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Fiction essay analysis the red convertible
Literary analysis of the red convertible
Symbolism in poes work
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The Red Convertible Although at first glance the car in “The Red Convertible” may seem to only be a small part of the story, it was really much more than that. The story is told in first person from the perspective of Lyman, who co owned the car with his older brother Henry. Throughout the story the relationship between the two brothers is constantly changing, but some of the biggest changes in their relationship occur while significant changes in the car happen as well. At first the car simply seems to be a way for the brothers to bond and work together, but the car actually symbolizes the brothers' relationship, and how that relationship changes over time. In the beginning of the story, Lyman explains that he had unusually good luck with …show more content…
making money. He also briefly details some of the differences between him and his brother, Henry. Lyman began working at the Joliet café as a dish washer, and eventually became the owner of the entire restaurant at just 16 years of age. However, after a tornado ruined the café, Lyman received a check and quickly used the money to buy a red convertible, splitting the cost with his brother. While Lyman used the money he gained from the Joliet's insurance, Henry used his regular paycheck as well as a weeks extra pay for being laid off from his job. Although the two brothers acquired their money in very different ways, they both used it to buy something that they both loved, the red convertible. After buying the car, the brothers went everywhere together.
“We went places in that car, me and Henry. We took off one whole summer” (331). With the car in such good shape, Henry and Lyman were able to drive wherever they wanted with it. This is similar to the condition of the brothers relationship at that time. Towards the end of the summer, they began the journey home and returned to their normal lives. “We'd made most of the trip, that summer, without putting up the car hood at all” (332). The car remaining in good condition despite all the time that it was driven that summer is also a symbol of the brothers relationship. Even though Henry and Lyman spent so much time together, they did not get tired of each other or even have any arguments. Once they arrived back home, Henry soon left for training camp for the army and eventually was sent to Vietnam. After being caught by the enemy, Henry spent three years in Vietnam before being able to return home. During Henry's absence, Lyman spent nearly all of his time working on the car and making sure that it stayed in perfect condition. This symbolizes Lyman's attempt to keep he and his brothers relationship the same even though they were not …show more content…
together. When Henry returned home, it quickly became clear to Lyman that their relationship had changed.
“You could hardly expect him to change for the better, I know. But he was quiet, so quiet, and never comfortable sitting still anywhere but always up and moving around” (333). The car, however, was in perfect condition and was ready to drive, but Henry barely noticed. Lyman eventually decides that in order for he and Henry's relationship to return to its original condition, they must once again bond through the car. This lead to Lyman taking a hammer to the car in order to get Henry's attention. “I had been feeling down in the dumps about Henry around this time. We had always been together before. Henry and Lyman” (334). Henry eventually noticed the cars condition, and soon began working on it to restore it to its original glory. Although Henry and Lyman's relationship was not repaired quickly, as the work on the car progressed the condition of the brothers relationship improved as
well. Finally, the car was restored and the brothers decided to take it for a drive. “The trip over there was beautiful. When everything starts changing, drying up, clearing off, you feel like your whole life is starting up,” (335). Taking the trip in the restored car signifies that the brothers relationship is slowly returning to normal, and leaves the reader with hope that as the season changes in to summer, their relationship will only improve. However, once they arrive at the river, Henry and Lyman get into an argument, but their anger ends as quickly as it started. Henry then decides that he needs to cool down by jumping into the river, but the current drags him too far from the shore, and he eventually goes under the water and does not resurface. After searching for Henry in the river, Lyman gets into the car, puts it in gear and then lets it roll into the river. Lyman letting the car roll in to the river is a symbol of yet another change in the boys relationship—the end of it. When the lights on the car finally go out, it signifies the true end of their relationship. Lyman putting the car into the river also means that he valued the time he was able to spend with his brother in the car more than actually having the car.
