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Movies and globalization
Movies and globalization
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Sholay, Women on the verge of a Nervous Breakdown, and Amores Perros have very different cinematic styles; yet, are equally able to convey their messages effectively to their audience. These films span four decades (from the 1970s to 2000s), take place in very different countries; however, are all connected in that all three films are masterful works of cinematic genus and that globalization greatly affected each film.
Sholay, a 1975 Bollywood masala film directed by Ramesh Sippy, plays a huge role as the national allegory of India during a turbulent time when Prime Minister Indira Gandhi declared a state of emergency. During this time Indira Gandhi suspended constitutional rights and jailed thousands of political opponents. This time period was marked with uncertainty; thus, reflected in the national Cinema of the time. Sippy used his film as a means to start a dialogue and social commentary of the situation in India. This critic can be seen in the themes of nature versus culture, the encroachment of nature upon culture, and the meaning of civilization in wilderness found in the film. These themes being an extension of the idea that there really is no justice and that if you want justice to prevail one must take action into his or her own hands. Sippy was able to makes these ideas come alive in a very similar manner than “spaghetti westerns” that portrayed outlaws who searched for justice in an unjust world in large part to globalization and the spread of different ideologies that made individuals question their society and compare it to the rest of the world.
Women on the verge of a Nervous Breakdown, a Spanish black comedy drama film, was released in 1988 and directed by Pedro Almodóvar. This film reflects a Post-Franco ...
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...s division dogfights. One of the first films that honestly depicted the corruption and politics of Mexico.
In conclusion, the three separate films each effectively causes the audience to think critically of the society they are in. In Sholay the use of music and sound sets it apart from the other two films. Women on the verge of a Nervous Breakdown incredible use of angles makes it standout from the other films. In Amores Perros it is the use of jump cuts. In conclusion it is true that the films are very different in style and cinematography and the directors have very different styles.
In conclusion besides the context of the film (country, time period), the cinematic technics that separate the films apart are very unique to those films even these technics are used in the other films, those techniques accomplish very different things than they do in the film.
After evaluating the 2081 movie, it is apparent the film elements and techniques are important when defining the mood. The four main techniques used throughout the film were lighting, music, sound, and dialogue.
consider to be more modern film techniques. Montage plays a key role in this film, as
A noticeable difference in the way movies have changed over the years is evident when comparing and contrasting two films of different eras which belong to the same genre and contain the same subject matter. Two vampire movies, Dracula and Bram Stoker's Dracula, present an interesting example of this type of study.
With many different genres and types of filmmaking, it can result in a large variety of stories and conflicts. Nevertheless, film has always brought people together as a society. If there is one thing everyone can notice about films is the achievement in style and directing. The three directors talked about in this paper are the most successful at delivering a breathtaking style and direction to their films. Baz Luhrmann, Wes Anderson, and Martin Scorsese have produced and directed films over decades and each film as impacted not only the United States but worldwide. With the unmistakable trademarks that each director has, it is very easy to feel sucked into the world in which they are shaping around you and the story. Because of these three directors, the film world and industry has been revolutionized for many centuries to come.
In Hollywood today, most films can be categorized according to the genre system. There are action films, horror flicks, Westerns, comedies and the likes. On a broader scope, films are often separated into two categories: Hollywood films, and independent or foreign ‘art house’ films. Yet, this outlook, albeit superficial, was how many viewed films. Celebrity-packed blockbusters filled with action and drama, with the use of seamless top-of-the-line digital editing and special effects were considered ‘Hollywood films’. Films where unconventional themes like existentialism or paranoia, often with excessive violence or sex or a combination of both, with obvious attempts to displace its audiences from the film were often attributed with the generic label of ‘foreign’ or ‘art house’ cinema.
Las Madres de Plaza de Mayo. Dir. Lourdes Portillo and Susana Muñoz. Videocassette. Xóchitl Films. 63 min.
...successful collaboration of sound, colour, camera positioning and lighting are instrumental in portraying these themes. The techniques used heighten the suspense, drama and mood of each scene and enhance the film in order to convey to the spectator the intended messages.
