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Into the wild character analysis
The stronger character analysis
Into the wild character analysis
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Chinua Achebe’s novel Things Fall Apart describes the colonization of the Ibo tribe by a group of white missionaries. The text details the life of Okonkwo, a successful yam farmer with many wives and great power in his village, from his early adulthood to his death. In the beginning, Achebe presents the readers with Ikemefuna, a young boy from the neighboring Mbaino tribe, sent to Okonkwo’s household as punishment for murdering an Umuofian woman. Ikemefuna integrates into the family rapidly, and is well-received by both Okonkwo and his biological son, Nwoye. Ikemefuna spent three years in Okonkwo’s family, which was much longer than what the clan elders had anticipated. During that time, Okonkwo treats Ikemefuna as his own son, and Nwoye views …show more content…
While Okonkwo “opened up his sense of what is right and wrong/what he allowed”, Nwoye closes up and follows a committed path. Ikemefuna’s arrival provokes Nwoye to adopt more masculine features, in an attempt to please Okonkwo. When Ikemefuna comes to live with Okonkwo, Nwoye is immediately drawn to him and admires him greatly because “he seemed to know everything” (28). Not only is Ikemefuna skilled in knowledge and how to do nature stuff, he is also loved by Okonkwo. Ikemefuna makes Nwoye feel more mature and masculine--they spend more time with Okonkwo instead of staying in their mother’s hut. Nwoye’s close bond with Ikemefuna creates competition between the two, and Nwoye soon begins to imitate some of Ikemefuna’s habits. He tries to please Okonkwo with his “manliness”, thus acting more like Ikemefuna. For example, Nwoye pretends that he frowns upon woman-like habits. Although Nwoye enjoys listening to his mother's stories, he knew they were for “foolish women and children” and because he knows Okonkwo wishes for him to be a man, he “feigned that he no longer cared for women’s stories” (54). He attempts to make Okonkwo happy by adhering to traditional masculine values, even if it means going against what he believes. Okonkwo notices Nwoye’s change and is proud of him. He is “inwardly pleased with his son’s development, and [knows] it was due to Ikemefuna”, for now, he believes that Nwoye is better suited …show more content…
They are affected differently by his death. Okonkwo takes on an even more masculine side, now that Ikemefuna, who he believed to be a threat to his masculinity, is gone. At first, he struggles to cope with Ikemefuna’s death and does not eat for several days, but realizes the best solution would be to work. He states that he just needs “something to occupy his mind” and calls himself “not a man of thought but of action” (69). This signifies Okonkwo’s return to pure masculinity; he “closes up” again. While Okonkwo transitions from opening up to closing up, Nwoye goes from closing up to opening up following Ikemefuna’s death. After first learning about Ikemefuna’s death, Nwoye is at first stunned, then begins to question certain Ibo customs in an attempt to come to terms with this event. He describes feeling like “the snapping of a tightened bow” and relates this feeling to the time he heard infant twins crying in the forest (61). Just like how Ikemefuna’s execution was ordered by the mysterious clan oracle, it was an Ibo tradition to leave infant twins in the forest to die--nobody questioned these practices. After experiencing these two occasions, the deaths of innocent people, Nwoye is not only skeptical of his clan’s traditions, but is also unforgiving towards Okonkwo. This results in him gradually distancing himself from the clan in order to find peace. When the Christian missionaries come to the
For members of the Ibo tribe, being submissive and respectful to your elders and culture is the only accepted way to live, yet the son of one of the greatest men in Umuofia seems to defy this ideal. Nwoye, the son of Okonkwo, one of the most majestic warriors and farmers in their small village, has never really been attracted to the manly nature and attitudes expected of him. Never being fond of blood and fighting and not wanting to participate in any of the hard work in the household has left Nwoye with a more feminine personality. Not only does he reject the ideas of the Ibo culture, he also accepts those of a white man and lives life like a Westerner. In Chinua Achebe's novel Things Fall Apart, Nwoye defies traditional Ibo values by emphasizing the importance of not killing Ikemefuna, highlighting the fact that it is acceptable to convert to Christianity, and not living up to be the manly hero his dad want him to be.
