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Technology changes and problems in the film industry
Citizen kane film techniques analysis
Computer technology in the movie industry
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Movies have always been a source of entertainment to many. It’s thanks to innovations in the movie industry that allow us to enjoy the quality of movies we have today. A notable movie called Citizen Cane is an example of this that was able to change the way we watch and enjoy movies. The director and creator of “Citizen Kane,” Orson, had the talent and ability to create a different type of experience that amazed everyone during the time of its release, and arguably even today. He was able to bring together and optimize the use of music, makeup, special effects to create a spectacular movie experience that would transcend time. Orson did this by choosing to be different with his approach at directing, compared to others in the industry during …show more content…
Makeup for characters in the “Citizen Cane” was considered phenomenal. The craftsmanship of make up on each actor allowed each person to fit better for the roles on a level not seen before. Kane’s character was to have an appearance that would invoke the idea of handsome, dapper, and dashing. Makeup use is very difficult to use, in addition to its importance in make the actors look their part. The more the actors can look their part, the better the experience and understanding of the movie. Orson with this facilitated viewers to love his movie more because of how much he made each character stand out in ways not seen before. In addition to makeup, special effecters were added to make the characters stand out even …show more content…
This aspect of “Citizen Kane” used techniques and concepts of was what considered common. There was no need to change the story telling technique as the traditional linear and chronological narrative was effective enough to express the story so that many different points of views could be created, which was Orson’s goal. Flashbacks were used very extensively in “Citizen Kane,” compared to past movies. This could have backfire for Orson had it not been done properly. Orson wanted to have only one story telling, but have different individuals explain what was happening during the movie. By using these flashbacks effectively, they were able to create a sense of collapsing time and space with characters having a completely new look in a different scene, an innovative technique known as episodic sequence. The combination of storytelling and innovative techniques, made the understanding and interpretation more enjoyable and
...ox office. The public wasn’t ready for such an experimental approach to film form. But time has shown that Welles did something more important than just pleasing an audience. He changed the face of filmmaking in Hollywood by pushing the techniques in new directions and challenging the rule of “invisibility.” “What is remarkable when considering the cinematography of Kane, is that instead of it being a result of years of practice and study, it feels so fresh because Welles had no previous experience and was forced to invent his technique on the set” (http://steadicam.lunarfilm.co.uk/Mike%20Marriage%20-%20Camera%20Movement.html). Maybe it took someone from outside of the studio system to discover its true potential. Later filmmakers, like Film Noir directors, now had new tools in their boxes to tell stories and move audiences.
Mise-en-scène, cinematography and editing are used in all forms of cinema. Within the “Declaration of Principles” scene of Citizen Kane, lighting, blocking and panning are three of the main sub aspects that work in unison to consistently demonstrate important aspects of the film. Welles uses these attributes to portray to the audience how this younger Kane is an important newspaper owner, with an even more important document. He creates a scene that has a heavy emphasis on panning to continuously preserve a frame that centers Kane while also lighting the document so viewers can constantly see the important plot and characters of the movie.
Beginning the mid 1920s, Hollywood’s ostensibly all-powerful film studios controlled the American film industry, creating a period of film history now recognized as “Classical Hollywood”. Distinguished by a practical, workmanlike, “invisible” method of filmmaking- whose purpose was to demand as little attention to the camera as possible, Classical Hollywood cinema supported undeviating storylines (with the occasional flashback being an exception), an observance of a the three act structure, frontality, and visibly identified goals for the “hero” to work toward and well-defined conflict/story resolution, most commonly illustrated with the employment of the “happy ending”. Studios understood precisely what an audience desired, and accommodated their wants and needs, resulting in films that were generally all the same, starring similar (sometimes the same) actors, crafted in a similar manner. It became the principal style throughout the western world against which all other styles were judged. While there have been some deviations and experiments with the format in the past 50 plus ye...
Throughout the course of a lifetime, a common phrase heard is “don’t judge a book by its cover”. This phrase indicates the fact that it is nearly impossible to truly evaluate the life and feelings of a person just by what can be seen about them. This is the case in the film Citizen Kane, directed by Orson Welles. Charles Foster Kane is a man who would appear to the general public as having it all. A very popular man, Kane owns a successful newspaper company for which he is known worldwide. He builds a gigantic mansion for his second wife and himself, surrounded by intricate and expensive statues. Kane seems to be perfect in every single way, and one may think that he is the happiest man alive. However, Charles never had the things that
The cast members were classically trained theatrical actors, and none had ever made a movie. While there are many unimpressive performances in Citizen Kane none of them were weak. It was filled with an A-rate cast and the actors worked together well as an ensemble. Perhaps, no performance was better than Orson Welles portraying all of Kane’s walks of life. From young and charismatic, to middle aged somber and assuming the end justified the mean instead of arguing it, to old quiet and wounded a man who had fought and lost time and time again Orson Welles delivers stunningly convincing performances at every “age”.
