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Essay on the life in a concentration camp
Essay on the life in a concentration camp
Essay on the life in a concentration camp
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Situated amidst the horrors of the Holocaust, Director Christian Petzold’s film Phoenix is a masterfully told story of the human soul and the monsters which only war can reveal. Set in Berlin, Germany in 1945, the Germans have surrendered after World War II. Love and hate are on a collision course with lies, betrayal, and the discovery of personal worth and acceptance are the aftershocks of a crushing truth. A concentration camp survivor, Nelly was a German-Jew, betrayed by her German husband, the selfish yet devilishly handsome Johnny. Once a beautiful nightclub singer, Nelly is discarded, exploited, and disfigured by a bullet to the face during her internment in Auschwitz. After corrective surgery, the film is based on her reactions as she searched for her husband, unable to believe he betrayed her to the Nazi’s. Personal guilt entwined with the guilt of a nation comes face to face with who one actually is as opposed to the image the heart created when Nelly locates Johnny. The anguish of the Jewish people is emotionally displayed in Nelly as the shame of the entire German nation is blatantly exposed in …show more content…
Nelly wants to go back, Germans wish they could go back, and the Jewish people also wish they could roll back time. Johnny is dangerous and hard but dead inside. He cannot be redeemed, he cannot ever give Nelly what she so desperately craves. Nelly declares she is a German, for she was never an orthodox Jew and ultimately cannot pretend to be something she is not, and in the end, not even for Johnny. While the film is about loss, it is also about reclaiming something, anything, that makes a person whole. Nelly seems lost in her pursuit of proving Johnny will recognize her, her steely resolve to prove he did not turn her over to the Gestapo. It is her desire to reclaim a piece of what the war has stolen that gives her an edge of morality that Johnny does not
At first glance, Night, by Eliezer Wiesel does not seem to be an example of deep or emotionally complex literature. It is a tiny book, one hundred pages at the most with a lot of dialogue and short choppy sentences. But in this memoir, Wiesel strings along the events that took him through the Holocaust until they form one of the most riveting, shocking, and grimly realistic tales ever told of history’s most famous horror story. In Night, Wiesel reveals the intense impact that concentration camps had on his life, not through grisly details but in correlation with his lost faith in God and the human conscience.
Sharon, through her telling of Nelly’s story, gets to understand the mistress’ perspective. By trying to see how a mistress might
The brutality the Germans displayed in the 1930s through the 1940s was utterly horrifying. In the novel Night by Elie Wiesel, the author’s harrowing experience is shared. The Holocaust is worldly known as being one of the largest genocides in history, but not many truly understand what it was like to live through and witness. A lot of people had their life taken away whether figuratively or literally and many discovered so much loss that they became unphased by it after a while. Many who encountered the cruelty and merciless of the Germans have passed but a few remain that live to tell their story to the world and try to explain the feelings that coursed through them during the genocide and even now. Wiesel, who lived in Auschwitz for
We first see a boy with a feeling of hope and ignorance as his hometown is occupied and he’s moved into the ghetto. Then, as he’s transferred to a concentration camp, he questions his faith and slowly loses a sense of who he once was. But all of this puts him in an important position, he knows that he must share with the world what he has experienced in order to prevent a repeat of what happened in the camps. Here he is no longer ignorant of the world around him, here he experienced one of the darkest times in man's history.
Through segregation, loss of identity, and abuse, Wiesel and the prisoners around him devolve from civilized human beings into savage animals. The yellow stars begin separation from society, followed by ghettos and transports. Nakedness and haircuts, then new names, remove each prisoner’s identity, and physical abuse in the form of malnourishment, night marches, and physical beatings wear down prisoners. By the end of Night, the prisoners are ferocious from the experiences under German rule and, as Avni puts it, “a living dead, unfit for life” (Avni 129). The prisoners not only revert to animal instincts, but experience such mental trauma that normal life with other people may be years away. Night dramatically illustrates the severe dehumanization that occurred under Hitler’s rule.
Roberto Benigni, the director of Life is Beautiful (1997), explores the sacrifice of people during war . Through the use of Foreshadowing, Mood, and Characterization, film audiences are challenged to Imagine the struggles of the those in the holocaust.
The chaos and destruction that the Nazi’s are causing are not changing the lives of only Jews, but also the lives of citizens in other countries. Between Night by Elie Wiesel and The Hiding Place by Corrie ten Boom, comradeship, faith, strength, and people of visions are crucial to the survival of principle characters. Ironically, in both stories there is a foreseen future, that both seemed to be ignored.
