Children of Men Movie that came out on December 25, 2006, directed by Alfonso Cuaron is one of the most famous Hispanic directors in the cinema world. Children of Men is based on a novel made by PD James and it is about apocalyptic future in which human beings have stopped being able to reproduce. Laboratories also cannot carry out the conception of human embryos and knowing the imminent end of their existence makes all the inhabitants of the planet behave in a chaotic way and live in eternal neglect. Immigrants are treated as high-level criminals and riots and urban guerrillas are the daily bread. This movie is good to criticize because is its plot, soundtrack, emotional impact, and cinematography because of these factors this movie is such …show more content…
For example, the big explosion at the beginning they did all these scenes with only one camera shot giving a sensation of realism, out of the ordinary. They included these shots at one of the final scenes that maintain the audience interested and focus on the movie and It takes place in a city that is a complete battlefield and Cuarón cannot think of anything else than to put the camera in the middle, dragging the spectator into the depths of the conflict, leaving him as surprised as he is ecstatic. “Along the way, they are pursued by Homeland Security troops, and there is a chase scene with one of the most sudden and violent moments I have ever seen in a film. Not all of the chases in all of the Bournes equal this one, shot in a single take by one camera, for impact.”. In my opinion, the camera shots are of big importance in all the movies but in this movie, in specific this shot are amazing and give the movie such a feeling of …show more content…
Before the first scene begins, with the screen still in black, we hear what we assume is the news of the radio or television. In this same main scene, a bomb explodes, and we hear a beep, the beep that the protagonist hears inside his ears. It is a way of identifying with the protagonist from the beginning. We see what he sees thanks to the camera in hand, and now we also hear what he hears. This sound serves as a transition to the next scene, as it remains for a long time. The beep will reappear in the plane-sequence of the end, where again there will be more bombs and shots that cause that same effect.” Eschewing a traditional score, the director combines rock, pop, hip-hop and classical pieces to create one of the most unconventional cinematic soundscapes in recent memory.” Is interesting how the sound is a fundamental part of every movie and I think this movie is not an exception for this. This movie has an exceptional soundtrack through the
Written by Ethan and Joel Coen and released on DVD by Touchstone Pictures and Universal Pictures in 2001, O BROTHER, WHERE ART THOU? is supposed to be the first professional film in history to be digitally enhanced, in its entirety. The movie is a loose adaptation of the epic poem The Odyssey in which three escaped convicts; Everett Ulysses McGill (George Clooney,) and his two partners Delmar (Tim Blake Nelson) and Pete (John Turturro) experience the adventures of “Ulysses” (Homer) in varying ways. The actors meet along their way: “the Blind Prophet, the Cyclops, and the Sirens,” (Homer) all members of The Odyssey. This is intermixed with characters from the 1930’s including Baby Faced Nelson (Michael Badalucco,) a KKK mob, and a Governor (Charles Durning) running for reelection, which sets the period of the film. The period depicted, the Dust Bowl, gave Joel Coen director of the film rise to the need for digital manipulation of the production to achieve consistency in appearance and feel. The idea of using digital manipulation, and digital mastering of an entire film, has allowed the process of creating a film to be forever changed enhancing the pleasure of the viewer.
The sound used in this scene are all diegetic, the sounds of gunfire and explosions show that the characters in this scene are in very real danger of being shot or blown up, this helps the viewer grow a more personal connection with the characters since the scene is towards the end of the film, the viewer has developed a personal connection with the characters and do not want them to die. The diegetic sounds of military personnel can be heard, this is used to show the urgency that the military personnel have to get The Sapphires and Dave out of the dangerous situation.
In society, there is a thing called a hero’s journey. It is when our destiny is before us, and with the choices we make, depict our course for the rest of our lives. In the novel The Alchemist by Paulo Coelho and Cinderella Man directed by Ron Howard show how the hero’s journey affects Santiago and Jim Braddock lives.
The film starts out with orchestral music, and shows James Dean's character, Jim, drunk on the ground of a sidewalk. The sound of a police siren is heard and used as a transition into the next scene that takes place, understandably, in a police station. While in the police station, Jim is yelling along with the sound of the siren, and humming loudly to give the impression that he is drunk. At one point in the scene he is brought into another room with an officer, and begins to punch a desk. The sound effects are loud, and the he pauses, and music begins again when he begins to hurt. Again, a siren is played at the transition to the next scene. However, for the most part, score music is played during all transitions.
