Christianity in Sharkboy and Lavagirl Sharkboy and Lavagirl is a classic childhood film, one that despite its age has remained beloved by people of all ages. It’s wacky, cheesy, and unsurprisingly extremely childish at times, with an incredibly awful CGI. Yet for a children’s movie, especially one partially written by the son of the director, it’s shockingly profound and inspiring at multiple points throughout the film. However, this paper will specifically look at the more religiously aligned meaning behind the film. Particularly, this paper argues that the film Sharkboy and Lavagirl uses the character development of Max and Linus to create a religious allegory about God, sin, creationism and salvation. To begin, the film’s protagonist Max …show more content…
Moreover, the planet itself is essentially fuelled by the dreams of its inhabitants, and Max is the most powerful dreamer of all – the ‘Daydreamer’. He’s almost seen as a mythological figure to the inhabitants of this world, although he’s completely unaware of this. Notably, we can notice this through Lavagirl’s treatment of him in particular. Throughout the film, Lavagirl seems to completely idolize him, she believes he’s the answer to everything, and if they just have faith in him, the world will be saved. While she does have an ulterior motive behind this - finding out her true identity - a large portion of it stems from him being the Daydreamer. She states to him that “everything that is or was begins with a dream” near the beginning of the film, and proceeds to inform him that they were created from his dreams and he has powers beyond anyone else. Later in the film, we learn that his power is that he can create anything from his dreams, even if he’s awake, he …show more content…
The conflict in the film revolves around Max and his bully Linus, who believes his dreams to be childish and idiotic. Linus - called Minus on Planet Drool - acts as the main antagonist, trying to spread the darkness across the planet and corrupt the dreams Max has created life from. Linus steals the dream journal, vandalizes it, and sends Max’s world into a state of darkness and destruction. Consequently, people begin to lose their memories, they’re no longer allowed to dream, and the world is falling apart around them. This is why Sharkboy and Lavagirl seek out Max, in desperate prayer for him to save them from this corruption. Linus can be seen in two ways, as a representation of the Devil, or of sinners. This paper will focus on the idea of Linus acting as a representation of a sinner, and of a non-believer. He’s a cruel kid, a stereotypical bully, but he becomes a dictator on Planet Drool - attempting to wreck everything Max has created because of his warped superiority complex. However, despite everything he does to harm Max, at the end of the film he offers him another path. Despite the cruelty he’s been shown, Max offers him forgiveness and a second chance. That right there is one of the core ideals not just in this film, but also notably in Christian belief. In the Bible, there are numerous passages about this concept, such as John 13:34; “A new commandment I give to you, that you love one
Overall, this book is an exceptional example of critiquing our culture with a firm grasp of the philosophies of the day. Our culture is rampant with idols that need to be destroyed. Twenty years have only made the idols more pronounced. This book ought to be required reading in Christian secondary education across the country.
Many people know the Christian God as happy, forgiving, and accepting of others. In the Sinners in the Hands of an Angry God, Jonathan Edwards’ sermon completely shocks and scares people by claiming that the Christian God is the only God, and if you weren’t to believe in him, you would burn in Hell and be destroyed. The tone of this piece in the eyes of Edwards is dedicated, passionate, and pro-Christian God. Edward achieves his purpose by using metaphors, repetition, personification, and visual imagery numerously throughout the sermon.
When I saw Lars and the Real Girl on the choices of movies for this project, I knew exactly what I wanted to write about. I really enjoyed this movie and its uniqueness. This movie has the most unique plot I have ever witnessed in a film. At the end of the movie, Margo says to Lars, “There will never be one like her” in reference to Bianca. In reality, there will never be a movie like this one. What I enjoyed most about this film was it was a Christian film but wasn’t a Christian film. What I mean by that is that it didn’t just throw Christianity in your face while watching it. Nothing about this film seemed fake. It never seemed as if the writer was trying to tell you one specific message of the film. The writer was simply telling a story, and leaving it up to the audience to figure out what the message of the story was for that particular person. The writer left it up for the audience’s interpretation. Everything in this film seemed genuine and real. It was something that I really could see happening at my church community. I will be honest when I first read the initial plot before I watched the movie; I was skeptical of how this movie would involve Christianity, but after watching the whole movie I saw that there were elements of Christianity all throughout the movie. From the perception of the church to the common beliefs of the characters, the Christian faith was shown in all aspects of the movie. Lars and the Real is not only a movie, but it is a lesson that through faith and the strength of a community a troubled soul can be healed. There are four specific items I am going to address in this paper: the message of the film regarding the Christian metanarrative, the way Christianity was...
The theme of spirituality takes place in many novels that we have read this semester. Natives has used spiritual guidance as a means of connecting with their past and honoring their ancestors. To Natives, spirits have always played an important role in their culture and everyday lives. When Natives were forced to convert to Christianity and over time have their beliefs sucked out of them, the spiritual connection was broken as generations passed. One novel that particularly spoke to me on this subject was Monkey Beach, by Eden Robinson. The main character, Lisa, is struggling to fins herself after being blessed with the gift of being a shaman. In this novel, the author exploits how the European or western “white” culture has destroyed the native culture so immensely, that the younger generation cannot identify a spiritual connection without society calling them mentally unstable. Lisa suffers to accept the gift she has been given, and instead fights it by numbing herself with drugs and alcohol, which also being in another major theme of alcoholism in native culture, due to the suppression of the Native American race.
