around a story of Antigone’s struggle to give Polynices, her brother, his final rights by giving him a proper burial, despite the fact that Creon has forbid for anyone to do so as Polynices was a traitor to Thebes and its people. One major struggle throughout the play is the apparent conflict between Antigone and Creon. Creon and Antigone have temperaments that clash with each other. Antigone values passion while Creon values the state. Although they have very different values, Antigone and Creon have very similar personalities. They are both stubborn, independent people who are so similar that they can never see eye to eye on issues. Both Antigone and Creon are filled with pride and passion in their beliefs. These traits can be considered both very advantageous and moral as well as being a negative trait that represents the stubbornness in human beings. Antigone and Creon are incredibly proud, making it impossible for either one to concede defeat once they have taken a stand for what they believe in. As stated by Tiresias “stubbornness brand...
In Antigone, character foils help the play by creating well-rounded characters. Many traits of Antigone and Creon, the two main characters, would be impossible to notice without the contrast of their character foils. Ismene and Haemon act as foils to Antigone and Creon, respectively. By juxtaposing these pairs against each other, we gain more insight on the play’s plot, themes, characters, and character relationships.
Antigone remains a static character at stage five throughout the story. Faced with people who do not agree with her decision, Antigone stands tall with what is morally right to her. Kohlberg’s Theory is not only universal but also helps readers understand a character morally. Choosing whether or not to bury her brother, Polyneices, or to follow the law given by Creon, does not derail her moral
In the play, Sophocles examines the nature of Antigone and Creon who have two different views about life, and use those views against one another. Antigone who is depicted as the hero represents the value of family. According to Richard Braun, translator of Sophocles Antigone, Antigone’s public heroism is domestically motivated: “never does [Antigone] give a political explanation of her deed; on the contrary, from the start [Antigone] assumes it is her hereditary duty to bury Polynices, and it is from inherited courage that [Antigone] expects to gain the strength required for the task” (8). Essentially, it is Antigone’s strong perception of family values that drive the instinct to disobey Creon’s orders and to willingly challenge the King’s authority to dictate her role in society.
Antigone is a powerful character, strong-willed, determined and at times self-righteous. She is contrasted by her sister Ismene, who is weak and powerless. Though Antigone is a powerful character, she has no real political power and is dominated by one man, Creon. Creon is both the ruler of the state as well as the patriarch of her family. Antigone was raised by Creon’s house after her own father went in to exile. Antigone is betrothed to Creon’s son, Haemon, further cementing Creon’s power over her. There is one aspect of life that Antigone does have legitimate power in and that is her family, especially her blood line. In ancient-Greek culture the women’s place was in the home, she was responsible for household things and often wasn’t even allowed to leave the house. It is because of this responsibility that Antigone needed to bury her brother Polynices even though it went against the decree of Creon. Antigone also had the gods on her side. It was an unwritten rule of ancient Greek society that the dead must be buried, otherwise bad things may happen. This rule, because it was unwritten and therefore innate, was protected by the gods, specifically Hades, the god of the underworld and family.
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
The gods' laws come before mortal laws in Antigone's point-of-view, which is how I believe also. In death, you will answer to your god and no man will have control of your fate in the world that lies hereafter. Therefore by obeying the gods, hopefully, will result in a happy afterlife, which are what most people strive for in ancient times and now. If man does not honor you for noble efforts, your gods' will. Antigone's act was honorable. She stood up to the highest of powers so she could honor her brother, knowing the consequence would be death. Most likely she figured there is only a certain amount man can do to you, so she might as well stand up for not only her family and beliefs, but her gods as well (lines 377-389).
