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Macbeth as a dark tragedy
Aristotle's tragedy definition
Macbeth as a tragic figure
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While the genre of some works of literature can be debated, Macbeth written by William Shakespeare seems to fit into a perfect mold. Aristotle’s definition of a tragedy, combining seven elements that he believes make the genre of a work a tragedy, is that mold. Displaying all seven aspects, Macbeth fits the definition precisely.
Key elements in the play substantiate the fact that Macbeth is a serious story, the first elements of Aristotle’s definition. From the first lines of the play, the mood is set featuring witches whom speak of witchcraft, potions and apparitions. Not only do the three witches aid in making this a serious story but also, they appealed to Elizabethans whom at the time believed in such supernatural phenomena. War for centuries has represented killing and feuding, thus, the war taking place between Scotland and Norway provided a dark component. The Thane of Cawdor’s rapidly approaching execution due to his deceiving the king also plays a role in this grim work. Murder throughout all of Macbeth is an essential aspect when dealing with the seriousness of the play. From the beginning, Lady Macbeth urges Macbeth to do anything to overthrow King Duncan, whom is the king of Scotland, the role Macbeth desperately yearns for. During the excursion to become king, Macbeth successfully murders King Duncan, Macduff’s wife and children, and with the help of a group of murderers Banquo; a brave general who will inherit the Scottish throne. Through the whole play, while such dank occurrences are used to create deep mood, Shakespeare also uses strong language and words. Such as when Lady Macbeth calls upon the gods to make her man-like so she will have the fortitude to kill King Duncan herself in this quote, “Come you spirits that tend on mortal thoughts, unsex me here… Make my blood thick… Come, thick night, and pall thee in the dunest smoke of hell, that my keen knife see not the wound it makes, nor heaven peep through the blanket of the dark.” This type of language provokes thoughts of death, blood and darkness though the imagery such dank words create. The play also follows through with its theme of blood by in the end of the play, having both of its lead characters die. Lady Macbeth, distraught by guilt over the bloodshed, commits suicide while Macbeth is murdered and beheaded by Macduff, a Scottish noblemen.
Shakespeare's play "Macbeth" is considered one of his great tragedies. The play fully uses plot, character, setting, atmosphere, diction and imagery to create a compelling drama. The general setting of Macbeth is tenth and eleventh century Scotland. The play is about a once loyal and trusted noble of Scotland who, after a meeting with three witches, becomes ambitious and plans the murder of the king. After doing so and claiming the throne, he faces the other nobles of Scotland who try to stop him. In the play, Macbeth faces an internal conflict with his opposing decisions. On one hand, he has to decide of he is to assassinate the king in order to claim his throne. This would result in his death for treason if he is caught, and he would also have to kill his friend. On the other hand, if he is to not kill him, he may never realize his ambitious dreams of ruling Scotland. Another of his internal struggles is his decision of killing his friend Banquo. After hiring murderers to kill him, Macbeth begins to see Banquo's ghost which drives him crazy, possibly a result of his guilty conscience. Macbeth's external conflict is with Macduff and his forces trying to avenge the king and end Macbeth's reign over Scotland. One specific motif is considered the major theme, which represents the overall atmosphere throughout the play. This motif is "fair is foul and foul is fair."
After a long and hard battle, the Sergeant says to King Duncan, “For brave Macbeth,-well he deserves that name,- disdaining fortune, with his brandish’d steel, which smok’d with bloody execution , like valour’s minion carv’d out his passage till he fac’d the slave;” (1.2.16) . This quote shows that Macbeth is viewed as a valiant soldier and a capable leader. However, it does not take long for the real Macbeth to be revealed- a blindly ambitious man, easily manipulated by the prospect of a higher status. His quest for power is what drives his insanity, and after having been deemed the Thane of Cawdor, Macbeth’s ambition can immediately be seen. In a soliloquy, Macbeth says, “Present fears are less than horrible imaginings; my thought, whose murder yet is but fantastica, shakes so my single state of man that function is smother’d in surmise, and nothing is but what is not” (1.3.140). Macbeth has just gained more power, and his immediate thought is of how to gain an even higher status as king. He imagines how to kill Duncan, and then is troubled by his thoughts, telling himself it is wrong. This inner struggle between Macbeth’s ambition and his hesitation to kill Duncan is the first sure sign of his mental deterioration. Although Macbeth does kill Duncan, he questions whether or not he should to do so, which is far different from how Macbeth feels about murder later in the play. Macbeth becomes king, and this power leads
America and the Gulf of Tonkin: Before the US sent combat troops in 1965, they had been supplying thousands upon thousands of military advisors, such as the Green Berets, to help train the South Vietnamese. Speaking of the Green Berets, they are forever immortalized, or vilified by many, in the song The Ballad of the Green Berets. The song, written by a former Green Beret, was received quite differently depending on who was listening. To some it was a patriotic march. To many others it was an over glorification of a death that didn’t have to happen.
