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Elizabethan theatre successes
Compare tragedy with comedy
Elizabethan theatre successes
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There is not one person in this world who has the exact same preferences as another person. Everyone has their own unique style, which creates the need for a wider variety of genres. In the Elizabethan Ear, one of the world’s greatest poets emerged. His sonnets, stories, plays were written in such varieties that appealed to the masses, even in today’s society. Of all his works, the most popular styles were comedies and tragedies. These polar opposites appealed to many because of the way they brought the story to life. The same story written in both of these styles could have a completely different effect on the audience based on the style used. Although completely dissimilar, the two styles did have some similarities, which kept them in the Shakespearian style. Shakespeare’s more widely known comedy and tragedy, The Twelfth Night and Macbeth, respectively, are great examples to show the vast differences between the two styles, but since both works are by the same author, similarities can also be seen if one looks carefully.
A dismal, almost heart-wrenching downfall and a plot of darkness and confusion is what a reader encounters in Shakespeare’s tragedy, Macbeth. The story, right from the beginning, created a sense of dread which increased as the reader saw the downfall of the tragic hero, Macbeth. This plot here is the basic foundation of the tragedy genre. Without the ultimate demise of the main character, the tragedy would be any different from another style. However, this is not the only component that makes up a tragedy. There are numerous others, some playing a more vital than others. Even though irony, which can provide for some comedic relief, is present, it really doesn’t provide for a laughable factor. Th...
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...lots do combine eventually to create this somewhat comedic climax, which slowly leads to the happy ending. In a comedy, everything is eventually sorted out. Chaos is quelled and order is restored – what was wrong then becomes right. Instead of death, which is what a tragedy would end in, comedies usually end in either life, or I the case of The Twelfth Night, marriage. The love triangle is solved; Orcino takes Viola’s hand in marriage while Olivia takes Sebastian, Viola’s twin brother. The pranks by the subplot characters are called out into the open and apologies are given. A happy ending is given to a plot full of laughter and silliness, as it rightly should.
Although the tragedy and comedy have many, many difference, such as the foundations for each genre and just about everything else that composes the two, they still retain things that tie them together.
William Shakespeare’s Macbeth has always been considered one of the literary worlds most celebrated tragedies. It is arguably the darkest and most gruesome of his plays. The protagonist, Macbeth, is the poster child for tragic hero, “a literary character who makes an error of judgment or has a fatal flaw that, combined with fate and external forces, brings on a tragedy” (www.dictionary.com). And until recently we were satisfied with that… At the Cannes Film Festival in 2001, a low budget comedy was unveiled. It was called Scotland, PA. This film was written by a first-time director, Billy Morrissette, and depicts the familiar story in a surprisingly different form.
The novel Macbeth is usually described as tragedy written by William Shakespeare presents how a good hearted man can develop to a cold-blooded failure due to his egotistical mindset. The character Macbeth is a tragic hero in this novel. He had too much faith in the three witches who promised that Macbeth will presume to be king of Scotland. Although Macbeth carried uttermost ambition and this only resulted to deficient bearings. His inferior behaviorism can only predict how much of a downfall lies ahead of him.
Shakespeare to create a lot of contrasts and moods, as and when he wants to.
“The Tragedy of Macbeth” goes into the darkest and deepest morals of any Shakespearean play. Each character in the play portrays a very important role and each character gives off their own form of sincerities towards the advancing plot. Macbeth
To conclude, Romeo and Juliet is a tragedy due to the tragic elements of Romeo’s thoughtlessness, Juliet’s attachment towards Romeo, and the plot’s dramatic turnabout. The play has both main characters tragically take their own lives, but there is much controversy whether it should be considered a tragedy or just a tragic story. Aristotle’s Poetics clearly outline all of the necessary parts to a tragedy, and Romeo and Juliet fill in those requisites. Despite all controversies, the one agreement everybody can come to is Romeo and Juliet is one of the world’s most beloved work of literature.
The one thing that all of Shakespeare’s plays have in common is a tragic conclusion, which results in the death of the hero. What is unique about the deaths of these heroes is that all of the problems that lead them to the end are self-induced. The heroes are always in control, and make crucial judgemental errors which ultimately lead to their own demise. While it is clear that the hero Macbeth causes his own death in this famous play, there are also third-party influences which push him towards this end. The three witches plant a desire for power and growing confidence in Macbeth, while Lady Macbeth eventually persuades him to go down a path of violence, and kill King Duncan in order to take his place on the throne.