During the war, Henry was taken P.O.W. and spent time in a Vietnamese prison. When he returned home, Lyman said, "Henry was very different...the change was no good," (463). Henry was constantly paranoid and evidently mentally unstable as a result of his wartime trauma. When the family had exhausted all efforts to help Henry, Lyman thought of the car. Though Henry had not even looked at the car since his return, Lyman said, "I thought the car might bring back the old Henry somehow. So I bided my time and waited for my chance to interest him in the vehicle." (464)
AP English Literature and Composition MAJOR WORKS DATA SHEET Title: A Raisin In the Sun Author: Lorraine Hansberry Date of Publication: 1951 Genre: Realistic Drama Biographical Information about the Author Lorraine Hansberry was born in Chicago on May 19, 1930. She grew up as the youngest in her family. Her mother was a teacher and her father was a real estate broker.
At the beginning of the story, you find that Lyman and Henry are like somewhat typical brothers living on the reservation. Although between the two brothers, Lyman
The reader also meets Henry, Lyman’s brother who is older than he is. Unlike Lyman, the reader is given a physical description of Henry. Erdrich writes, “He was built like a brick out house anyway. He had a nose big and sharp as a hatchet” (128). One may conclude that a physical description was given for Henry and not Lyman because he was ...
The author then looks back upon the time in his life when her mother decided to drive Hunter Jordan’s old car. However, she didn’t know how to drive, and was generally afraid to get behind the wheel. On that day, she drove crazily on the road, and declared to never drive again. James McBride also reflected on his life up to a teenager, who knew that bad things would occur in the not too distant future if he didn’t change his ways and behavior.
To what lengths would you go for a loved one? Would you destroy something in hopes that it would save them? That 's what Lyman Lamartine did in hopes to fix his PTSD afflicted brother. "The Red Convertible" was written by Louise Erdrich in 1974 and published in 2009 along with several other short stories. Lyman, and Henry, are brothers. The story starts by telling us about how the two brothers acquired a red convertible. Henry ends up being drafted into the Vietnam War, and comes back home suffering from PTSD. One day the pair decided to take a drive to the Red River because Henry wanted to see the high water. Ultimately, the story ends with a cliff-hanger, and we are left wondering what happens to the boys. The symbolic nature of the red convertible will play a key role in this literary analysis, along with underling themes of PTSD and war.
PTSD, also known as Post-Traumatic Stress Disorder, can cause change and bring about pain and stress in many different forms to the families of the victims of PTSD. These changes can be immense and sometimes unbearable. PTSD relates to the characters relationship as a whole after Henry returns from the army and it caused Henry and Lyman’s relationship to crumble. The Red Convertible that was bought in the story is a symbol of their brotherhood. The color red has many different meanings within the story that relates to their relationship.
Red Queen is written with such passion, that it envelops the reader in the story, hung on each and every word. A beautiful tale of hardship, romance, and betrayal. Aveyard does an amazing job of making the reader feel as if they are right beside Mare Barrow on her journey, of becoming the Red Queen.
Flink’s Three stages of American automobile consciousness fully express the progress of the whole automobile industry. From the first model T to the automatic production, it gives me an intuitive feeling of the automobile history from a big picture. On the other hand, Kline and Pinch focus more on a certain group of people--farmers or people who live in the rural area, they use it as an entry point to talk about automobile, alone with the role and duty transition between male and
The play “A Raisin in the Sun” by Lorraine Hansberry has many interesting characters. In my opinion, the most fascinating character is Ruth because of her many emotions and captivating personality. She goes through extreme emotions in the play such as happiness, sadness, anger, stress, and confusion. Ruth is very independent, firm, kind, witty, and loving.