Ordinary Men is the disconcerting examination of how a typical unit of middle-aged reserve policemen became active participants in the slaughter of tens of thousands of Polish Jews.
History usually forces itself into the present in Juan Jose Campanella’s film “El Secreto De Sus Ojos” (The Secret in Their Eyes). Although it was filmed in 2009, the story is an attempted memorization of the violent reality in 1970-1980s Argentina, an era in which the country was rapidly sinking into military rule-ship. Campanella offers flashbacks into Argentina’s dark days, a period where violence homicide, rape and injustices ruled. Through memory, the film narrate a era in which it was impossible to be an innocent person as the innocents were falsely accused, tortured and even murdered for crimes they never committed, all these for the whims of those in power. Even though, the film is set in the 1970s, it does not call immediate attention to the animosity, the hopeless feeling and the constant struggle between the desire to forget vs. the attempts to remember the chaos and confusion of these years. However, through the use of memory Campanella allow the views to portray an almost perfect picture of what happened in Argentina.
Initially the audience is witness to how particular sound techniques shape this film. For instance, one of the main details that the audience hears is the song that the murderer whistles. Due to the marvel of sound the audience can pick out that the whistling is related to the murderer. Along with the blind man who figured this mystery out, the audience could only put these two together with this sound technique. The director shows the audience how such a simple part of every day sound can be so important to solving such a terrible crime.
The vast majority of sound used in the film is non-diegetic, especially the musical ideas, which is
Next, we hear Norman’s voice as he yells “mother, oh god, mother, blood, blood”; his voice, is a very distant, reverbed, non-diegetic wet sound. Afterwards, we hear the soundtrack, which is non-diegetic, playing simultaneously along Norman’s figure in frame. The reason behind it, is a way to demonstrate that he is, indeed, the killer, hence why the same track takes part when the killer commits the crime as well as when Norman approaches the room.
Requiem for a Dream is a movie that was directed by Darren Aronofsky. It's a story about the decent in to the hell and torment of drug addiction; however, Aronofsky sets out to demonstrate both the seductive ecstasy of a high and the shattering anguish of addiction. Character development is the main focus of Requiem, which is shown through creative camera angles, precise editing, and brilliant acting.
In the opening scene of the movie we see Frank’s character played by Denzel Washington. Right away we are shocked by his violence and see his power. This is the first motif we are introduced to. We see Frank stand tall over his victim, and the dark shadowing we see on his face and body show his dominance. Another motif we are introduced to is how real this film is setup to be. The car headlights that setup the background and introduce where we the setting is as well as motivate lights. They have a purpose in the film in promoting its authenticity. We also hear the all the sounds in the forefront. When hear the sounds up close it dramatic for us as viewers. We hear every 7drop of gasoline that is poured on the man’s body and we even hear the flick of the lighter as Frank sets the man on fire. This is the director Scott Ridley’s way of saying to the audience I want to fool you, and I want you to feel like you were there and what you are watching in front of you is real.
A Genetic Odyssey’ is an interesting movie to watch. There were many thoughts that passed my mind as I watched the movie. First of all, it was interesting to visualize the movie back in the day, assuming how one single man lived in Africa approximately sixty thousand years ago. It is quite amazing to have traced the records so far behind to find that Adam could be the father of homo sapiens after all. The better question arises when there are different sizes, races and shapes to each human being.
In conclusion, I have demonstrated how Coppola exploits a wide array of sound and editing to create suspense, intensity, and anxiety in the sequence to affect the audience’s emotions, using diegetic ambient sound effects, non-diegetic music, voice over and four editing types. With this sequence, Coppola has shown the savagery of war and our complicity in this violence as an audience.
What do you think about when watching a film? Do you focus on the characters' good looks or the dialogue? Or do you go behind the scenes and think about what made the film? Maybe, it's even a combination of all three. No matter what comes to mind first, an important part of any good movie will be what you see. A camera and good director or cinematographer is needed to make that possible. Different directors and cinematographers will use different camera techniques to make you focus on what you see. Camera techniques show emphasis in films, because they make you focus more on situations and people. They are especially important in Darren Aronofsky’s Requiem for a Dream.
A human has a strong desire to survive and ready to transgress his inner borders and break his principles to save his life. There are three aspects of survival: psychological, emotional and physical survival. They are all related to each other and in order to sustain one has to go through all three stages. A person has to struggle with themselves: they have to breakdown their internal principles such as high morality and deep religious commitment in order to come through Psychological, Emotional and Physical survival.