Antigone is loyal to her family readers can see that when she says “ Their it is, and now you can prove what you are: A true sister , or a traitor to your family” ( PR. 26-27). This quote shows that Antigone is loyal to her family because she wants her sister to be a true sister like her because she is going the break the law for her brother. Antigone is also seen as loyal to the gods when she says “ That final justice, that rules the world below makes no such laws” ( 2. 57-58). Antigone is seen as loyal because she says the final justice of her being killed doesn’t matter because she did something good for the gods, so they will be loyal back to her. In the greek tragedy Antigone, Antigone has the tragic flaw of loyalty to her family and to the gods, which leads to her
Antigone’s opinions are distinctive as she clearly states her beliefs to Creon after being caught for performing her brother’s burial rituals. Antigone strongly believes that law has no validity when laid by a human as she questions Creon saying, “What laws? I never heard it was Zeus who made that announcement” (Antigone 450). This quote shows her reliance on the Gods for moral direction instead of the kings who reign over her. Although she disregards the law, she also accepts punishment; Antigone is able to follow her opinions and independently rule herself, yet also recognize the societal expectations of law and accept punishment. When being taken by Creon with her sister Antigone takes the responsibility of the crime all herself and recognizes what she did despite not being ashamed of it. One of the main views of Antigone that causes her disobedience is the belief that rulers should not keep loved ones from each other. Antigone clearly states, “He has no right to keep me from my own” this shows how she believes the connection between family overpowers that of a law passed by a vengeful king (Antigone 48). Antigone’s opinions contrast to those of Creon who is a gender biased ruler who sees women as lesser as he states “I will not be ruled by a woman” (Antigone 24). This shows his belief in who is credible within law. Not only does he have opinions on who
The story of Antigone deals with Antigone’s brother who’s body has been left unburied because of crimes against the state. The sight of her brother being unburied drives Antigone to take action against the state and bury her brother regardless of the consequences. The concept of the Greek afterlife was far more important and sacred than living life itself. Everything they did while they were alive was to please the many gods they worshipped. They built temples for their Gods, made statues to symbolize their Gods, and had a different God to explain things that we now say are an act of mother nature. Antigone percieved her actions to be courageous and valid, and Kreone, the King, percieved them as blasphemous. The entire story focuses on deciding who’s right. The question arises, "Did Antigone take proper action?" Was it right to go against her Uncle Kreon’s wishes and go ahead and bury her brother that was to be left out for the vultures? Would it have been better just to leave the situation how it was? The fact is, Antigone did the right thing. She was acting out of divine influence so to speak. Since divinity and humanity are shown to be colliding forces where divinity out weighs humanity in ancient Greece. Antigone was justified in her actions.
The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.
Kreon believes that Antigone’s crime is severe, and righteousness should be used to justify her crime. At this point of the play, Antigone realizes she will be put to death, but she does not regret her act of loyalty. In Antigone’s last speech before she takes her own life, she exclaims, “Land of Thebes, city of my fathers… see what I suffer at my mother’s brother’s hand for an act of loyalty and devotion” (Sophocles 57). Here, Antigone addresses the nation’s leaders and declares that they should notice th... ... middle of paper ... ...
“Antigone” is a great Greek tragedy by Sophocles. The story is about a young woman who has brother by breaking king’s decree, and now she is punished for obeying God’s law. In the classic model of dramatic structure, two characters move the action of the play from introduction to climax to resolution with their conflict. One of these characters is the protagonist, and the other is the antagonist. The protagonist is a “good guy” and the antagonist is the “bad guy”. In Sophocles’ play Antigone , the lines between protagonist and antagonist are blurred. In the Greek tradition , the title character is the protagonist, but in this play the supposed antagonist, Creon also displays characteristics of protagonist.
Antigone respects her blood relations, and she is driven by this to oppose the laws created by Kreon. Even though she recognizes the sin in which Oidipous bequeaths upon his kin, she refuses to abandon her brother is determined to "not be caught betraying him" (Sophocles, 58). Kreon's man made laws cannot "keep [her] from [her] own," and in this she accepts the blood line of her doomed oikos. Furthermore, Antigone justifies herself by honoring her brother above other relationships that she is capable of producing. Antigone states that she "would never have assumed this burden...if it had been [her] children or [her] husband who had died...no more brothers could ever be born- This was the law by which [she] honored [Polyneikes] above all others" (966-77). Using this reasoning, the death of Antigone’s brother means extinction of the blood line and proper burial is still needed, even if it the traitor was Eteokles. Antigone's breach of nomos is a necessary one, for the dead cannot be revived and must be honored, especially those that en...