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How Movies Can Influence Animations
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When it comes to animated films, Hayao Miyazaki is a household name. Miyazaki’s films are highly celebrated for its complex storylines, intricate metaphors, and stunning visuals. More than just sharing the same creator; these films explore common themes as well. This essay will analyze the films Spirited Away and My Neighbor Totoro.
A fair share of Miyazaki’s films falls under the fantasy genre, and these two are no exception. Fantasy films often feature world building that is rich in imagination and contain magic or supernatural elements. The setting of Spirited Away is a ‘spirit world’ existing parallel to the human’s reality, where uniquely designed spirits inspired by Japanese folklore roam the land and use magic in their daily lives. Chihiro,
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Haku helps Chihiro by acting as her guide; advising her on how to save her parents and return to her reality. Lin and Kamaji helped her to get a job so that she can stay in the spirit world, despite being initially dismissive of her. Chihiro also uses the river spirit’s gift to help Haku and No-Face, even though she wanted to save it for her parents. This sends the message that the bond of friendship has the ability to inspire selflessness in people.
In My Neighbor Totoro, Kanta and his grandmother helped Satsuki to search for her sister, even managing to rope in the help of the farming community of the village. Totoro, being a friend of Satsuki and Mei, helps her by summoning to Catbus. In times of need, true friends are those who will weather the storm with you.
Thus, Spirited Away and My Neighbor Totoro shares the themes of the great power of love, and the bond of friendship. While Miyazaki’s films may be set in completely unique worlds, the audience is still able to relate to these films due to the themes of the stories that resonate with them. Therefore, it is without a doubt that Miyazaki’s films will continue to inspire generations to
Films are designed for numerous purposes, some entertain, frighten, enlighten, educate, inspire, and most make us think about the world we live in. This paper will be focused on the cinematic interpretation of the film "Stepping Razor Red X", the Peter Tosh Story. The makers of a film from the writer, director, cinematographer and the art director, design, and conceptualize what they want the viewer to see.
For this project, two films were viewed. The first one is Annie, a film made in the early 80s about a girl in an orphanage. She is then brought to live in a mansion for a week with one of the richest men in this world. He doesn’t like her at first, but he learns to love the little girl, and adopt her. The second film, Cinderella man, is about a boxer who loses his job after he breaks his hand during a match. He is then left to fend for his family. He begins to slowly rise up as a boxer and fight again, much to his wife’s distaste. For this project, I will discuss the similarities and differences between the films, and the time period, setting, and characters. Annie is the first film.
In society today, we are conditioned to believe certain sets of ideals. We use these ideals to interact and get along with the other people we surround ourselves with. These ideals are often the societal norms that form common ground amongst individuals. However, living life based off these basic and unchanging beliefs is not beneficial to humanity, nor does it make life any easier to live. In fact, holding on to the most accepted beliefs holds back society as a whole. Judith Halberstam, in her essay “Animating Revolt and Revolting Animation” challenges these societal norms through the analysis of animated movies and, in doing so, carves a path for a new way of thinking.
Motion Pictures have always had a strong influence in today’s culture, but maybe none as prevalent as Star Wars. Originating with Episode 4 A New Hope, the series boomed from 1977 to 2005 with yet another addition coming in 2015. The strongest of the series was the original trilogy episodes 4, 5, and 6, all generally released in the 1980s. As one of the strongest film francaises still today, it’s impact within the 1980s was only the tip of the iceberg. Children and adults alike still anticipate the new edition of this seemingly endless journey. If any singular film series still holds prevalence in its future decades it is Star Wars: Original Trilogy.
Interviews // Nausicaa.net. Trans. Ryoko Toyama. Ed. Team Ghiblink. N.p., n.d. Web. 27 Apr. 2014.
