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Oh brother where art thou story analysis
O Brother, Where Art Thou
O Brother, Where Art Thou
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Written by Ethan and Joel Coen and released on DVD by Touchstone Pictures and Universal Pictures in 2001, O BROTHER, WHERE ART THOU? is supposed to be the first professional film in history to be digitally enhanced, in its entirety. The movie is a loose adaptation of the epic poem The Odyssey in which three escaped convicts; Everett Ulysses McGill (George Clooney,) and his two partners Delmar (Tim Blake Nelson) and Pete (John Turturro) experience the adventures of “Ulysses” (Homer) in varying ways. The actors meet along their way: “the Blind Prophet, the Cyclops, and the Sirens,” (Homer) all members of The Odyssey. This is intermixed with characters from the 1930’s including Baby Faced Nelson (Michael Badalucco,) a KKK mob, and a Governor (Charles Durning) running for reelection, which sets the period of the film. The period depicted, the Dust Bowl, gave Joel Coen director of the film rise to the need for digital manipulation of the production to achieve consistency in appearance and feel. The idea of using digital manipulation, and digital mastering of an entire film, has allowed the process of creating a film to be forever changed enhancing the pleasure of the viewer.
The intermix of a great literary work into a modern production is not a new concept, but the use of digital enhancement to carry a theme was unheard of prior to the making of this film. Both Director of Photography Roger Deakens, and Business Development Director Sarah Priestnall from Kodak, helped to explain that the digital process used is the modification of the film at the pixel level, in which the film is digitized frame by frame and each frame is color matched to allow for manipulation. The mastering process was done in the film developing...
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Beierle, Aaron. "Oh Brother, Where Art Thou? : DVD Talk Review of the DVD Video." DVD Talk - DVD Movie News, Reviews, and More. 14 June 2001. Web. 15 Oct. 2011.
Coen, Joel Dir. O BROTHER, WHERE ART THOU? Dir. Photography. Roger Deakens. Perf. George Clooney, Tim Blake Nelson, John Turturro, John Goodman, Charles Durning, Lee Weaver, Mia Tate, Musetta Vander, Christy Taylor. 2000. Touchstone Pictures and Universal Pictures 2001. DVD.
Homer. The Odyssey. 800 B.C.E. Translated by Samuel Butler. MIT.EDU. Web. 2 Oct 2011.
PAINTING WITH PIXELS. O BROTHER, WHERE ART THOU? Dir. Joel Coen.
D.O.P. Roger Deakens. Touchstone Pictures and Universal Pictures, 2001. DVD
Silvers, Alan, Director of Technical Services. PAINTING WITH PIXELS. Dir. Joel Coen. Perf. Alan Silvers, Sarah Priestnall, Roger Deakens. TouchStone Pictures and Universal Pictures, 2001. DVD.
The film O brother, where art thou? is set in the Great Depression of the 1930’s and emphasizes the struggle between the upper and lower classes by using a variety of cinematic devices. Through the use of these cinematic devices and comedic relief the realities of the Depression are viewed without creating a stark, melancholy, documentary-styled film. Examples in this film of these cinematic devices used to show these realities include:
O Brother, Where Art Thou? is a movie that takes place in the late Great Depression era starring George Clooney. The hero, Ulysses Everett McGill, escapes from a prison farm in Mississippi with his two chain mates, Pete and Delmar, to reclaim treasure. First they come across a blind prophet, who pretty much tells them they’ll get their treasure, but it won’t be the one they’re after. They go to Pete’s cousin, who give them a place to stay, only to betray the for the bounty. Pete’s cousin’s son saves them and they steal the
Homer’s Odyssey is the iconic story of a man’s episodic journey home. The film, O Brother Where Art Thou, is a justifiable homage to the Odyssey because of the many parallels between some of the major characters depicted in the movie and the epic poem. The movie is set in the 1930s in the state of Mississippi, changing the characters in social demeanor, but retaining their motivation and major plot points.
The film O Brother, Where Art Thou? is a reinterpretation of the epic poem The Odyssey. The Coen brothers, writers and directors of the film, did not over analyze their representation. “It just sort of occurred to us after we’d gotten into it somewhat that it was a story about someone going home, and sort of episodic in nature, and it kind of evolved into that,” says Joel Coen in Blood Siblings, “It’s very loosely and very sort of unseriously based on The Odyssey” (Woods 32). O Brother, Where Art Thou? contains ideas from The Odyssey for the sake of modernization and entertainment of an audience that comprehends the allusions to the epic. The Coen brothers utilize elements of Homer’s The Odyssey to improve and to give direction to O Brother, Where Art Thou?, a reinterpretation which was made simply to show that an epic-adventure such as The Odyssey could be modernized to apply to modern times.
In both Homer’s The Odyssey and the film O Brother, Where Art Thou? the audience is given an opportunity to experience a spectacular adventure, filled with not only the sense of journey, but also the senses of peril and excitement. A tale about a Greek hero being compared to a film set in Middle America starring three jail-escapees seems rather far-fetched. However, upon closer inspection, both actually share a lot in common. The Odyssey stars Odysseus, a man famous for his heroics in the Trojan War. O Brother, Where Art Thou? shows a bit of a contrast by starring Ulysses, a former convict who escaped and began looking for “A Treasure”. So by default, one would assume that that these two stories would be completely different. However, it ends up being quite the opposite. The two stories are so remarkably alike that it is almost staggering. However, it may not just be simple similarities that make the two so alike. The main reasons why the two characters are so alike are not so much the actions that they take, as oppose to the overall human emotional aspect of the two pieces of work. For example, we see that both Odysseus and Ulysses are invested in their lives with their families, and as such, they never have a moment where they stop thinking about the lives they used to live. Both characters are extremely alike in terms of thoughts, skills, and experiences. They are both profound tacticians, as well as being rather strong and good looking men. So in the end, both of these men have plenty in common on the emotional and psychological levels.
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...successful collaboration of sound, colour, camera positioning and lighting are instrumental in portraying these themes. The techniques used heighten the suspense, drama and mood of each scene and enhance the film in order to convey to the spectator the intended messages.
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