Orson Welles ' introduced innovating editing and sound design in the 1940s with Citizen Kane (1941). Welles uses editing and sound to show the audience the passing of time, this is seen the breakfast montage. Welles uses sound bridges during the transitional wipes of fast moving images which fade into the next shot. The sound bridges act as links between the two scenes and make the time difference apparent to the audience. At the beginning of the montage Welles uses a slow zoom combined with romantic music to show the love between Kane and Emily. Both characters appear in the frame together with deep focus and slow paced editing which shows the closeness of the couple in the early years. This is juxtaposed by the end of the montage showing
Citizen Kane is a 114-minute film school providing lessens after lessons in deep focus and rear projection, extreme close-ups and overlapping dialogue. Although appearing as a biographical movie (Biopic), it refused to follow the conventional
Citizen Kane is often recognized as one of the greatest films ever created because of how advanced it was compared to other films of its time. The producer, cinematrogropher, actros, and editors should all be equally credited for how well constructed this film was. Orson Welles used many different aspects of editing,sound, and Mise-en-Scene to create the world of the film. After watching this film and the scene "Breakfast Montage" its pretty obvious as to why the film was nominated for nine Acadamy Awards.
In Hollywood today, most films can be categorized according to the genre system. There are action films, horror flicks, Westerns, comedies and the likes. On a broader scope, films are often separated into two categories: Hollywood films, and independent or foreign ‘art house’ films. Yet, this outlook, albeit superficial, was how many viewed films. Celebrity-packed blockbusters filled with action and drama, with the use of seamless top-of-the-line digital editing and special effects were considered ‘Hollywood films’. Films where unconventional themes like existentialism or paranoia, often with excessive violence or sex or a combination of both, with obvious attempts to displace its audiences from the film were often attributed with the generic label of ‘foreign’ or ‘art house’ cinema.
The structuring of the film as an investigation of Kane’s life reflects the emerging prevalence of voyeurism in 1940s Hollywood film production. During the opening scene, the fish eye lens through a snow globe visually symbolises the audience’s distorted perception of Kane, whilst the fragments of glass symbolise Kane’s own shattered psyche. Subsequently, the voyeuristic obstructed shots through a fence in “News of the March” suggests the audience’s minimal knowledge of his private life while, the polarised opinions of Kane as “a communist” and “a fascist” similarly reveals the multiple contradictory perspectives. As such the newsreel proves unsatisfactory in providing a holistic understanding … Moreover, the use of multiple, subjective narrative flashbacks provides a fractured portrait of Kane providing limited insight to his true identity. The mid-shot portrait of Kane behind Bernstein is indicative of his reverent attitude towards Kane as his inferior hence influencing his altruistic image of him as “an honest man”. This, however, is juxtaposed with the mid-shot of Leland, which suggests a level perspective, to reveal Kane’s true machinations as egotistical with “no conviction except himself”. As such, Welles deliberately structures the film to expose the timeless idea that the complex nature of human existence is subject to perception. Thus, the film’s circular structure, commencing and concluding with the “no trespassing sign” underlines that despite investigation into Kane’s psyche, the audience maintains an incomplete understanding of his true identity. This is in line with Leonard Leff (1987) who states that the “inconsistent point of view of shots” within the film “frustrates the viewer’s expectation of coming to know Kane” and understanding his multifaceted psyche. Hence, the single word
Often regarded as one of the greatest films ever made, Citizen Kane written and directed by Orson Welles is a classic film that defied the conventional styles of the Hollywood Cinema. Welles was committed to the Mise-En-Scene of his movies by using his characters, props, settings, and even the camera to tell the story of his characters. The Lighting, the camera shots, and the character 's actions to depict the life of Charles Foster Kane. The Mise-En-Scene of this narrative creates a film that is ahead of it’s time and a genius innovation to the cinema.
Arnheim’s body of theory suggests that the necessity of human intervention to implement plot, tropes, and culturally legible symbols raises a film to a higher level than a mere copy of reality, and that this interpretation and expression of meaning is “a question of feeling” or intuition on the part of the filmmaker. (“Film Theory and Criticism” 283) One consequence of effective directorial intervention is that differences in speed, stops and starts, and what would otherwise be jarring gaps in continuity can be accepted by viewers, because if the essentials of reality are present, th...
Also, Welles furthers the image of how demanding Kane is of Susan and many others. Mr. Welles conveys the message that Kane has suffered a hard life, and will continue until death. Welles conveys many stylistic features as well as fundamentals of cinematography through use of light and darkness, staging and proxemics, personal theme development and materialism within the film, Citizen Kane. Welles prominently portrays his figures with a specific amount of light or darkness, stunningly affecting whole scenes stylistically. The scene at Xanadu establishes Mr. Kane as an overbearing, controlling character.
It is no doubt that Citizen Kane, directed by Orson Welles, defies the conventional style of classic Hollywood films. Introducing a variety of new techniques and cinematography that was unheard of at that time, the advanced camera work, different lighting techniques and use of mise-en-scene, helped fortify several very definitive themes in the film. Being removed from his secure, comfortable childhood home at a young age, it is no secret that Charles Foster Kane carried the unresolved feelings with him as he continued to grow up, seeing as he had to deal with being taken from his own mother and father, and learn how to cope with having been stripped of the family love and assurance he had always longed for. Rather than having the guaranteed
“Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.