Charlotte Perkins Gilman’s “The Yellow Wallpaper” is the story of a married woman, trapped by the supposed care of her husband. The narrator is taken to a summer home by her husband, John, to rest and heal from a mysterious and debilitating mental illness that plagues her. Locked away and her work, writing, taken from her, the narrator falls deeper into her sickness. Driven to madness by her sedentary lifestyle, the narrator discovers her freedom during a delusional haze. “The Yellow Wallpaper,” written by Charlotte Perkins Gilman, inspired in part by her own battle with illness, is a metaphor for what can happen when a woman is trapped by a dominating force and unable to pursue her life’s calling.
“The Yellow Wallpaper” is a fictional
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Gilman, who suffered from the same nervous condition as her main character, wrote “The Yellow Wallpaper” after her doctor told her that she would recover if she gave up writing entirely (Gilman). The main character in the yellow wallpaper faces a similar conflict as Gilman and when compared to real-life events the fate of the narrator seems very possible. “The Narrator of “The Yellow Wallpaper” is taken to a summer home by her physician husband, John, to rest and heal from her mental illness. In the story, she details the many different treatments that she is given such as bed rest, many different medications, and a long break from writing (Gilman). She expresses a disbelief in the effectiveness of these treatments when she says, “I disagree with their ideas...I believe that congenial work…would do me good. But what is one to do.” (Gilman) Despite her qualms, she follows her husband’s orders as he is the “expert” (Gilman). Much like the narrator in her story, Gilman believed that pursuing her work would bring her more happiness and health than a sedentary life ever could. She discusses the day when she decided to disobey her doctor’s advice and her beliefs on the importance of hard work when she says, “…work, the normal life of every human
The narrator in “The Yellow Wallpaper” knows she is sick, but the men in her life do not think she is seriously ill. Her husband, John, and her brother are both physicians of high standing, so she does not know what to do when they diagnose her as being perfectly healthy. Even though she does not agree with their remedies, she has no say over them. She admits with discomfort, “So I take phosphates or phosphites-whichever it is, and tonics, and journeys, and airs, and exercise, and am absolutely forbidden to “work” until I am well again”(Gilman 956). Although she would know if she was sick and what would make her feel better than anyone else, she is forced to go along with her husband’s elaborate plan for her path to recovery.
Gilman expressed the roles of women through a concept of patriarchy. The narrator’s job was that of attending to her husband and fulfilling his expectations and requests. The concept of family belonging to the man is a large aspect of the storyline and its symbolism. “John laughs at me, of course, but one expects that in marriage.” The woman is sharing her arrogance pertaining to her husband’s view of her. He treats her as if she has entirely lost her awareness and considers her a belonging. John shows no understanding or backing towards his wife. Instead, John retorts by telling her it "was a draught, and shut the window". He disregarded her belief of her condition and vowed that it really was not anything worth discussing.
Gilman also her negative view on how mentally ill people are treated when she has the woman say “No wonder the children… I should hate it myself if I had to live in this room long… he hates to have me write a word.” This only amplifies her point on how patients are treated because th...
The “Yellow Wall Paper “ by Charlotte Perkins Gilman, is a chilling study and experiment of mental disorder in nineteenth century. This is a story of a miserable wife, a young woman in anguish, stress surrounding her in the walls of her bedroom and under the control of her husband doctor, who had given her the treatment of isolation and rest. This short story vividly reflects both a woman in torment and oppression as well as a woman struggling for self expression.
Narration is one literary element of a story that controls the meaning and themes perceived by the reader. The author uses this as a way of putting themselves in their writing; they portray a personal reflection through the narrator. We see this in pieces of literature, such as Charlotte Gilman’s, “The Yellow Wallpaper”, an intense short story that critics believe to be an autobiography. Charlotte Gilman wrote this piece in 1892, around the time of her own personal mental depression, after the birth of her child. This story invites the readers into the mind of a well-educated writer who is mentally ill, and takes you through the recordings of her journal, as her mental health deteriorates so does the credibility of her writing. The author uses the element of the narrators’ mental health to create a story with different meanings and themes to her audience. Gilman uses the role of an unreliable narrator to persuade the audience’s perception of protagonists’ husband John and create a theme of entrapment.
The two common threads that connect Charlotte Perkins Gilman and the narrator in her story are depression/postpartum depression, and entrapment within their roles as of women. Specifically, Gilman and the narrator are trying to escape the function society has placed on them. First, after fulfilling their expected duties as wife and mother, both Gilman and the narrator become depressed after the birth of their child. It is this depression that leads them to the infamous rest cure...
In one portion of Gilman’s story, the narrator describes an act of treatment that her husband and physician had implemented.
Gilman describes how the narrator’s creativity is being held from her husband John. Since the narrator is ill with a “nervous” disease, he takes advantage on changing her creativity and imagination by forcing her to sacrifice her writing skills. Her husband demands the narrator resume her job as being a wife and mother. Because the narrator is restricted to write, she focused her mind on the yellow wallpaper...
In “The Yellow Wallpaper”, the author, Charlotte Perkins Gilman, through expressive word choice and descriptions, allows the reader to grasp the concepts she portrays and understand the way her unnamed narrator feels as the character draws herself nearer and nearer to insanity. “The Yellow Wallpaper” begins with the narrator writing in a journal about the summer home she and her husband have rented while their home is being remodeled. In the second entry, she mentions their bedroom which contains the horrendous yellow wallpaper. After this, not one day goes by when she doesn’t write about the wallpaper. She talks about the twisting, never-ending pattern; the heads she can see hanging upside-down as if strangled by it; and most importantly the
Karpinski, Joanne B. “An Introduction to Critical Essays on Charlotte Perkins Gilman.” Short Stories for Students. Ed. Kathleen Wilson. Vol 1. Detroit: Gale, 1997. 277-293. Print
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
In everyday day life we go through changes and sometimes we even break down to the point we do not know what to do with ourselves, but in Charlotte Perkins Gilman’s short story” The Yellow Wallpaper” the narrator is an obsessive person. The story focuses on a woman who is going through postpartum depression and has had a nervous breakdown. Her husband John moves her into a home where he wants her to rest in isolation to recover from her disorder. Throughout her time in the room the narrator discovers new things and finally understands life.
The Yellow Wallpaper is a very astonishing story written by Charlotte Perkins Gilman that daringly reaches out to explore the mental state of a woman whose mind eventually begins to be broken down to a state of insanity by the appearance of a creeping woman who is trapped behind a revolting yellow wallpaper. This short story takes a look at the causes of the narrator’s insanity by how she was confined in a house alone, trapped with only her mind and a dull wallpaper; while dealing with depression and consuming strong
Kennedy, X. J., and Dana Gioia. "The Yellow Wallpaper." Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing. 2011. Print.
The first example of an element of fiction used in The Yellow Wallpaper is symbolism. One symbol is the room. There is are bars on the windows to make the reader feel that the narrator is more than likely staying in psychiatric holding room than a room where she can get over her anxious condition. In most sanitariums, there are bars on the windows. The narrator’s husband went against her wishes to stay in the room downstairs with open windows and a view of the garden and put her in a barred prison cell contributing to the theme freedom and confinement. The second symbol is the bed. The bed is big, chained, and nailed to the floor. The reader could say the bed symbolizes sexual repression because a bed is where it happened during the 1900s and with a bed of such large size being nailed and chained down can represent sexual repression.