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What are the reasons for conformity
What are the reasons for conformity
What are the reasons for conformity
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I am not a Martin Luther King, devoted to a movement, or a Christopher Columbus, devoted to a quest, or a Leonardo di Vinci, devoted to an image. Yet everyone needs some devotion in his life. I am a musician, a daughter, a Christian, a traveler, a sister, a friend, an animal lover, a writer, and many things besides. The biggest dilemma for me is finding ways to fuse these different parts of myself into a recognizable person. I would need several lifetimes to pursue all of my dreams individually, so they must become one dream, one working vessel of passion. So how can I mix my zeal for music, for example, with my need to write? They are one in the same for me, really, both means of ardent expression of sadness or anger or joy.
The experience that brought about the conception of my understanding is starkly fixed in my memory. I was at a concert featuring one of Schubert’s Suites for String Quartet and my lack of familiarity with the work only served to heighten my already bursting excitement. They were late getting started and the audience around me fidgeted and chattered. I ignored them, sitting still in my seat, tense with anticipation. Finally the lights dimmed and a pregnant silence took hold. Despite my expectancy I was unprepared for the sudden eruption of applause like a bomb detonating in the hall as the four black figures strode onto the stage. Reminding me of Virginia Woolf’s description in The String Quartet, the performers “seated themselves facing the white squares under the downpour of light, rested the tips of their bows on the music stand, [and] with a simultaneous movement lifted them.” I leaned forward on my seat, straining to hear the first note even before it sounded. With an almost telepathic communication from the first violin, it began. From that moment I was lost. The audience, the musicians, even the music itself was forgotten, swept away by the surge of emotions that engulfed me. As I listened, or rather encountered the exquisite performance, for it was more intimate than listening, I realized with more force than ever before, that this was what I wanted to do. I wanted to make people feel like this when I sang.
In 1940, Messiaen was called up to serve in the army as a hospital orderly, but was soon captured by the Germans and taken to a prisoner-of-war camp. Here, suffering from food deprivation and extreme cold, he had the idea of composing a piece for the End of Time. There were four musicians on the camp – himself (a pianist), a violinist, a cellist and a clarinettist – and so he wrote a quartet. Performers of the work need to consider the circumstances under which the piece was composed and also the reaction it created at the first performance of it. This was in front of the entire prison camp in January 1941 where, says Messiaen, ‘never have I been listened to with such attention and understanding.’
However, the most fitting work with the concert theme may be Philip Glass’s String Quartet No. 2. This work is often entitled Company and was originally intended for an adaptation of Samuel Beckett’s prose poem entitled Company. This cross-disciplinary collaboration resulted in Glass extracting material from the theatre score and making it a four movement concert work that could stand alone. This 1983 minimalist work is clearly characteristic of Glass’s style in the repeating arpeggios, harmonic language, and his recognizable rhythmic structure. However, the most important aspect of the work in relationship to the other music on the concert may be its inspiration. While Beckett’s work was the inspiration for the Glass’s music, Beckett was also a collaborator in the creation of the staged work. Like the works of The Brooklyn Rider Almanac, Der Blaue Reiter Almanach, and The Onomatopoetic Project, Philip Glass’s String Quartet No. 2 provides a unique prospective on art through a different medium. This concert is a wonderful example of how music, the visual arts, theatre, and literature can all be used to comment on and inspire one another by simply looking at art through the prospective of all forms of
On Tuesday, October 17, 2017, I attended a musical concert. This was the first time I had ever been to a concert and did not play. The concert was not what I expected. I assumed I was going to a symphony that featured a soloist clarinet; however, upon arrival I quickly realized that my previous assumptions were false. My experience was sort of a rollercoaster. One minute I was down and almost asleep; next I was laughing; then I was up and intrigued.
During a musical performance many elements to be looked are not easily recognized by the average critic. A musical performance has multiple interactions taking place between the music, text, performers, audience, and space that all can contribute to a great performance. Overwhelming majority of the audience does not realize so much can be looked at during a single performance. At a performance by the University of Maryland Marching Band I was able to analyze the Musical Sound, Contexts of the Performance, and Interpretation of the Performance.
