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Literary interpretation of in the time of the butterflies
Courage essay in the time of the butterflies
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Throughout the novel, In The Time of The Butterflies, three sisters are able to experience Trujillo’s dictatorship. The novel is set during the years 1943 through 1994 in the Dominican Republic. The novel follows four sisters throughout their lives and describes how each sister joins the revolutionary cause at the time. In the novel, In The Time of The Butterflies, three sisters are able to exhibit courage in their own way which allows them all to join the revolution against Trujillo. Maria Teresa is usually only seen as ‘the little sister’ in her family but through the revolution she is able to show courage even through the hardest times. Mate says, “She seemed pretty impressed with my arguing back at her like that. She's always telling me to stand up for myself, but I guess she didn't figure I'd stand up to her” (Alvarez 1.3.95). Maria Teresa shows courage by arguing with her sister. Although this is a …show more content…
Mate says, “I asked Minerva why she was doing such a dangerous thing. And then, she said the strangest thing. She wanted me to grow up in a free country” (Alvarez 1.3.100). Minerva’s courage stems from a motivation: a better future for herself and her sisters. Even though it is against the rules to leave the school’s campus at night Minerva is determined to create a better future. Minerva’s rebellious personality allows her to act on her courageous ideas. Minerva narrates, “He yanks me by the wrist, thrusting his pelvis at me in a vulgar way, and I can see my hand in an endless slow motion rise—a mind all its own—and come down on the astonished, made-up face” (2.6.147). Minerva doesn’t even have to think twice about her decision to slap Trujillo while dancing. Her personality seems to have a ‘natural courage’ which allows her to let her body take over and react before she thinks. Minerva’s fiery and rebellious personality lead the way for her courageous
Minerva is able to show her courage at a dinner party thrown by Trujillo, the dictator at the time. At the party she went to reluctantly, Trujillo asks Minerva to dance. Knowing of Trujillo’s offensive past with females, she is hesitant to accept, but says
In 1938, Minerva’s father permitted her to go away to boarding school along with her two older sisters, Patria and Dedé. Alvarez’s writing on behalf of Minerva speaks volumes as to the point of view Minerva had growing up. “And that’s how I got free. I don’t mean just going to sleepaway school on a train with a trunkful of new things. I mean in my head after I got to Inmaculada and met Sinita and saw what happened to Lina and realized that I’d left a small cage to go into a bigger one, the size of our whole country,” (Alvarez 13). Minerva’s father, said that out of all his daughters, Minerva should have been born a boy. The other Mirabal sisters said that she was their father’s favorite daughter because Minerva acted the most like a son to him. She almost became the son he had always wanted, but never had. Due to her father’s influence, as Minerva grew up, she aspired to being a lawyer. Something which was unheard of for a woman in the ‘40s.
Out of all the Mirabal sisters, being courageous was Minerva’s specialty to show how she feels without being verbal with her emotions, and to get her point across. Right from the beginning of the book Minerva chose to create actions that were not only courageous, but reckless. After Minerva found out about her other sisters she crashed her father’s Jeep into his Ford at his other lover’s house. As always, she wanted to make a scene, “My voice was as commanding as his. ‘You’ve lost my respect,’” (Alvarez 89). Her father was extremely disappointed with her, but she wanted him to know that what he was doing was extremely wrong. Crashing her father’s cars was definitely brave, and especially since she did it in front of her other family without any second thoughts. Towards the middle of the book, Minerva informed Mate about some things she did not know, “Manolo and Minerva have explained everything. A national underground is forming,” and this is when Minerva explained more about how they created a national underground to try to get everybody freedom no matter what happened (Alvarez 142). This national underground was a h...
