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The drug trade in Latin America
The drug trade in Latin America
The drug trade in Latin America
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violence and retain some honest values and ambitions you escape. In the City of God, guns are a common and accepted part of life. Children as young as five years old know how to use and fire a gun. They don’t stop to think about the consequences of what happens when you pull the trigger. In one scene, Lil Ze shoots two of the runts in the foot and then forces another young boy to kill one of them. This shows the extent of problems. In the City of God, the director shows how illegal drug cartels are created, funded and maintained. The drug dealers have the support of the whole community and everyone gets involved. Lil Ze was viewed as a successful businessman because of his illegal dealing of drugs. (Gregoli 362) The favela known as the city of god, as a location, looks unglamorously real. There are some scenes on the beach but the familiar world of Rio is light years away.at first glance, the dreary rows of jerry built sheds look like sheds for say, refugees. It is seen in broad daylight at night, and at one stage in a glowing crimson sunset. Nothing alleviates its grimness and inhumanity at the very best it resembles a built suburb of poverty. The distant mountains and sea are glimpsed on the horizon, but the containment of the characters is pretty much absolute. …show more content…
The lifestyle portrayed in City of God is explained by the fragility of the physical space where with each new scene, nature gives way to broken bricks, cracked windows blood stains in the narrow alleys that connect the favelas financial market (Raquel 90). These are the points where the traffic of drugs is conducted. Human distraction aid of hunger for power, vengeance and in some cases, for no reason at all is
The urban setting can instantly be recognized as an antagonist to anyone who faces it. The imagery of the city reveals its formidable nature. The
The book itself is an on-going dialogue between Kozol and the neighborhoods residents, interjected every so often with thoughts from Kozol. He covers a spectrum of topics from AIDS, drug addiction, prostitution, crime, poorly run and funded schools, white flight from schools to over-crowded hospitals and the amazing faith in religion and God that many of these people have.
...ld have incorporated the horizon somehow in the movie taking it out completely does not make the movie as complete.
They are called favelas, and they are shanty towns where there is limited amount of resources. Carolina is there making a living of getting cruzeiros to provide food for her children. The biggest difficulty for Carolina is hunger. Hunger is a big role in the diary because some days she eats and some days her family has to starve or dig in the garbage to get food. In her diary, Carolina states, “Yesterday I ate that macaroni from the garbage with fear of death…” (de Jesus 31). Hunger is a reoccurring issue living in the favelas. She always tries to deliver and provide food for her children, but some days it is not accessible. She constantly has to wonder if she will be able to obtain food for her family. It is truly a rigorous battle of finding food in the
Geoffrey Canada, the author of Fist, Stick, Knife, Gun; A Personal History of Violence, grew up and worked his entire life near or in the underclass society. Through his keen observation on behavior of children in these regions, he has noticed how with the introduction to guns, in particular to children created even more dangerous neighborhoods. Throughout his lifetime in New York, he tells us that violence has changed to be less organized and the social stability of the children is tested with (fire) power that they are too young to fully understand, it was an evolutionary decent. His observations on the violence that children can commit to each other parallels well with fictional story Lord of the Flies written by Nobel prize winning writer, William Golding. Golding, like Canada, looks what kind of environment is needed for violence to prevail in children. Although Golding’s 1954 book Lord of the Flies is fiction, it describes our current impoverished America’s epidemic on violence very well.
For this assignment I decided to read the book Code of the Street: decency, violence, and the moral life of the inner city by Elijah Anderson. This book is about how inner city people live and try and survive by living with the code of the streets. The code of the streets is basically morals and values that these people have. Most of the time it is the way they need to act to survive. Continuing on within this book review I am going to discuss the main points and arguments that Anderson portrays within the book. The main points that the book has, goes along with the chapters. These points consist of Street and decent families, respect, drugs violence, street crime, decent daddy, the mating game, black inner city grandmother. Now within these points there are a few main arguments that I would like to point out. The first argument is the belief that you will need to accept the street code to get through life. The other one is the belief that people on the street need “juice”. For the rest of this paper we will be looking at each one of main points and arguments by going through each chapter and discussing it.
