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“Intense love does not measure, it just gives. “ (Mother Teresa) This sentence perfectly describes the character Clarisa in the short story, “Clarisa” written by Isabel Allende because of her giving nature and devotion to helping other people. In this short story, Clarisa is the model of gentility and compassion by giving absolutely every thing she had, and even spends “…the last cent of her dowry and inheritance,” (434) and, “In her own poverty, she never turned her back on the poverty of others” (434). For these reasons, they people that know Clarisa hold her in high esteem, and continually portray her as saint like. Allende helps the reader understand the admiration others have for Clarisa through the use of imagery, similes, and diction.
The imagery in “Clarisa” is used to help explain the admiration the narrator has for Clarisa. One example of this is when Clarisa arrives home from the parade for the Pope, who has come to town, distraught and confused. “I combed her meringue hair high on her head, tied it with a ribbon, and then sat down to accompany her through this crisis, not knowing exactly what it was” (438). This piece of text helps the reader envision Clarisa’s age, as well as providing a physical description of Clarisa. Furthermore, this piece of text also helps reveal the love that the narrator feels for Clarisa, and how she is concerned for Clarisa’s well-being. Another piece of imagery used is, “She was exhausted when she reached the house, with the din of bells and cheering still ringing in her temples” ( 438). This portion of text conveys a feeling of tiredness and finality. This description could help one infer that Clarisa is worn out, and her body is failing. Clarisa just finished seeing the Pope, somet...
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...ws how the people who know her or are affected by her, hold her in great regard, and treat her as a saint. The word choice of this passage suggest that the people who come to say goodbye are really expecting something illustrious to happen, and are disappointed that have not gotten to experience the event. Both samples of diction provide the reader with a deeper meaning, without making the passages difficult to read, as well as further conveying the admiration other people have for Clarisa.
Allende effectively used the literary devices of imagery, similes, and diction, to help the reader understand the admiration others have for Clarisa while conveying the deeper meaning of the text without compromising the flow and comprehension. Each literary device provides an easy, enjoyable, and profound way to view this story, and learn about the sacrifices
of others.
The first literary device is a simile and it paints a picture in the readers head.
One of the literary techniques most prominently featured throughout the passage would be that of imagery. The author takes great care to interweave sentences comparing the traits
Maria Teresa is usually only seen as ‘the little sister’ in her family but through the revolution she is able to show courage even through the hardest times. Mate says, “She seemed pretty impressed with my arguing back at her like that. She's always telling me to stand up for myself, but I guess she didn't figure I'd stand up to her” (Alvarez 1.3.95). Maria Teresa shows courage by arguing with her sister. Although this is a
Armand as a character isn’t a great man. He was born in the United States, but his mother lived in France and absolutely adored the country. Armand is also a very strict man who despises the black race. He owns slaves, and works them extremely hard. His only redeeming qualities to me would be that he loves and cares for his wife dearly, but other than that I find him to be a very mean and ignorant person. At the end of the story, Armand receives a letter telling him that he is actually of the black race, leaving him with no choice.
A woman’s self-worth and self-esteem are vital to experiencing happiness in a marriage. In addition, low self-esteem will cause a woman to feel abandoned, because she is not getting enough emotional support from her husband. Cisneros demonstrated this through the character of Cleofilas in the story. For example, Cleofilas often reminds herself why she loves Juan Pedr...
As one of the most well known ancient Roman love poets, Ovid has demonstrated bountiful talents within his writing. When reading myths from his book titled Metamorphoses, you gain an enlightening insight of how he viewed mythology. To Ovid, love was the origin of everything. Therefore, it should not come as a surprise that most of his poems relate to the theme of love. However, not all poets are the same and every re-telling of a myth has its own unique perspective. In this paper I will compare and contrast the myth of Medea in Euripides Medea and Ovid’s Metamorphoses Book 7. I will then explain how Ovid’s approach to love and loss correlate to his general approach to myth as a whole. I will support my belief with evidence from Ovid’s Metamorphoses Book 14.