meaningful, way. She had the bravery to go toe-to-toe with Trujillo, was quite willing to
Julia Alvarez’s In the Time of the Butterflies is an account of the four Mirabal sisters’ lives in the Dominican Republic during Rafael Trujillo’s dictatorship. Three of the Mirabal sisters - Minerva, Patria and Maria Teresa sacrificed their lives in the name of freedom by participating in the underground movement which opposed Trujillo’s dictatorship. Their participation in the revolution was a threat to Trujillo’s power and this resulted in the three sisters being killed. The novel tells the story from the point of view of each of the four siblings. The sisters, also referred to as, “The Butterflies,” each had a different approach to dealing with life under Trujillo’s reign. Minerva, the first person from her family to join the revolution, was motivated by principles and she contributed consistently to the revolution. Dede is the only survivor from the Mirabal sisters’ family, this is because she did not participate in the revolution. However, she takes care of the deceased children and tells the story of
The Mirabal Sisters, otherwise known as Las Mariposas, made their mark in history due to their efforts in the revolution against the Trujillo regime in the Dominican Republic. Julia Alvarez, a native Dominican herself, wrote In the Time of the Butterflies due to an account told by Dede Mirabal about the lives and tragic fate of her sisters Patria, Minerva, and Maria Teresa. Dede’s three sisters were murdered due to their involvement in the revolution; Dede did not join the revolution, and thus survived to help recount their story. Since the novel’s publication in 1994, In the Time of the Butterflies has impacted various aspects of life, and contemporary culture frequently alludes to facets of the novel. One critic commented that "In the Time of the Butterflies suggests that the Mirabal sisters not only fought against the Trujillo regime, but also against the Dominican Republic’s patriarchal culture and gender roles. They were very
In any culture women are often confined by expectations of womanhood. In both stories the female characters challenge those expectations. The main characters of In the Time of the Butterflies are all females who stand up for what they believe in and don’t give up. “’What if I can’t’ Dede’s voice shook. ‘Jaimito thinks
Atticus Finch’s unique, courageous personality and contrarian mindset are proven through his unconventional actions throughout the novel. His stoic nature correlates with his extreme courage, a moral facet of his multi-layered personality that he highlights with various acts of nobility that many in Maycomb do not expect and often despise, but he continues on regardless. Early on, Atticus shows an aspect of his moral courage when he consoles Scout on the topic of getting bullied about his decision to defend Tom Robinson. In this specific instance, Atticus explains to Scout that, “no matter what anybody says to you, don’t you let ‘em get your goat. Try fighting with your head for a change” (Lee 101). Letting insults and rude remarks fly over
While staying at Mel’s home, the adolescent female narrator personifies the butterfly paperweight. The life cycle begins with the narrator “hearing” the butterfly sounds, and believing the butterfly is alive. The butterfly mirrors the narrator’s feelings of alienation and immobility amongst her ‘new family’ in America. She is convinced the butterfly is alive, although trapped inside thick glass (le 25). The thick glass mirrors the image of clear, still water. To the adolescent girl, the thick glass doesn’t stop the sounds of the butterfly from coming through; however, her father counteracts this with the idea of death, “…can’t do much for a dead butterfly” (le 31). In order to free the butterfly, the narrator throws the disk at a cabinet of glass animals, shattering the paperweight, as well as the glass animals. The shattering of the glass connects to the shattering of her being, and her experience in fragility. The idea of bringing the butterfly back to life was useless, as the motionless butterfly laid there “like someone expert at holding his breath or playing dead” (le 34). This sense of rebirth becomes ironic as the butterfly did not come back to life as either being reborn or as the manifestation of a ghostly spirit; instead its cyclic existence permeates through the narrator creating a transformative
Even in the beginning of the story, Minerva shows a powerful rebellious attitude. Minerva’s first encounter with courage comes during her first year at school. A girl she pities and befriends, reveals a major secret to
He had to get back at her by going through her family instead of going directly to her. Minerva was brave enough to slap the dictator. She was stronger than him, and she was incredible. Minerva was the most heroic of her sisters. She introduced her family to the rebellion.
Alvarez, Julia. In The Time of the Butterflies. New York, NY: Penguin, 1994. Print Hardback. 31 Oct 2013 - 8 Dec 2013.
“In The Time of The Butterflies” the sisters were revolutionary activist who were against the Dominican dictator, Rafael Trujillo. The author, Julia Alvarez, uses the four Mirabal sisters to express four different routes of
her grandmother) and grief, Viramontes successfully paints an endearing tale of change. “The Moths” emphasizes the narrator’s oppression by her
Minerva does not try and escape even though she “is always sad like a house on fire—always something wrong. She has many troubles, but the big one is her husband who left and keeps leaving” (Cisneros 63). Minerva is clearly unhappy, but because she is accepting of her role and she will not leave him. She does not have the power to leave her husband and if she tried she would probably be beaten or worse. Esperanza wants to help Minerva but there is nothing that she can do for her: “Next week she comes over black and blue and asks what can she do? Minerva. I don’t know which way she’ll go. There is nothing I can do” (Cisneros 63). Esperanza knows that she cannot do anything for Minerva. It will take the power of Minerva removing herself from the abusive situation to actually save herself. Minerva having no power in her marriage is a clear relationship back to the theme of women accepting their role with men as their superior.