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Narrative Essay about forbidden love
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THE NOBLE WOMAN is a character driven drama based or inspired by true events. The story features a strong female heroine. Her story of being marooned on the Isle of Demons is a fascinating tale to be told. The idea of being stranded provides for a strong hook.
The story is driven by solid themes of forbidden love, never giving up, and survival. The time period, era, and culture feel authentic. Some of the visual images of the setting are stunning. The isolation of the island comes to life.
While the story about Marguerite De La Roque is captivating, the script would benefit from more development. The areas that are worth discussing include: structure, pace, tension, character development, as well as character dialogue.
The first act
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However, the concern about the second act is that it begins to feel repetitive. There are several hunting sequences, building shelters, and preparing a garden. The pregnancy raises the stakes, as well as Tristan’s illness. However, unfortunately, as currently crafted, the tension doesn’t feel compelling enough.
The film CAST AWAY is a comparable modern day film of being stranded. The difference is that Cast Away did a good job of emotionally connecting the audience to the main character of Chuck Noland (played by Tom Hanks) and the series of events on the island kept the audience fully captivated. Great anticipation was created leading up to his rescue.
In this script, one doesn’t feel the same anticipation or tension intensifying. There are two scenes of missed ship, which feel similar (pages 64 and 89).
One reason that the tension may not feel as profound as it should feel is because the audience isn’t fully emotionally connecting to the main characters, such as Marguerite and Tristan.
While certainly one likes Marguerite and one roots for her to survive, she’s not a character that one wholly finds compelling. A possible reason for not connecting with the heroine is her dialogue (and the overall
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She’s a survivor, but one knew this from the opening that established her as being independent and a survivor. Thus, her transformation is rather mild. It might be different if she weren’t so strong from the opening and the audience watched her transform. In some ways Marguerite is just too perfect. She lacks some vulnerability. Her range of emotion feels limited. Even though she verbalizes her guilt about being stranded, it doesn’t sound fully genuine. When she thinks about killing herself, the struggle doesn’t feel powerful enough. Also, perhaps highlight her struggle with being abandoned (father, husband, child, Roberval,
Which is caused by the narrator having a male perspective. The narrator does not give the women and credit or redeeming qualities. All the women follow a general stereotype. If they tried to break away from the stereotype, they would me more important and influential characters. Paquette, a chambermaid in the Baron’s castle, is described as “a pretty and obedient brunette” (5). She is identified obedient not because of her job as a chambermaid, but because she is willing to exploit her soul and body to the men around the castle. In regards to the old woman, she doesn’t even have an actual name, which does not matter since is ugly and useless. The old woman has the mindset that she is; an object; a mistake; a disgrace. That her time has passed as a beautiful useful woman. All the rape and abuse has physically affected her and she is out of luck. In fact, she is lucky if men talk to her, or even look at her without
At last, she thinks so much about escaping Gilead by burning the house with the match, or hanging herself. (Atwood 292) She can do anything to escape the society, but all she did was sitting and waiting for the van to come. She only think about herself, she didn’t even try to escape, rebel. That’s the symbol of non heroine, she doesn’t think of others. Above all, she made no changes for this society. She was trying to stay alive through her time in Gilead, not to rebel or make changes for women. There wasn’t any performance from her that recognizes the signs
Character analysis Annemarie is a normal young girl, ten years old, she has normal difficulties and duties like any other girl. but these difficulties aren’t normal ones, she’s faced with the difficulties of war. This war has made Annemarie into a very smart girl, she spends most of her time thinking about how to be safe at all times “Annemarie admitted to herself,snuggling there in the quiet dark, that she was glad to be an ordinary person who would never be called upon for courage.” (4.60) even though shes going through a lot she still controls it very well.
Tragic mulatto characters such as Clare transport unforeseen horrors when they make the selfish decision to reinsert themselves back into the world they so desperately desired to flee. Larsen makes this point clear through the diction she uses when describing the self-esteem destruction Irene undergoes once Clare has reinserted herself into Irene's life, and the situations Irene finds herself as a direct result of Clare. Prior to Clare’s reentrance into her life Irene is a self-assured, independent, and confident woman; however, she soon turns self-conscious, dependent, and hesitant. Upon viewing Clare at the hotel Irene is struck by Clare’s ...
knight on a horse to come rescue and provide for her as well as the acceptance of women
The heroine, Mrs. P, has some carries some characteristics parallel to Louise Mallard in “Hour.” The women of her time are limited by cultural convention. Yet, Mrs. P, (like Louise) begins to experience a new freedom of imagination, a zest for life , in the immediate absence of her husband. She realizes, through interior monologues, that she has been held back, that her station in life cannot and will not afford her the kind of freedom to explore freely and openly the emotions that are as much a part of her as they are not a part of Leonce. Here is a primary irony.