History has been filled with evil people doing evil things for power whether that means killing or putting other people down. The truth is everyone wants power and once that power is gained they will do whatever to maintain it. In the play Macbeth written by Shakespeare the main character receives a prophecy from witches (wierd sisters) telling him he will become king. Acting in response Macbeth kills the king and soon becomes the new king. The play follows his story as he struggles to maintain his power and battles against those threaten his rule. In Act 3 scene 1, Macbeth's’ soliloquy about Banquo, his best friend, expresses the tones of fear, jealousy, and anger through the literary devices of metaphors, repetition, and foreshadowing, which
Macbeth’s ambition to obtain power convinces him that it is his destiny to become King of Scotland, and that he should do anything to fulfill that destiny, even if it involves him committing tremendously immoral acts such as murder. After Macbeth realizes that the witches may actually speak the truth due to the second prophecy (Thane of Cawdor) becoming true, he begins to have an eerie and frightening thought of him killing his king and friend, Duncan, in order to ac...
Macbeth is swaying between the forces of good and evil. He wants to stop killing but he also wants to become king and in his mind the only way to do that is to kill whoever is in his path, saying “I am in blood/ Stepped in so far that, should I wade no more,/ Returning were as tedious as go o'er.” (3.4.168-170). Macbeth is already deep into this situation and if he were to turn back now, it would cause him greater hardship than relief. Macbeth has been dealing with this inner conflict ever since he was told by the weird sisters that he is fated to become king. This conflict ties everything together, between fate versus free will and sane or insane. Macbeth started the play as being a glorified war hero, however as time moved on he transformed into a bloodthirsty tyrant. Macbeth has gone through so much that he has shifted into a guilty man haunted by nightmares and hallucinations but will not stop until he gets what he came for. Macbeth has gone so far into the void of guilt that his name has now fell into infamy, as shown by quote by Young Siward saying “The devil himself could not pronounce a title/ More hateful to mine ear.” (5.7.10-11). Macbeth had already grown a name for himself while he kept his innocence, however with all the killings macbeth has made, he has done nothing but shame his name. Macbeth name to others is more hateful and there is nothing that Siward would rather do than to end Macbeth’s life, thus ending all the guilt and evil inside
Shakespeare uses Aristotle’s ancient description of a tragic hero - a character between good and bad - to portray the protagonist in the tragedy Macbeth. Aristotle’s theory that tragedy must evoke pity or fear from the audience can be done effectively through an everyman character. In order to appeal to the audience and bring forth some empathy, Macbeth must show his righteous morals through his own soliloquies or through other characters’ lines. Macbeth’s changing attitude is influenced not only by Lady Macbeth’s convincing words, but also too by his mind, which is only human and therefore subject to temptation. Macbeth does however reach a turning point where he becomes so radical and paranoid that he can no longer find his moral conscience.
Based on the text it states, “And, on thy blade and dudgeon, gouts of blood, Which was not so before. There’s no such thing. It is the bloody business which informs Thus to mine eyes. Now o’er the one-half world Nature seems dead, and wicked dreams abuse…..I have done the deed.” This illustrates that Macbeth went through with the plan his wife cameup with. He killed King Duncan so he could become King. His ambition caused him to take part and do a bad action such as killing Duncan. The killing and wrong doings don't stop there however. Macbeth’s ambition pushes him to the limit. Macbeth then kills his close friend Banquo and attempted to kill Banquo’s son, based on fears that Banquo’s son will become king. Macbeth brings forth murderers and states, “ Know That it was he, in the times past, which held you So under fortune, which you thought had been Our innocent self…. So is he mine, and in such bloody distance That every minute of his being thrusts Against my near’st of life. And though I could With barefaced power sweep him from my sight.” Macbeth deceives the Murderers and tells them that Banquo is to blame for their misfortune. He then convinces them that Banquo is the enemy and he must be killed. Macbeth also tells them, “The moment on ’t, for ’t must be done tonight….Fleance, his son, that keeps
Within Macbeth the tragedy and demise of Macbeth is an important factor in determining his character as a tragic hero. However in order to elucidate on this point we need to define what is a tragedy. Aristotle within ‘Poetics’ highlighted what characteristics he believed to define tragedy these being;
Seeking for greater power, Macbeth murders Duncan who is the king at that time, which caused a great pain for the kingdom. Duncan is a great king, but just not a so good human reader. He has never been aware of Macbeth. He never have a thought that Macbeth might be a danger, who is willing to kill him for the throne. On the other hand, Macbeth does not accept to be just a general for the rest of his life. He wants a greater power, higher position than he is having at the time. Because of the suggests from the trio witches: “ All hail, Macbeth! Hail to thee, Thane of Cawdor!/ All hail, Macbeth, that shalt be king hereafter!”(1.2.49-50), Macbeth has the thinking about killing the king to take his throne. By calling Macbeth the Thane of Cawdor, they give Macbeth the thought that being a king is his fate. On the night Macbeth is planning to murder Duncan, the Old Man see many strange events: “And Duncan’s horses (a thing most strange and certain),/ Beauteous and swift, the minions of their race, /Turned wild in nature, broke their stalls, flung out/ Contending ‘gainst obedience, as they would/ Make war with mankind” (2.4.14-18). It creates a scary feeling in the kingdom, and means something bad will happen to the kingdom.