Okonkwo was deeply grieved. And it was not just a personal grief. He mourned for the clan, which he saw breaking up and falling apart, and he mourned for the warlike men of Umofia, Who had so unaccountably become soft like women.
‘’Nothing pleased Nwoye now more than to be sent for by his mother or another of his father's wives to do one of those difficult and masculine tasks in the home, like splitting wood, or pounding food. On receiving such a message through a younger brother or sister, Nwoye would feign annoyance and grumble aloud about women and their troubles. Okonkwo was inwardly pleased at his son's development, and he knew it was due to Ikemefuna.’’(38) Nwoye wasn’t like the other ibo boys. He didn’t like to do manly things. He was more interested in how things work, the logic behind everything. Okonkwo didn’t like that. He wanted a son that could eventually take on his lead and provide for his family. That is why he liked Ikemefuna better because he showed all the characteristics he wanted in a
Set in Africa in the 1890s, Chinua Achebe's ‘Things Fall Apart’ is about the tragedy of Okonkwo during the time Christian missionaries arrived and polluted the culture and traditions of many African tribes. Okonkwo is a self-made man who values culture, tradition, and, above all else, masculinity. Okonkwo’s attachment to the Igbo culture and tradition, and his own extreme emphasis on manliness, is the cause of his fall from grace and eventual death.
Okonkwo associates many of his tribal influences with masculinity. Right away in the book, Achebe affiliates strength with manliness. “As a young man of eighteen he had brought honor to his village by throwing Amalizine the Cat” (3). He is honored because he had enough strength and agility to overthrow the cat. Okonkwo feels to be successful and manly, one also must show no emotion. He thinks emotion is for the weak and for woman, and he does not want to be either of those. “Okonkwo never showed any emotion openly, unless it be the emotion of anger. To show affection was a sign of weakness,-the only thing worth demonstrating was strength” (28). Okonkwo treats Ikemefuna with this idea. He becomes very fond of the child, but never outwardly shows his affection. If he showed his affection he was afraid he would be looked down upon in his tribe. Although his father enjoyed little things like music and dancing, Okonkwo had no desire to share his father’s enjoyment. He desired power and wealth. He wants to construct and maintain a big house for his many wives and even more children. “Okonkwo was clearly cut out for great things. He was still young but he had won fame as the greatest wrestler in the nine villages. He was a wealthy farmer and had two barns full of ...
Before British Colonization Nwoye was dedicated to his father Okonkwo until he killed Ikemefuna. Nwoye did everything Okonkwo asked of him because he was scared of the consequences he would suffer if he did not listen or respect Okonkwo. Once Okonkwo murdered Ikemefuna, Nwoye became afraid of him. Ikemefuna was the closest thing Nwoye had as a brother, taking that away from Nwoye made him lose respect for Okonkwo. “Then something had given way inside him. It descended on him again, this feeling, when his father
Okonkwo’s fear leads him to treat members of his family harshly, in particular his son, Nwoye. Okonkwo often wonders how he, a man of great strength and work ethic, could have had a son who was “degenerate and effeminate” (133). Okonkwo thought that, "No matter how prosperous a man was, if he was unable to rule his women and his children (and especially his women) he was not really a man" (45).
Chinua Achebe's Things Fall Apart is a powerful novel about the social changes that occurred when the white man first arrived on the African continent. The novel is based on a conception of humans as self-reflexive beings and a definition of culture as a set of control mechanisms. Things Fall Apart is the story of Okonkwo, an elder, in the Igbo tribe. He is a fairly successful man who earned the respect of the tribal elders. The story of Okonkwo’s fall from a respected member of the tribe to an outcast who dies in disgrace graphically dramatizes the struggle between the altruistic values of Christianity and the lust for power that motivated European colonialism in Africa and undermined the indigenous culture of a nation.
