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Essays on traditional irish music
Essays on traditional irish music
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Traditional Irish Music and its Revival:
When people think of a ‘folk music revival’, the one most often thought of (at least in America) is the American folk music revival, and some of the biggest figures in that revival: Joan Baez, Pete Seeger, The Kingston Trio, etc. However, the United States is not the only country where a folk music revival has occurred; England, a variety of Latin American countries (such as Argentina and Brazil), Australia, and even more countries have seen their traditional styles of music revived at some point. The focus of this paper is the Irish folk music revival of the 60’s and 70’s and the similarities it has to the American folk music revival of the same era.
Multiple bands and people were responsible for revitalizing
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It began as an oral tradition, as many forms of traditional music do, and unaccompanied vocal songs were called sean nós and described as being “highly ornamental where the voice is placed at the top of the range” (“Irish Traditional Music”, Wikipedia). In many cases, the melody is varied in each verse. There were also Caoineadh songs, which is Irish for a lament. This type of song is about sorrow and pain and were originally thought to be sung (for money) at funerals. Ireland is also known for its dancing music, which includes mostly reels and jigs but also hornpipes and some …show more content…
In Ireland, traditional Irish music aided to revive the country’s sense of self after years under the colonial power of Great Britain, and as mentioned previously, Irish folk music’s influence can be seen in a variety of different genres, particularly rock, pop, and country music. An interesting band with Irish influence is The Shamrock Wings, a band that combines Irish and Caribbean sounds.
Both the American and Irish folk music revivals came at interesting, tense times in both countries, and have many similarities; the often political sentiments expressed through the music influenced many socio-political movements at the time, and the revivals had far-reaching and widespread effects on the music and culture then and now. While the American folk music revival is better well-known (at least in the United States), it is interesting to learn about how folk music has been revived elsewhere and how the movements reviving the music share many
...gers of the old folk music are referred to as “authentic”. The author uses the biographies and the personal experiences of true Appalachian folk musicians to portray what life in the Appalachians was like. The strong family values, the music, the legends.
After reading the play “Songcatcher”, by Darby Fitzgerald, as well as looking at an interview done with Evie Mark, their stories revealed the same key concepts; the dilemmas they face while trying to revive Native American Music. Both of these men felt as if they needed to prove who they were to everyone around them. Making the journey to find the music from inside them a very personal one. The prime focuses in each are the struggles they face to revive the music passed down through their cultures history. They also show the persistence they have to “rekindle the fire” or the love music, within today’s younger Native generation. Both stories are inspirational to the identity crisis within these nations.
American singer-songwriter and folk musician Bob Dylan describes in his autobiography, as well as his life and music in general, the ambiguity of folk songs and their ability to be openly shared, interpreted, and even fabricated, and he believes that human nature is such that we are most comfortable with this opacity. The work of African American artist Kara Walker reinforces this belief, and applies it to history with the exploration of cultural ideas regarding race, sexuality, identity, gender roles, repression, and violence.
Music can be traced back into human history to prehistoric eras. To this day archeologists uncover fragments of ancient instruments as well as tablets with carved lyrics buried alongside prominent leaders and highly influential people. This serves as a testament to the importance and power of music, as well as its influence in society. Over its many years of existence, music’s powerful invocation of feelings has allowed it to evolve and serve many purposes, one being inspiring change. American journalist and author Hunter S. Thompson once said, “Music has always been a matter of energy to me, a question of fuel. Sentimental people call it inspiration, but what they really mean is fuel.” This fuel is the very things that powers the influence of Rock ‘n’ Roll on American society, that author Glenn C. Altschuler writes about in his book, “All Shook Up – How Rock ‘n’ Roll Changed America.” Between 1945 and 1965 Rock ‘n’ Roll transformed American society and culture by helping to ease racial integration and launch a sexual revolution while most importantly developing an intergenerational identity.
...frican American Musicians as Artists, Critics, and Activists. Berkeley, CA: University of California, 2002. 54-100. EBSCOhost. Web. 8 May 2015.
Music’s role on society has changed drastically through the course of its history as it has become ever so increasingly expansive. Many of the previous musical movements were only for the wealthy as entertainment
For many Americans, country isn’t just a type of music. It’s a lifestyle. From sippin’ sweet tea on the porch, drinking beer at a tailgate or driving a pick up down the backroads, country music has made its way into the hearts and minds of many Americans. It is one of the only truly home grown American art forms. Its relatability and wide appeal has made country music one of the most commercially successful and popular genres in the United States. Using the work of scholars Tichi, Pecknold, and Ellison, I will show how country music grew from its rural southern roots into an integral part of American culture.
To the persistent individual, though, there is a body of music in existence that merits regard. It is powerful music written by the youth of America, youngsters who did have a stake in the Vietnam War. There can be little question about the origins of the power which American protest music conveyed: those who wrote such music lived each day with the real knowledge that they were losing friends in, and could possibly be forced themselves to go to, Vietnam. One such group, Creedence Clearwater Revival, made its contribution to this genre near the end of the Vietnam War.
Finnegan's Wake is an old Irish tune, but these words were added later for music-hall use during the Victorian era. Some Irish people have objected to them as an English inspired stereotype, but I first heard this song sung by the Clancy Brothers and Tommy Makem, at the Gate of Horn in Chicago, in the late 50s. To me, no one was more Irish than they were. Here it is in honor of Saint Patrick's Day.
Originating in the south, country music is a mix of folk songs and sounds brought over from England by Anglo-Celtic immigrants in the 1700's. (1) It was established in the Appalachians and back-woods around the time of the revolution. To cure loneliness and isolation, mountain dwellers would sing songs that reminded them of home, keeping up with traditions. According to B.A. Botkin, " the folk…group is one that has been cut off from progress and has retained beliefs, customs and expressions with limited acceptance and acquired new ones in kind." (1)
After seven hundred years of British rule, and many uprisings that ended in failure, Ireland had reached a breakthrough. This breakthrough had an affect on many different people, especially Irish musicians. The series of uprisings and wars that led to the freedom of most of Ireland developed a new form of Irish music; the rebel songs.
Although folk music played a big role in most of these artists’ performances, folk links back to the blues, and is similar...
Latinoamericanitas, 1976. Print. Vélez, Germám. Phone Interview. February 10th, 2011. Waterman, Richard Alan. Folk music of Puerto Rico . Washington: Library of Congress,
Roy, W. (2010). Reds, whites, and blues social movements, folk music, and race in the United States. Princeton: Princeton University Press.
Powell, A. (2007). The Music of African Americans and its Impact on the American Culture in the 1960’s and the 1970’s. Miller African Centered Academy, 1. Retrieved from http://www.chatham.edu/pti/curriculum/units/2007/Powell.pdf