Characterism And Symbolism In Coetzee's 'Disgrace'

1383 Words3 Pages

Evocative
I felt mournful, shocked and sympathetic while reading the last half of the novel. Lucy is independent of her parents and live in a small farm alone for many years. David stays in contact with Lucy by telephone and Lucy always tries her best to assure him that everything is well. She finds she is pregnant with a child after she is raped, she does not tell David and try to cover up the facts at the beginning. Then Lucy tells David that she is pregnant when David comes back. David thinks Lucy takes care of everything but she does not take the method her father hints. Lucy says that she is unwilling to have an abortion because she has already had an abortion in the past. This event makes David and me surprised and I felt harrowing about …show more content…

The narrator of Disgrace is not a character in the novel at all. As a third person narrator, he knows David 's entire background information, his feelings at any moment, his sexual desires and his thoughts. However people do not know other characters’ thinking, feeling, or motivations at most of the time. Everything almost comes from David 's perspective, even if he is not the actual narrator telling the story. There are two symbolisms in this novel, one is dogs and another one is the opera about Byron. Most dogs appear mainly because Lucy adopts others people’s dogs. David hates dogs when he comes to Lucy’s farm. Later, he has a feeling of compassion to dogs.“Perhaps that is what I must learn to accept. To start at ground level. With nothing. Not with nothing but. With nothing. No cards, no weapons, no property, no rights, no dignity.”“Like a dog.”“Yes, like a dog.” ( Coetzee Page 105 ) Dogs reflect Davids’ personal and mental conflicts. He also compares himself to a dog about its sexual instincts. David spends more time in the animal clinic helping Bev because he wants to release his disgrace by helping dogs. Byron 's opera interspersed in the novel. David’s changes can be reflected from the Italian opera, originally he praises Byron’s creative passion and freedom, therefore he uses Byron as the center of his opera. Since he was attacked in his daughter’s farm, he began to focus on Teresa. “Teresa may be the last one left who can save him. Teresa is past honor. She pushes out her breasts to the sun; she plays the banjo in front of the servants and does not care if they smirk. She has immortal longings, and sings her longings. She will not be dead.” ( Coetzee Page 209 ) David chooses Teresa because he realizes he can learn from her to know how face the reality. He finds previous songs can not describe the demand of the characters, therefore he begins to compose

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