New Jack City, noted as ‘the crime film of the 90’s’,serves as an important episode for African-American people in America. Set in New York city, the film depicts the story of a success-driven antagonist Nino Brown (Wesley Snipes) who builds an empire powered by organized crime, drug trafficking, and Black delinquent young adults trapped in the cycle of crime. Ronald Reagan’s economic policy coupled with the popularity of crack-cocaine in the inner city creates inconsistencies and untapped markets in the poor community which Nino Brown brilliantly capitalizes on and exploits. His empire is able to successfully cut out the middle men in the drug trafficking market and centralize their operation in a single low-income housing complex inhabited
Boyz N the Hood was a film created to convey an anti-gang message as well as to provide societal members an in-depth look at life in “the hood” so he or she can expand their culturally awareness of identifying societal issues (Stevenson, 1991). Upon the debut of “Boyz N the Hood” violence erupted at theaters across the nation, resulting in multiple shows pulling the film from scheduled showings to alleviate future violent behaviors (Stevenson, 1991). The film profoundly illustrates the realty of the events revealed within the storyline that frequently occur on a daily basis within every impoverish community; however, is overlooked by the individuals who are not directly involved and or affected (Leon-Guerrero, 2016) Children of lower socioeconomic status often are raised in ghetto neighborhoods where they often witness, crime, violence, gang activity, abuse, and drugs (Leon-Guerrero, 2016). Ghetto communities envelop tumultuous cycles of violence and substance abuse creating a pervasive occurrence within the residents of the community. This is prevalent in lower developed communities that unfortunately many children and the youth populace indirectly inherit and sadly conform to, as there are no other means to an end for them (Leon-Guerrero,
Throughout this book, Kozol interviews many children so the reader gets the open and honest answers for the community. It is continuous dialogue between Kozol and many residents. Many of them speak about how they feel abandoned or forgot about by our nation. "I believe that what the rich have done to the poor people in this city is something that a preacher could call evil. Kozol wanted to get close to the individuals he got his information from because he wanted to get the true feeling for the environment he entered. He tried to uncover some reasons why people live these horrifying lifestyles or what could have lead them to this. The amount of drug users is extremely high; the dangerously large number of gangs, the poor and high unemployment rate and the most shocking is the number of people who have been infected with AIDS.
In the favela of São Paulo, Brazil, 1958, Carolina Maria de Jesus rewrote the words of a famous poet, “In this era it is necessary to say: ‘Cry, child. Life is bitter,’” (de Jesus 27). Her sentiments reflected the cruel truth of the favelas, the location where the city’s impoverished inhabited small shacks. Because of housing developments, poor families were pushed to the outskirts of the city into shanty towns. Within the favelas, the infant mortality rate was high, there was no indoor plumbing or electricity, drug lords were governing forces, drug addiction was rampant, and people were starving to death. Child of the Dark, a diary written by Carolina Maria de Jesus from 1955 to 1960, provides a unique view from inside Brazil’s favelas, discussing the perceptions of good
The director Antoine Fuqua vision for this film was to bring that intense love-hate relationship onto the big screen and showcase it for the world to see. To ensure a convincing film setting, Fuqua shot on location in some of the most hardcore neighborhoods in Los Angeles. Fuqua also wanted to show the daily struggles of officers tasked to work in the rougher neighborhoods of cities and how easy it can be to get caught up in a street life filled with killers and drug dealers. Overall the film displayed the city of Los Angeles in a different perspective. One which m...
The film City of God is based in the slums of Brazil , also called “favelas” where crime and delinquency dominate the neighborhood. The main characters of the film exhibit deviant behaviors in which different theories can be applied to explain their actions. The four theories best used to explain this behavior are concentric zone, social strain, differential association , and social bond theory. The group of characters come from a poor and crime infested neighborhood called the City of God. The characters of discussion are Lil’ Ze, Benny, Rocket, Knockout Ned, and Carrot which are the main players throughout the film. The types of criminal behavior conducted in the neighborhood are theft, murder, drug dealing, and rape.
If you had a gun, you basically had power. When a lost gun from the riots was in Vinz’s custody, many internal as well as external conflicts arose. Hubert and Vinz, numerous times, had arguments and tensions arising between them two. Vinz wished to take a life of an officer to avenge the death of his friend, Abdel. Hubert felt that was a terrible idea and wouldn't make a difference because killing one officer wouldn't have solved the issue. Although Vinz never did get to execute an officer, despite his desires to do so, ultimately an officer executed Vinz accidently. Furthermore, in one riot, a group of men who were close to Abdel shot at cops, infuriated. Where there were guns, there was violence in the movie. Guns and violence were a huge theme in the
Upon arrival into the jungle of vast buildings, the first thing noticed is the mobbed streets filled with taxi cabs and cars going to and fro in numerous directions, with the scent of exhaust surfing through the air. As you progress deeper into the inner city and exit your vehicle, the aroma of the many restaurants passes through your nostrils and gives you a craving for a ?NY Hot Dog? sold by the street venders on the corner calling out your name. As you continue your journey you are passed by the ongoing flow of pedestrians talking on their cell phones and drinking a Starbucks while enjoying the city. The constant commotion of conversing voices rage up and down the streets as someone calls for a fast taxi. A mixed sound of various music styles all band together to form one wild tune.
Violence. Just mentioning the word conjures up many images of assault, abuse, and even murder. Violence is a broad subject with many categories. Some types of violence are terrorist violence and domestic violence. Violence can arise from many different sources; these sources whether biological, cultural, and social all can evoke violent behavior. All cultures experience some sort of violence, and this paper considers violence as a cultural phenomenon across a range of various settings. Violence plays a part in both Islamic and Indian cultures according to the articles “Understanding Islam” and “Rising Dowry Deaths” by Kenneth Jost and Amanda Hitchcock, respectively. From an anthropological perspective, violence emphasizes concerns of meaning, representation and symbolism.