The National Institute of Mental Health recognizes PTSD as a “disorder that develops in some people who have seen or lived through a shocking, scary, or dangerous event.” Since Henry’s return from the war, Lyman describes his brother as tense. There are many examples of Henry’s strange behaviors. However one truly stood out to Lyman and his family. He says, “I looked over, and he’d bitten through his lip. Blood was going down his chin” (970). Lyman continues that, “he took a bite of his bread his blood fell onto it until he was eating his own blood mixed in with the food” (970). Henry clearly is troubled by something, and the troubles all began after Henry went off to the Vietnam War. I’m no doctor, but one could simply recognize Henry is suffering from some form of
Written in the first person by Lyman Larmartine, The Red Convertible follows a typical dramatic development. The story begins in with an introduction of the narrator's life. Almost simultaneously the reader is introduced to older brother Henry Junior and the shiny red Oldsmobile convertible they bought on the spur of the moment together. The rising action of the story begins when the two take off one summer on a road trip that ends them in Alaska. When they arrived home, it was conveniently just in time for Henry to be drafted for the army. Just months later in early 1970 Henry was fighting in the Vietnam War and Lyman was had the red convertible in his possession. More than three years later, Henry finally returned home three years later only to be a much different person than the one that had left. Henry was distant and lackadaisical for the most part, never really caring about anything. Lyman knew there had been only one thing in the past that really cheered him up, and would do whatever it would take to have Henry back to his old self. Lyman took a hammer to their prized possession one night and soon showed Henry the car. Henry then was angered by the way the car was treated and was soon spend all his days and nights consumed by repairing the car. The climax of the story begins when Henry finally finished refurbishing the car and posing in front of it with Lyman for one last picture followed by a trip to Red River like in the good old days. When they arrived at the river, Henry confessed that he had known what Lyman did to the Olds, and was thankful for it, then offered to give his portion of the car to him. Just when the reader believes the old Henry has come back to life, he dives into the river and is sucked down with the strong current.
In “The Red Convertible” by Louise Erdrich the two main characters Lyman and Henry are brothers that have an amazing relationship with one another. In the beginning of the story Erdrich writes about how Lyman and Henry bought a gorgeous red convertible; and together they went on plenty of road trips and bonded over the car. On the other hand, the two siblings in Alice Walker’s “Everyday Use” don’t have that same sibling bond. The siblings in “Everyday Use”, Maggie and Dee, are complete opposites. Dee is extremely vain, snobbish, and outspoken while Maggie is coy, insecure, and timid. Although Maggie and Dee aren’t as close as Lyman and Henry, they still have a very complex relationship in terms of being “close” to one another even though it seems as if they’re from two different planets. In the stories “Everyday Use” and “The Red Convertible”, the characters share one particular trait which is
In the first scene of How I Learned to Drive, Li’l Bit introduces Peck as “a man old enough to be — did I mention how still the night is?” (9). Although Li’l Bit changes the subject before she can finish her sentence, the audience can infer that she means to say “a man old enough to be my dad.” Although some may argue that she plans to say something else, comparing Uncle Peck, a man whom she has sexual relations with, to her own father is exactly the disturbing thought that compels her to change the subject to something as trivial as “how still the night is.” As the first characteristic that materializes in her mind, Li’l Bit acknowledges that her Uncle Peck’s old age reminds her of her father, which gives her justification to replace her real father with Uncle Peck. Li’l Bit confirms this in “You and Reverse Gear,” where at the age of eleven she convinces her mother to let her have driving lessons with Uncle Peck. While she indirectly states that developing a bond with Uncle Peck would give her “a chance at having a father,” she evokes a tone of longing when she fervently exclaims, “Someone! A man who will look out for me!” Wishing to persuade her mom further, she even employs rhetoric by asking “Don’t I get a chance?” (55). Both her exclamations and use of a rhetorical question indicate how desperately she desires to have a father. This
Noah is the one of the main characters of The Notebook. He is the hero of this novel. Noah represents true love and true loyalty. In a way, The Notebook is similar to every modern day romance movie, and Noah represents the “dream man” that all the girls always imagine of having. The characters in movies are used to symbolize ideas, and in this novel, Noah represents true, faithful, committed love. Noah remains loyal to Allie even in the situation where he is unsure whether they will ever meet again or not.