Teresa Sanchez de Cepeda y Ahumada, better known as St. Teresa of Avila, was a Spanish Catholic Saint and Carmelite nun who was most prominently known for her journey towards contemplative life through mental prayer. In her reflective and analytical autobiography, The Life of St. Teresa of Jesus, of the Order of Our Lady of Carmel, Teresa reflects on her interactions with others as a child, as a woman and as a nun, and bases her opinion of her own freedom and free will on these reflections. In this paper, I will argue the dual nature of freedom in Teresa’s life; on the one hand, Teresa is free in that she breaks free from the traditional role of the woman and society’s honour codes- despite citing honour as providing some guidance in her life-,
Even before this story begins, irony is brewing and continues throughout the pages. The creative author is using this enticing technique as a backbone for his play, and also as a key component in foreshadowing the tragic plot. Oedipus Rex by Sophocles is filled with many different ironies, so much so, that this reoccurring element tremendously affects the outcome of the story.
Medea and Lysistrata are two Greek literatures that depict the power which women are driven to achieve in an aim to defy gender inequality. In The Medea, Medea is battling against her husband Jason whom she hates. On the other hand, in Aristophanes' Lysistrata, the protagonist Lysistrata plotted to convince and organize the female gender to protest against the stubbornness of men. In terms of defining the purpose of these two literatures, it is apparent that Euripedes and Aristophanes created characters that demonstrate resistance against the domination of men in the society.
Louisa’s feelings for her lover have disappeared throughout the years and when her lover returns to marry her, she feels very uncertain of the marriage. Similarly, many engagements are broken due to the fact that the feelings between couples fade after there is a distance between them, for years. Another example that relates to life is, “[i]n that length of time much had happened. Louisa's mother and brother had died, and she was all alone in the world” (Freeman p). When immigrants return to their country, many deaths have occurred in the time period of their absence and sometimes the deaths include their own relatives. To their misfortune, they never have a chance to say a last good bye. The story, A new England’s Nun is very similar to the lives of many people and in many cases the same.
The use of Bishops words at the beginning of the poem refers to her earlier years when she lost her father when she was eight months old, which was not so hard to cope with the loss of her since she was just a baby to know about pain. On the contrary, the conclusion of her poem refers to the last recent loss of her lover Lota de Macedo Soares, which was painful and she has not yet mastered the loss.
The main characters in Aeschylus’ Agamemnon formulate two different narratives about the death of their daughter, Iphigenia. As a result of their stories and coping mechanisms being different, the unity of their home is disrupted. Like most stories with multiple authors there are discrepancies, exaggerations, disregarded information, and changes in the way the story is told in order to support the narrators’ agenda. In Agamemnon, Aeschylus reveals through the transformed relationship between Clytemnestra and Agamemnon-as a result of the death of Iphigenia-that when marital partners have discrepancies in shared personal memories that their ideas of home and homecoming are also inconsistent.
Therefore, without knowing which way this story would go or even what course it would even head in or even to see how it would influence your association with your family members. The character Cleofilas is based on a group of a six siblings and a father and without a mother, to share her most closeness privileged insights. Despite the fact that, there is segregation and struggle in this story as opposed to love and it is there method for living. Be that as it may, inside her character as Cleofilas she figured out how to pick up learning of her ladylike qualities, through sitting in front of the TV, and longing for an existence as she in vision on TV, which she observed religiously. In this story there can be many paths to perceive how you
There are four types of love in this world, philia, eros, agape, and storge. Philia is the love of friends. Eros is romantic love. Agape is unconditional love. And storge is the love of family. In the four stories “A Secret for Two”, “The Gift of the Magi”, “Thank You M’am”, and “Too Soon a Woman” they all portray a type of love. This essay will show you how each of the stories portray a type of love.
Evidence from her residence in the Indian village of Calcutta reveals that she sympathized with the poor and the vulnerable people in the society. Although she had conducted other voluntary missions before, the love for human beings was revealed when she decided to live among the poor people in the village of Calcutta. Her compassionate nature was largely derived from the teachings of Jesus Christ. For example, one of the many articles on Mother Teresa observed that Mother Teresa was on several occasions heard quoting the teachings of Jesus Christ. One of the quotes that she referred to was “Whatever you do to the least of my brethren, you do it to me” (Emilie 3). The foregoing reveals that she was ready to treat vulnerable human beings in a manner that upheld their