The Latin American film genre is one of the most known genre worldwide and one of the most popular and successful of all of the genres in this business around the world. Yearly a number of productions from Latin America become favored and demanded successes, often-earning high levels of recognition and recommendation. In foreign film categories and in events and functions such as the Oscars, which are very highly respected around the world, Latin American films are awarded and praised and unquestionably make audiences sit on seat’s edge to bear mind films being produced in countries here. Latin American films are most likely to be as successful as they are because of the mixture of all of the elements, which their cinema provides, including
Also since the camera was fixed and captured only what were before its lens without any manipulation these films ...
In my essay I will discuss the differences between national cinema and Hollywood cinema by using Rio de Janeiro¡¯s famous film City of God. There will be three parts in my following main body, the first part is a simple review of the film City of God, I will try to use the review to show the film structure and some different new points from this, show the how did the ¡®Shocking, frightening, thrilling and funny¡¯ (Nev Pierce) work in the film. The second part is my discussion parts; I will refer some typical Hollywood big name films such as Gangs in New York, Shawshank¡¯s Redemption, and Good Fellas to discuss the main differences between City of God and other national films. The third part is my summary, I will use my knowledge to analyse why there have big different between both kind of films and their advantages.
Since the creation of films, their main goal was to appeal to mass audiences. However, once, the viewer looks past the appearance of films, the viewer realizes that the all-important purpose of films is to serve as a bridge connecting countries, cultures, and languages. This is because if you compare any two films that are from a foreign country or spoken in another language, there is the possibility of a connection between the two because of the fact that they have a universally understanding or interpretation. This is true for the French New Wave films; Contempt and Breathless directed by Jean-Luc Godard, and contemporary Indian films; Earth and Water directed by Deepa Mehta. All four films portray an individual’s role in society using sound and editing.
Due to the film’s quality and interest it became an award winning film. The film had excellent sound effects such as the battle scenes. The image quality was also outstanding; it used many different angles to depict the actor to make you feel involved in the scenes. In the action scenes the most common viewpoint used was a close up shot which allows the audience to see and feel the intensity of the scene. The second viewpoint mostly used was a tracking shot due to the actors c...
In the article “Visual Pleasure and Narrative Cinema,” Laura Mulvey discusses the relationships amongst psychoanalysis (primarily Freudian theory), cinema (as she observed it in the mid 1970s), and the symbolism of the female body. Taking some of her statements and ideas slightly out of their context, it is interesting to compare her thoughts to the continuum of oral-print-image cultures.
Their pieces are not original but they thought out of the box and created their own version. The differences between the two films were the scenery, the colors the artist used, sound and the way they were formatted. Bell-Smith used different saturated colors, while Arcangel used beryl blue and white. Bell-Smith’s film was primarily about different deep perspectives with calming beach sound, while Arcangel’s used animated scrolling clouds with no sound. Both were moving at a different pace, for example, Arcangel's work moved in a passive and quiet pace, while Bell-Smith moved high above and rapid. Arcangel's film is being portrayed horizontally, while Bell Smith portrayed vertically. Both of them had movement and energy because Arcangel's film reminds the individual playing the game and Mario’s characters jumping on the clouds, while Bell-Smith it took the individual to different scenes and parts of the world. For instance, I felt I was traveling around the world within seconds it didn’t give me time to analyze each compelling scene. Both artists brought me to a different world like if I was in the video game and it brought me back to my childhood when I use to play video games and yell at the screen because Mario will fall out from the
Classic narrative cinema is what Bordwell, Staiger and Thompson (The classic Hollywood Cinema, Columbia University press 1985) 1, calls “an excessively obvious cinema”1 in which cinematic style serves to explain and not to obscure the narrative. In this way it is made up of motivated events that lead the spectator to its inevitable conclusion. It causes the spectator to have an emotional investment in this conclusion coming to pass which in turn makes the predictable the most desirable outcome. The films are structured to create an atmosphere of verisimilitude, which is to give a perception of reality. On closer inspection it they are often far from realistic in a social sense but possibly portray a realism desired by the patriarchal and family value orientated society of the time. I feel that it is often the black and white representation of good and evil that creates such an atmosphere of predic...