Okonkwo’s desire for respect motivates his quest to preserve the practices of Ibo culture, while Obierika preserves the practices of the Ibo culture with a more humanistic perspective. Achebe uses the differing approaches of Okonkwo and Obierika in maintaining the cultural doctrines of the Ibo people to reveal his sympathy for Obierika over Okonkwo. Okonkwo’s motives for maintaining the customs of the Ibo originate with fear. Okonkwo kills Ikemefuna while “dazed with fear,” drawing “his machete [to] cut him down” because, “he was afraid of being thought weak” (Achebe 61). Though Okonkwo attempts to appear strong to the people of Umuofia, his fearful motivation speaks to a hidden internal weakness. Okonkwo’s focus on eradicating the taint of “his father’s weakness and failure” and his yearning for respect drive him to kill Ikemefuna instead of the more proper motive of simply effectuating what the Ibo conside...
Nwoye – In the eyes of Okonkwo, his oldest son, Nwoye, is weak and lazy from an early age. He dislikes his father because he beats him so often to make him more masculine. After the death of Ikemefuna, Nwoye becomes very depressed and later converts to the Christian faith, which makes Okonkwo disown him.
Unfortunately, everything is not perfect. His son, Nwoye, seems not to be showing the characteristics of a real man. He prefers to stay with his mother, listening to women's stories, than to listen to his father's tales of battle and victory. Later, when missionaries come to the tribe, Nwoye is attracted to their Christian religion because of its unqualified acceptance of everyone, much like a mother's unqualified love. Of this, Okonkwo r...
Ikemefuna was Okonkwo’s “adopted” son. Ikemefuna and a little girl were taken away from their families in a neighboring village after a man from his village killed a man in Umuofia’s wife. Ikemefuna was given to Okonkwo as a peace offering and he fit in quite well with his new family. Okonkwo’s other sons were greatly influenced by Ikemefuna, and Ikemefuna’s relationship with Okonkwo was closer than that with his biological father. After three years of living with Okonkwo, Ikemefuna was told that he was going home. In reality, the oracle had told Okonkwo that Ikemefuna was to be killed. As Ikemefuna was on his journey “home” his innermost thoughts give his opinion
Nwoye grows tired of his father and is called by the Christian faith and converts. Nwoye’s internal struggle with himself between change and tradition ultimately led him to convert against his father’s wishes. Okonkwo is extremely resistant to change, so he does everything in his power to prevent his family from converting; “‘If you turn against me when I am dead I will visit you and break your neck’” (Achebe 105). Okonkwo uses fear to keep his other children from the Igbo culture.
Okonkwo sees his father’s gentleness as a feminine trait. He works hard to be as masculine as possible so that he will be the opposite of his father and overcome the shame his father brought to his family. Okonkwo deals with this struggle throughout the entire book, hiding the intense fear of weakness behind a masculine façade (Nnoromele 149). In order to appear masculine, he is often violent. In his desire to be judged by his own worth and not by the worth of his effeminate father, Okonkwo participates in the killing of a boy he sees as a son, even though his friends and other respected tribe members advise him against it. (Hoegberg 71). Even after the killing of Ikamefuna, Okonkwo hides his feelings of sadness because the emotions are feminine to him. He goes so far as to ask himself, “when did you become a shivering old woman” (Achebe 65), while he is inwardly grieving. The dramatic irony of the secret fears that Okonkwo has will open the reader’s eyes to how important gender identity is to him. This theme is also presented among Okonkwo’s children. He sees his oldest son, Nwoye, as feminine because he does not like to work as hard as his father (Stratton 29). When Nwoye eventually joins the Christian church, Okonkwo sees him as even more feminine. On the other hand, Okonkwo’s
This passage shows the reader that Nwoye is extremely different from many members of his family and the other members of the village. After Okonkwo learns that his son is interested in the new religion he is furious. Okonkwo has always been disappointed in his son. He believes that Nwoye is not as strong as a man of their clan should be. When Okonkwo was Nwoye’s ...