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Monsters in literature essay
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The typical monster that is seen through the eyes of society today is one with six heads, big claws, and sharp teeth. While this type of monster is used frequently in stories and in the movies, there is surprisingly a more frightening villain among us. This type of monster lives in your hometown and you may even frequently pass him on the streets. This villain is named Lester Ballard. Lester is a middle-aged man whom is incapable of controlling his violent and sexual impulses due to his lack of immigration into society. While he does relate to other villains such as Grendal from Beowulf there are also many characters that he does not find much relation to such as Amontillado from the Cast of Amontillado. When exploring these characters and …show more content…
Lester, in my opinion being the scariest of them all, from the outside seems somewhat strange although appears to have two eyes, ears, and legs making our perspective on him less alarming. We initially find him less intimidating because as humans we can find many relations to others from just the fact alone that they are humans also. When exploring just a little deeper into his mind we figure out his deranged realities. “He would arrange her in different positions and go out and peer in the window at her. After awhile he just sat holding her, his hands feeling her body under the new clothes. Then he pulled off his trousers and lay next to her. He spread her loose thighs. You been wantin it, he told her.” What is being described here is the way in which Lester treats the young girl he killed and preforms necrophilia on. The next character, Amontillado, relates to Lester on the fact alone that he is also a human being. What makes him most scary is the idea that he has the knowledge and capability to fully plan out a torturous murder and after all the years can tell the story like it happened just yesterday. “He accosted me with excessive warmth, for he had been drinking much. The man wore motley. He had on a tight fitting parti-striped dress, and his head was surmounted by the conical cap and bells.” From this quote is it now evident that Amontillado knew almost every specific detail from that day, even down to what Fortunato was wearing. The last character Grendal shows his monstrosity almost in an opposite way of both Amontillado and Lester. Grendal is seen as a symbolic monster
During his journey, McCandless was a leather tramp, he travelled on foot and he would
“The chilling truth is that his story could have been mine. The tragedy is that my story could have been his” (Moore, 2011). This quote perfectly describes the book The Other Wes Moore. This book was a story about two people who have the same name and grew up in similar environments, but had very different lives. The author of the book, Mr. Moore, became successful and was given the opportunity to receive “one of the most prestigious academic awards for students in the world” (Moore, 2011). On the other side of the spectrum, the other Wes Moore “will spend every day until his death behind bars for an armed robbery that left a police officer and a father of five dead” (Moore, 2011). Mr. Moore decided to contact the
American Character by Colin Woodard, is a book about America’s history and the upcoming of how the United States has become. Woodard starts off first explaining what it was like when America was colonized by the New England colonists and goes onward to present-day America. A book like this should be deemed great for a political history class because of the vast amount of information it has. Although, this book is exceptionally very small for a book of such kind, Woodard loves jumping around from era to era and can leave his readers at a disarray. Claiming so, a strong and prior knowledge of the American history and its government is strongly encouraged. Historical and economic terms are also used immensely in this book, so a thesaurus and dictionary would be of great use. If those two resources aren’t of much help, a recommendation of facts found upon the Internet regarding an era of which Woodard is explaining would be helpful.
Literary villains are all around us. For instance, Voldemort from Harry Potter and Darth Vader from Star Wars. What makes a villain? They will go through anyone or damage anything to reach their goal. No matter how small or how tall they are, anyone can be a villain. One of the worst literary villains is Erik Fisher from Tangerine, written by Edward Bloor. He is a liar and a thief. Those traits are what makes the best villains. Throughout the book, Erik shows that he is a villain through his vile and offensive behavior, his need for power, and his insanity.
Jeffery Cohen's first thesis states “the monster's body is a cultural body”. Monsters give meaning to culture. A monsters characteristics come from a culture's most deep-seated fears and fantasies. Monsters are metaphors and pure representative allegories. What a society chooses to make monstrous says a lot about that society’s people. Monsters help us express and find our darkest places, deepest fears, or creepiest thoughts. Monsters that scare us,vampires, zombies, witches, help us cope with what we dread most in life. Fear of the monstrous has brought communities and cultures together. Society is made up of different beliefs, ideas, and cultural actions. Within society there are always outcasts, people that do not fit into the norm or do not follow the status quo. Those people that do not fit in become monsters that are feared almost unanimously by the people who stick to the status quo.
Christopher Johnson McCandless, a.k.a Alexander Supertramp, “Master of his Own Destiny.” He was an intelligent young man who presented himself as alone but really he was never lonely. However, he believed that life was better lived alone, with nature, so he ventured off throughout western United States before setting off into Alaska’s wild unprepared where he died. Some may say he was naive to go off on such a mission without the proper food and equipment but he was living life the way he wanted to and during his travels he came across three people: Jan Burres, Ronald Franz, and Wayne Westerberg. McCandless befriended these people, it is believed that he made such a strong impression on them that their connection left them with strange feelings after finding out about McCandless’ death.