Are classic novels still being referred in modern society? Yes. Yes they do. – David Ngo claims
He has achieved many things in his career, countess awards and fans, and has made big impacts in the world of animation. Not only did his style influence the more realistic anime style today, but the success of Nausicaa made anime much more respected by many people. Also, Princess Mononoke became the highest grossing Japanese film in Japans history in 1997. But, the achievement he probably values and is proud of most is the impact he has made on the children and viewers of all ages who see his works. Through hard work and with a passion for what he does, Hayao Miyazaki has truly become one of the most successful animators in all of Japan.
The debate over the good and bad aspects of Disney movies has been going on for years. It has become a part of pop culture in a way never expected through things such as YouTube videos and meme’s. While looking at multiple Disney movies may give a wider range of example of both the good and the bad in Disney movies, to help depict the effects the movies actually have on kids it is most beneficial to study just one movie. Zia’s essay argues that Disney movies have a good influence on children by teaching them good life morals. However, one of her examples, Mulan, is not an example of achievement through hard work like Zia explains, but rather a change made through magic, and example of the horrible historical inaccuracies made in Disney movies and the lack of parental respect that they teach children.
Being one of the world’s most popular art forms, it was inevitable that these archetypes would find their way into film as well. In this essay I will argue that the films Pulp Fiction, Taxi Driver, Watership Down, and Trainspotting are all versions of The Hero’s Journey, consequently demonstrating just how prevalent these archetypes have become in modern cinema. And that mythology and storytelling are important parts of each culture because they prevent the darkness in our hearts from spreading.
Since the creation of films, their main goal was to appeal to mass audiences. However, once, the viewer looks past the appearance of films, the viewer realizes that the all-important purpose of films is to serve as a bridge connecting countries, cultures, and languages. This is because if you compare any two films that are from a foreign country or spoken in another language, there is the possibility of a connection between the two because of the fact that they have a universally understanding or interpretation. This is true for the French New Wave films; Contempt and Breathless directed by Jean-Luc Godard, and contemporary Indian films; Earth and Water directed by Deepa Mehta. All four films portray an individual’s role in society using sound and editing.
Most of the fantasy stories that were produced made use of film as a tool to expose the shows. Study proved that the world of film has a various capacity in persuading and changing the perspectives of a viewer. A film functions as an int...
Few months ago, there was a huge impressing movie to me, which was named Inside Out, and it is an animation movie, and focused on adults. Inside Out is also fifteenth animation movie that Global animation company, Pixar, released. Their ambitious work, Monster University, failed to gain a number of audiences, so Pixar had resting period for two years. As the result, people worried about that Pixar might have been collapsed. However, two years later, according to this movie, Pixar informed they are still alive by obtaining many audiences. This movie completely gave me a good lesson and realization that how much and why all emotions are needed and important.
“Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.
Drawing on pictorial traditions as venerable as sumi-e (black and white ink brush painting), yamato-e (landscape painting in the Japanese style), and emaki-mono (narrative picture scrolls), the Japanese cinema was characterized by a pictorial elegance not seen anywhere else in the world. A propensity for long takes and long shots gave many of the films a stately, leisurely, contemplative pacing that appealed to many young film critics and filmmakers. The creation of mood, of tone, was similarly a unique property of the Japanese cinema. Combined with many theatrical elements, the films presented themselves as the product of a culture that seemed far from the one that waged fierce war on the world. The stylistic experiments of Kurosawa (one of the rare directors who were as comfortable with dynamic montage as he was with long takes) and Ozu (a filmmaker virtually unique, but not sui generis, with his graphic matches, narrative ellipses, dramatic de-emphasis, and singular thematic concern) grew out of a prolific, varied, and exciting cinematic period. (Grant p.
Movies take us inside the skin of people quite different from ourselves and to places different from our routine surroundings. As humans, we always seek enlargement of our being and wanted to be more than ourselves. Each one of us, by nature, sees the world with a perspective and selectivity different from others. But, we want to see the world through other’s eyes; imagine with other’s imaginations; feel with other’s hearts, at a same time as with our own. Movies offer us a window onto the wider world, broadening our perspective and opening our eyes to new wonders.