Margaret is painted as a strong character from the very beginning. As Jessica Ray Lymberopoulos writes in her essay,
Shakespeare plays have fascinated audiences with their ability to seemingly portray the depth of the meanings and descriptions of each scene. Shakespeare’s Romeo and Juliet was for many years the world’s best love story and influenced readers and writers from around the world. Understanding the contrasting natures is one of the most important themes in this play and underpins the plot. Love and hate, life and death, lastly, missions and reality will only increase every reader’s sense of curiosity.
Thomas Pringle wrote "The idea of Mary Prince's history was first suggested by herself. She wished it to be done, she said, that good people in England might hear from a slave what a slave had felt and suffered.” Mary Prince, was the first black woman to have her story published in Britain. Due to Mary Prince’s graphic detail, her anecdotes were sadistic to the extent that very few believed her . Mary Prince conveys that both slave owners and their slaves suffer physical and emotional effects of slavery, confirming Pringle’s write that "slavery is a curse to the oppressors scarcely less than the oppressed; it's natural tendency is to brutalize both.”
Les Femmes Savantes The Learned Ladies is an astounding play. As each new character enters time transforms characters are bedazzled, enchanted and wigged we know we are sharing the stage with royalty. The women’s gowns are extremely detailed with hoop shirts to make them puffy the men are wearing exceptionally detailed waistcoats. This comical drama is set in the living room or “salon” of the family. This plays plot is focused on one major couples chaotic and forbidden love. The characters are joined by blood and lead by the controlling wife, Philamonte (Maya Jackson) and her weak spouse Chrysale (Edward Brown III). Jackson’s voice is directing with a profound tone that would have the capacity to stop anybody dead in their tracks. It is not
After five years of being raised and living with their grandmother whom they truly loved, the girls had a rude awakening. Their grandmother, Sylvia had passed away. “When after almost five years, my grandmother one winter morning eschewed awakening, Lily and Nona were fetched from Spokane and took up housekeeping in Fingerbone, just as my grandmother had wished” (Robinson 29). This was the final attempt that their grandmother had made in order for the girls to have a normal and traditional life. This is a solid example of how the sister’s lives are shaped by their family and their surroundings. Lucille’s ultimate concern in life is to conform to society and live a traditional life. She wishes to have a normal family and is sorrowful for all of the losses that she has experienced such as her mother’s and grandmother’s deaths. On the other hand, Ruthie, after spending more time with her future guardian, Aunt Sylvie, becomes quite the transient like her.
The turmoil of Maurice's affair has begun a series of emotional challenges for Monique. It is interesting to note that these challenges may possibly have related to Beauvoir's own personal life. She was also in a long-term romantic relationship with a man, although she never married. This adds a deeper psychological aspect to the plight of Monique. Monique seems, on the surface, to hold herself together both emotionally and physically. However, as we explore further, we find that she is actually falling apart. Similarly, Beauvoir's romantic partner, Jean Paul Sartre, had many affairs with women. This presumably forced her to keep herself emotionally stable. As Bethany Latimer explains in her book, Colette, Beauvoir, and Duras: Age and Women Writers, writers tend to repeatedly explore subjects in their fiction to help solve seemingly unsolvable problems:
Through out the story Claire acts very irrational, especially towards men. These irrational acts are caused by the fact that she believes that men are the reason for this girl's death and the murder of women in general, and she shows this by the way she reacts to what Stuart says and towards the men in the story.
The Crucible was the turning point in literature and in history. It showed how people were convicted with only a minute amount of evidence. The only thing that would have caused a person to be convicted was if people went into hysterics. However, for someone to be accused of using witchcraft, someone else has to say he or she had seen them practicing it or they were the only person who could see it. The trials caused some of the characters to learn new attributes about themselves. Elizabeth Proctor is more reserved. John Proctor, on the other hand, is more prideful; whereas, Reverend Hale is more confident. These three characters go through their own personal journeys and uncover the person within them beneath the surface, which in turn broadcasts their true identity to the audience.
I think the reason that the screenwriters and directors decided to make the character of Joan the Arc virile is because of the fact that all the things she accomplished were because of her powerful demeanor and both physical and mental strength. These characteristics are stereotypically given to males and I think that’s why the muscular word virile is so important. The overall feel of the the silent film and the film from 1999 especially seem to portray Joan of Arc as more of a virile character, just through her body character and the way she communicate with people, rather than a more ‘girl power’ character which I personally agree with more. I personally didn’t see a huge differences between the three films in the way that she was portrayed. She seemed to be represented as a powerful and religious