Since the original novel Frankenstein by Mary Shelley, to the multiple movie adaptations, the monster is almost always predicted as the monster of the story. It may be his physical appearance, from his tall, broad frame, to the signature screws in his neck. It may also be his unnatural upbringing and interpreted evil characteristics. We have grown to fear the monster, which ultimately, has masked the true monster, Dr. Frankenstein. With each coming movie, the good side of the monster is brought to light, while the real monster shows his true colors.
The monster “Frankenstein” is thought of as a horrible, evil creation. One informant thought of him as frustrated, loud, and uncommunicative. Some others remember aspects from the many different movies such as the monster having “the mind of a killer and the heart of a kind man.” One informant recalled the monster having a “soft spot for children” when he helped a little girl kill all the evil monsters in one of the movies.
"He was like a hunter stalking a bear, a whale, or maybe the sight of a single fleeing star the way he went after that ball (Malamud, 162)." Since he is young, Roy Hobbs has great ability and amazing talent in baseball. However, just like a tragic hero in Greek myth, those ones who fight for their honor, but fail because of their hubris or the desire of being such immortal and an aspects of not accepting the truth and reality, Roy Hobbs' hubris, ambition and a desire for fame and his fortune really tell that he is a tragic hero.
Though Shelley and Lovecraft’s monsters are characterized by their physical appearance, the outer appearances of their monsters do not determine the monstrosity of their characters. The true monster of the stories is the character that does ugly actions regardless of if their exterior is ugly. While Frankenstein’s creation is described by Victor as “hideous” (chapter 5), and the creation is referred to as a monster multiply times, he himself is not the true monster of Shelley’s novel. Victor, who is responsible for the wickedness of his creation, is the true monster of the story. By creating a hideous individual and shunning him, he forces the creation to survive on his own with a forced handicap; Victor becomes evil. This evilness is equivalent to breaking someone’s legs in the middle of the forest, with no way of getting home, and then leaving them alone. Victor creates ...
At first, The Monster is very kind and sympathetic. He has a good heart, as shown when he collected firewood for the family on the brink of poverty. Like every other human creation, he was not born a murderer. All the Monster wanted was to be accepted and loved by Victor Frankenstein and the other humans but instead he was judged by his appearance and considered to be dangerous. The Monster says, “like Adam, I was created apparently united by no link to any other being in existence…many times I considered Satan as the fitter emblem of my condition; for often, like him, when I viewed the bliss of my protectors, the bitter gall of envy rose within me” (page 105). This line is an important part of the novel because the Monster lets it be known how like Adam he was created into this world completely abandoned and like Satan he is angry with those people who have found contentment and satisfaction in their lives. The rejection and unwelcome feeling he is faced with, is the main reason the Monster becomes a killer. Watching another family show love towards each other made the Monster realize how alienated he truly was. He did not know how to deal with his pain and emotions so he murders as
In the story, the monster murdered Victor Frankenstein’s wife Elizabeth, his brother young William, and Henry Clerval. The monster also framed Justine, and she got hung in result of the framing. The reason the monster did this is because he is upset that his creator has abandoned him. The monster was basically an infant in an adult’s man body, and he has multiple scars all over him because of the procedures his body went through as he was being created. Most people would think that the creature is a horrible and evil person because of his foul actions in killing people, but he is not. This creature is eager to learn, and he is very upset that he has been abandoned. On his journey to find Victor Frankenstein, he stops and finds shelter in a co...
...three different symbolic levels, as a Romantic novel, Archetype novel, or a Gothic novel. On the romantic level, Victor is the villain because he abandons the creature and leaves it to fend for itself. The creature is miserable and just wants a friend, but was abandoned by Victor making it almost impossible. On the Archetype level, Victor is the villain because he tries to play god. He wants to be worshipped like a god, by creating his own species, and creating life from plain matter. But in doing so, Victor disturbed the natural order of things. Finally, Victor is the villain on the Gothic level. There he is the villain, because he and the creature are part of a greater being, and Victor's subconscious wants William and Elizabeth dead, which is why the monster kills them. Despite the fact that Victor didn't physically murder anyone, he was the villain of the novel.
Howard Hughes appears to be the world’s most brilliant and eccentric aviator and movie director in the film The Aviator (Mann & Scorsese, 2004). He is admired, wealthy and powerful. However, throughout the course of the film, his eccentricities lead to significant impairment. Paranoia, impulsivity and fears of contamination plague his thoughts and behaviors. He becomes unable to cope with being in public and he cannot maintain personal or professional relationships. As a result, Howard is left isolated, losing his social support and success. It is evident that he has symptoms that are characteristic of both obsessive-compulsive disorder and bipolar I disorder. His behaviors become so impairing and distressing that they impact every sphere of
Monstrosity is not just defined by disfigurement, but also by the actions and obsessions of man. Most, if not all, tales of monsters often came about as exaggerations of sins and immoral actions. Others see men who become too obsessed with the idea of overstepping their own humanity and playing God as monsters in society. Frankenstein and The Picture of Dorian Gray reflect this idea. While the painting and the creation mirror the monstrous nature and the sin Gray and Frankenstein enact throughout the course of each novel, both Dorian Gray and Victor Frankenstein are the true monsters.