Composers of distinctively visual texts are able to manipulate the emotions of the audience to influence the response of a collective group. This is demonstrated in John Misto’s play ‘The Shoe-Horn Sonata’ and Jason Van Genderen’s short film ‘Mankind Is No Island’ whereby distinctively visual techniques enable the audience to clearly imagine, form meaning and understand a composer’s unique perspective.
Putman, D. (1990). THE AESTHETIC RELATION OF MUSICAL PERFORMER AND AUDIENCE. British Journal of Aesthetics. 30 (4), 1-2.
On November 16th, 2013, I attended a concert choir, fall choral concert. This event took place on the Wheaton College Campus, in the Edman Chapel at 7:30 pm. The chapel was well-lit, with long pews for the audience to be seated. The concert began with the audience looking up into a balcony, where the ensemble stood in neat rows. They watched the conductor, who stood on a stage in front of the audience, waiting for their cue.
“The Wagner Matinee,” a hauntingly beautiful short story by Cather, is a good example of the importance of music. It also presents the heartbreak that can accompany being removed from what gives one’s life purpose, another theme throughout Cather’s work. The story centers on a young man named Clark who takes his elderly aunt Georgina to her first classical performance since she moved to a farm with her husband years ago, breaking “a silence of thirty years, the inconceivable silence of the plains” (Great Short Works of Willa Cather, 58). A lover and teacher of music, the only music Georgina had heard in in this time was that of the church choir.
Western Music has developed in many ways since the middle ages through its form, sound, and message. Throughout these different periods in western music one thing has remained constant, the true essence of music, a way to communicate with someone on a much more divine level than be by rudimentary conversation. Though Ludwig Van Beethoven and Paul McCartney may seem completely opposite they have one in common through their music they changed the world’s perception of its self
Travelling around the world gives an individual a unique perspective of life, culture and tolerance. In the tenth grade, I had the opportunity to embark on a journey which provided me with a unique perspective and view of humanity. Similar to my other trips to Europe my initial intention was to enjoy two-weeks away from school in continental Europe, however I was flabbergasted when I realized this two-week trip would serve to destroy my idealist view of a pluralistic society. I was destined for Germany, Poland and the Czech Republic to study the Holocaust.
Do you ever wonder what an arduous task it is to listen to the music and understand the complexity of it? Just as Walker Percy implies in his essay "The Loss of the Creature," people generally tend to divide into two categories when it comes to viewing the issues of life. We have the "common" individuals who notice the complexity of the matters, but who interpret it in superficial ways, and we have the "complex" individuals who tear through the outer layer and look to find the answers to their questions (Percy . It was not until I remembered an event which took place a few years ago, that I started to apply this simple-sounding division to a process of enjoying the splendor of music.
When we are young, we all have our own unique dreams and aspirations for what we wish to do when we are “older.” As we grow older, we begin to realize that some of our dreams are unattainable, while others are able to achieve their dreams. Whether one is the first person or the latter, we are spoon-fed the idea of attending college. We all hear how college is our “gateway to success,” and how “our entire lives depend on college.” Pressures bear down on high school students, telling them that they must attend college to be capable of anything in life. But people do not realize the detriments that are also associated with attending college. Students should not be pushed to attend colleges as there could be several factors that play in a student’s
Through exploring the deeper meaning and thematic concepts of the musical, I have come to learn how to look beyond the obvious messages upon the surface and find deeper meanings. I know understand that the purpose of art forms such as this – to convey powerful messages to the audience. Through this experience, I will continue to seek meaning within art.
Penn Engineering’s interdisciplinary approach to education filled with penchant for invention, dedication to creating solutions to real problems around the world, commitment toward global citizenship, intellectual rigor, and bountiful resources will not only allow me to discover, develop, and deepen my multifaceted interests in engineering but also transform me into a socially aware engineer who is “without borders.”
I picture myself center stage in the most enormous and fantastically beautiful theater in the world. Its walls and ceilings are covered in impeccable Victorian paintings of angels in the sky. A single ray of light shines down upon my face, shining through the still, silent darkness, and all attention is on me and me alone. The theater is a packed house; however, my audience is not that of human beings, but rather the angels from the paintings on the walls come alive, sitting intently in the rows of plush seats. Their warmth encompasses my body, and I know at that moment that it is time to begin.