Aristotle's Tragic Hero in Macbeth. Aristotle and Shakespeare lived ages apart, but Aristotle had a great influence on Shakespeare's plays. In Shakespeare’s tragic play, Macbeth, the character of Macbeth is consistent with Aristotle’s definition of the tragic hero. Aristotle's tragic hero is a man who is characterized by good and evil. He is a mixture of good and bad characteristics.
"The wind of change is blowing through this [African] continent, and whether we like it or not, this growth of national consciousness is a political fact. We must all accept it as a fact, and our national policies must take account of it" (Macmillan). This speech, made by the prime minister of England in 1960, highlights the vast changes occurring in Africa at the time. Changes came quickly. Over the next several years, forty-seven African countries attained independence from colonial rule. Many circumstances and events had and were occurring that led to the changes to which he was referring. The decolonization of Africa occurred over time, for a variety of complex reasons, but can be broken down into two major contributing factors: vast changes brought about in the world because of World War II and a growing sense of African nationalism.
The main theme of Macbeth-the destruction wrought when ambition goes unchecked by moral constraints-finds its most powerful expression in the play's two main characters. Macbeth is a courageous Scottish general who is not naturally inclined to commit evil deeds, yet he deeply desires power and advancement. He kills Duncan against his better judgment and afterward stews in guilt and paranoia. Toward the end of the play he descends into a kind of frantic, boastful madness. Lady Macbeth, on the other hand, pursues her goals with greater determination, yet she is less capable of withstanding the repercussions of her immoral acts. One of Shakespeare's most forcefully drawn female characters, she spurs her husband mercilessly to kill Duncan and urges him to be strong in the murder's aftermath, but she is eventually driven to distraction by the effect of Macbeth's repeated bloodshed on her conscience. In each case, ambition helped, of course, by the malign prophecies of the witches is what drives the couple to ever more terrible atrocities. The problem, the play suggests, is that once one decides to use violence to further one?s quest for power, it is difficult to stop. There are always potential threats to the throne?Banquo, Fleance, Macduff?and it is always tempting to use violent means to dispose of them.
...ural resources. Post independence Africans although not ruled by Europeans nations such as Britain, France, and the Dutch were still dependent on these nations for goods and other trading purposes. Culturally, post independence Africans and precolonial Africans were different because post independence Africans were greatly influenced by the mother countries that ruled them because their mother countries cultures were inflicted on them whether it was language, food, religion, or even clothing. Precolonial Africans and post independence Africans also differed politically in the aspect that precolonial African governments were more tribe like, while post independence Africans governments had western influence and some cases lead to dictatorships as seen in Liberia dictated by Samuel Doe, Zaire dictated by Mobutu Sese Seko, and Somalia dictated by Muhammad Siad Barre.
The liberation of Africa was a slow, often violent, process. The continent, having been torn apart by colonial powers was fraught with ethnic and tribal divides. This made liberation movements complicated because of the necessity for non-existent nationalization. In most countries this caused the movement towards liberation to be a violent struggle, often resulting in war, mass murder, and in one instance, genocide. Even in some of the semi-successful transitions, warlords or autocratic dictatorships. The liberation of the Congo is one such example. Few countries were able to transition fully without violence or major issues. The country of Ghana was the first to gain independence in Africa, also being one of the only successful liberation