As children, we are often told stories, some of which may have practical value in the sense of providing young minds with lessons and morals for the future, whereas some stories create a notion of creativity and imagination in the child. In Karen Armstrong’s piece, “Homo Religiosus”, a discussion of something similar to the topic of storytelling could translate to the realm of religion. Armstrong defines religion as a, “matter of doing rather than thinking” (17) which she describes using an example in which adolescent boys in ancient religions, who were not given the time to “find themselves” but rather forced into hunting animals which ultimately prepares these boys to be able to die for their people, were made into men by the process of doing.
This paper is written to discuss the many different ideas that have been discussed over the first half of Theology 104. This class went over many topics which gave me a much better understanding of Christianity, Jesus, and the Bible. I will be addressing two topics of which I feel are very important to Christianity. First, I will be focusing on the question did Jesus claim to be God? This is one of the biggest challenges of the Bibles that come up quite often. Secondly, I will focus on character development.
It is evident that Max tries to escape his reality and get lost in a world where he can find freedom from his complex troubles, much like every other child in the world today whom does not know how to deal with such chaotic and complicated thoughts. Max, unknowingly comes face to face with all his emotions through the lives of others, helping him to come to an understanding in his escape. In the film “Where the Wild Things Are” Max’s sister ignores him, he feels his mothers new boyfriend is taking her from him and he is overall portrayed as a lonely, lost character. Max is told by his mother that he has gone out of control, which essentially is the last straw in initiating him to run away to where he eventually ends up where the wild things are. According to the article “Fantasy - Necessary for Sanity and Morality” in order for proper development, “A child needs to understand what is going on within his conscious self so that he can cope with that which goes on within his unconscious.” This can be attained by daydreaming through stories and scenarios to ...
C.S. Lewis was the 20th century’s most popular proponent of faith based on reason. As a child, he created an imaginary world where personified animals came to life, and later, he wrote the book, Chronicles of Narnia. How did he transform from a boy fascinated with anthropomorphic animals into a man of immense faith? His transformation to the Christian religion happened as his fame began to flourish. People wrote him, asking him about his claims about the truth of Christianity (Belmonte, Kevin). As I attended the drama of Freud’s Last Session, I was engrossed into the plot of the play and was constantly thinking about how it pertained to the objectives of the World Literature class. I not only connected the content of the play to its context, but I also reached out to apply the context to a discussion on a broader scale. I then discovered why the context of literature is imperative for true understanding of the w...
...izable religious leaders can be wrong, as witnessed with the “Whale Rider.” A Religion is the basic practice that gives meaningful purpose to life filled with insecurity. However, what we can notice through the film is that some roles are often miscued by the gender of the assumed chosen one. At the heart of any religion is the ability for an individual
McGrath, Alister. "The religious symbolism behind the Chronicles of Narnia." BBC. N.p., 21 Nov 2013. Web. 3 Mar 2014. http://www.bbc.co.uk/religion/0/24865379
The Chronicles of Narnia are veritably the most popular writings of C.S. Lewis. They are known as children’s fantasy literature, and have found favor in older students and adults alike, even many Christian theologians enjoy these stories from Lewis; for there are many spiritual truths that one can gleam from them, if familiar with the Bible. However, having said this, it is noteworthy to say that Lewis did not scribe these Chronicles for allegorical didactics of the Christian faith, but wrote them in such a well-knit fashion that young readers might understand Christian doctrine through captivating fantasy and thus gain an appreciation for it. With this in mind, and in the interest of this assignment, the purpose of this paper is an attempt to analyze one of the many doctrines of the Christian faith from The Lion, The Witch, And, The Wardrobe (LWW), namely, temptation and how Lewis illustrates it through an individual character, Edmund.
Religion is and always has been a sensitive topic. Some choose to acknowledge that there is a God and some choose to deny this fact to the death. For those who deny the presence of a higher being, “Life of Pi” will most likely change your thought process concerning this issue. Yann Martel’s, “Life of Pi”, is a compelling story that shows the importance of obtaining religion and faith. Piscine (Pi) Patel is both the protagonist and the narrator of Martell’s religious eye-opener who undergoes a chain effect of unbelievable catastrophes. Each of these catastrophic events leaving him religiously stronger because he knows that in order to endure what he has endured, there has got to be a God somewhere.
On its surface, Martel’s Life of Pi proceeds as a far-fetched yet not completely unbelievable tale about a young Indian boy named Pi who survives after two hundred twenty-seven days on a lifeboat with a Bengal tiger named Richard Parker. It is an uplifting and entertaining story, with a few themes about companionship and survival sprinkled throughout. The ending, however, reveals a second story – a more realistic and dark account replacing the animals from the beginning with crude human counterparts. Suddenly, Life of Pi becomes more than an inspiring tale and transforms into a point to be made about rationality, faith, and how storytelling correlates the two. The point of the book is not for the reader to decide which story he or she thinks is true, but rather what story he or she thinks is the better story. In real life, this applies in a very similar way to common belief systems and religion. Whether or not God is real or a religion is true is not exactly the point, but rather whether someone chooses to believe so because it adds meaning and fulfillment to his or her life. Life of Pi is relevant to life in its demonstration of storytelling as a means of experiencing life through “the better story.”
Religion In “The Lion King” Giselle Andrea Solis Giral Gwinnett Technical College RELG 1101 Reverend Dr. Jonathan Wesley. Spring 2024 Religion In “The Lion King” Abstract: This paper explores the religious motifs present in "The Lion King" and their representation through characters, settings, songs, and lyrics.
“Christianity, along with all other theistic belief systems, is the fraud of the age. It serves to detach the species from the natural world, likewise, each other. It supports blind submission to authority[control of the masses].”(Zeitgeist 2007) In this essay, we will explore the different roots of religion and the plagiarism that Christianity and a number of different religions have committed.