The play Macbeth is a Shakespearean tragedy; therefore, fate plays an extremely important role in Macbeth’s downfall through its inevitable characteristics and use foreshadowing. The majority of the characters die because of the hero and their flaw which leads them to make bad decisions. Hence, it is destined for Macbeth to commit evil acts such as murdering King Duncan, his good friend, and plotting against his fellow thane as a result of his tragic flaw, excessive ambition. Additionally, in a Shakespearean tragedy, there is always an aspe...
Within Macbeth the tragedy and demise of Macbeth is an important factor in determining his character as a tragic hero. However in order to elucidate on this point we need to define what is a tragedy. Aristotle within ‘Poetics’ highlighted what characteristics he believed to define tragedy these being;
A tragedy, in literary terms, is defined as a literary work in which a great person suffers extreme sorrow, or is destroyed as a result of a character flaw or a conflict with an overpowering force, often through no fault of their own. William Shakespeare is known as one of the greatest play writers in the world. Many of his tragedies exemplify this common theme: some things in life seem destined to happen, regardless of the path we take. Three of his most famous tragedies, Hamlet, Julius Caesar, and Romeo and Juliet, illustrate this theme.
Shakespeare’s “Macbeth” explores a fundamental struggle of the human conscience. The reader is transported into the journey of a man who recognizes and acknowledges evil but still succumbs to its destructive powers. The character of Macbeth is shrouded in ambiguity that scholars have claimed as both being a tyrant and tragic hero. Macbeth’s inner turmoil and anxieties that burden him throughout the entire play evoke sympathy and pity in the reader. Though he has the characteristics of an irredeemable tyrant, Macbeth realizes his mistakes and knows there is no redemption for his sins. And that is indeed tragic.
William Shakespeare has become landmark in English literature. One must be familiar with the early days of English literature in order to comprehend the foundation of much of more modern literature’s basis. Shakespeare’s modern influence is still seen clearly in many ways. The success of Shakespeare’s works helped to set the example for the development of modern dramas and plays. He is also acknowledged for being one of the first writers to use any modern prose in his writings.
In contemporary theatre, a tragedy generally includes death and destruction, a romance gone horribly wrong, the hero or heroine’s total collapse, or any combination thereof. It puts the audience in a depressed, angry, or at least contemplative mood. In some ways, the Shakespearean tragedy does fit this mold: there is almost always an excess of dead people, and you can usually be sure you won’t laugh the theatre laughing.
While the genre of some works of literature can be debated, Macbeth, written by William Shakespeare, seems to fit into a perfect mold. Aristotle’s definition of a tragedy, combining seven elements that he believes make the genre of a work a tragedy, is that mold. Displaying all seven aspects, Macbeth fits the definition precisely. Key elements in the play substantiate the fact that Macbeth is a serious story, the first elements of Aristotle’s definition. From the first lines of the play, the mood is set featuring witches who speak of witchcraft, potions and apparitions.
A tragedy is defined as beginning with a problem that affects everyone, i.e. the whole town or all the characters involved, the tragic hero must solve this problem and this results in his banishment or death [run-on sentence]. A comedy is defined as also beginning with a problem, but one of less significant importance. The characters try to solve the problem and the story ends with all the characters uniting in either a marriage of a party. Although these two genres are seen as being complete opposites of each other, through further analysis one can gather that though they are different certain similarities can also be seen.
Shakespeare's comedies can be recognized in terms of plot, structure and characters. We can see that Shakespearean comedies follow the same structural pattern, a basic plot on which the play is based. For example, a key feature of all comedies is that they depend upon the resolution of their plots. However, Shakespeare's comedies are distinguishable, as some are classed as comic dramas and others as romantic comedies. In comic drama, there is usually a motif of a place where reality and the unreal merge, the roles of characters are reversed and identities are mistaken or lost. This place may take on the form of a feast or celebration, or it may be presented as a place segregated from the normal society, such as the wood in A Midsummer Night's Dream. When scenes are set in this place, the ordinary rules of life and society do not apply. There is always an experience of chaos, which must be resolved in order for the play to become a true comedy.