When the author of Night, Elie Wiesel, arrives at Auschwitz, the Jewish people around him, the Germans, and himself have yet to lose their humanity. Throughout the Holocaust, which is an infamous genocide that imprisoned many Jewish people at concentration camps, it is clear that the horrors that took place here have internally affected all who were involved by slowly dehumanizing them. To be dehumanized means to lose the qualities of a human, and that is exactly what happened to both the Germans and the Jewish prisoners. Wiesel has lived on from this atrocious event to establish the dehumanization of all those involved through his use of animal imagery in his memoir Night to advance the theme that violence dehumanizes both the perpetrator and the victim.
The life and events Louis Zamperini experienced are so incredible that one cannot help but feel the adrenaline, anger, and sorrow he must have felt. As Louis battles starvation and the constant torture of his captors, readers want nothing more than to rush to his aid in times of pain, cry with him in times of anguish, and cheer him on when all hope seems lost. While in Kwajalein, an island used to torture prisoners of war, readers travel alongside Louis, cheering him on as “the guards sought to deprive [Louis] of something that had sustained [him] even as all else had been lost: dignity” (Hillenbrand 212). One of the guards’ favorite humiliation tactics was forcing each of the 200 or so prisoners “to walk down the line striking [Louis] with his fist” (Hillenbrand 158); if the punch was not hard enough, both Louis and his men would be clubbed continually on the head. As readers become emotionally invested, the story becomes less about a stranger and more about a lifelong friend. The emotional connection readers develop for Louis makes the visual that much harder to endure, for every blow and hardship Louis faces makes readers feel as if they are helplessly watching a friend in need. Such enthrallment in a novel makes for such an excellent read and an overall outstanding non-fiction action
Many different responses have occurred to readers after their perusal of this novel. Those that doubt the stories of the holocaust’s reality see Night as lies and propaganda designed to further the myth of the holocaust. Yet, for those people believing in the reality, the feelings proffered by the book are quite different. Many feel outrage at the extent of human maliciousness towards other humans. Others experience pity for the loss of family, friends, and self that is felt by the Holocaust victims.
Reading, Anna. "Young People's Viewing Of Holocaust Films In Different Cultural Contexts." Holocaust And The Moving Image (2005): 210-216. RAMBI. Web. 10 Oct. 2013.
Quentin Tarantino’s 2009 film Inglourious Bastards entails a Jewish revenge fantasy that is told through a counterfactual history of events in World War II. However, this story follows a completely different plot than what we are currently familiar with. Within these circumstances, audiences now question the very ideas and arguments that are often associated with World War II. We believe that Inglourious Basterds is a Jewish revenge fantasy that forces us to rethink our previous understandings by disrupting the viewers sense of content and nature in the history of World War II. Within this thesis, this paper will cover the Jewish lens vs. American lens, counter-plots within the film, ignored social undercurrents, and the idea that nobody wins in war.
Griffin explores Heinrich Himmler and the secrets that are hidden within him. Throughout his childhood Himmler’s secrets and thoughts were hidden, overshadowed by a mask or barrier formed by his upbringing and culture.
A film bursting with visual and emotional stimuli, the in-depth character transformation of Oscar Schindler in Schindler’s List is a beautiful focal point of the film. Riddled with internal conflict and ethical despair, Schindler challenges his Nazi Party laws when he is faced with continuing his ambitious business ideas or throwing it all away for the lives of those he once saw as solely cheap labor. Confronted with leading a double life and hiding his motivations from those allegiant to Adolf Hitler and the Nazi Party, Schindler undergoes numerous ethical dilemmas that ultimately shape his identity and challenge his humanity. As a descendent of a Jewish-American, Yiddish speaking World War II soldier who helped liberate concentration camps in Poland, this film allowed for an enhanced personal
Since Nelly’s life was not personally haunted by regrets, like Catherine and Heathcliff’s, she is able to recite the past and present in a clear and rational way. Lockwood believes in her story and is so intrigued by all the dreadful events that took place across a lifetime on these Yorkshire moors. From the outside looking in it may appear that the Earnshaws and Lintons were just a private family living their lives, but nobody really knows what goes on behind closed doors, except for the help, our Nelly. This is why her narration is crucial and without it, the story of Wuthering Heights may still exist, but would not be as believable. Works Cited Bront, Emily.