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More handpicked essays just for you.
Bram stoker’s presentation of good and evil in ‘dracula’ essay
Bram stoker’s presentation of good and evil in ‘dracula’ essay
The transformation of gregor in metamorphosis
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In the story Metamorphosis, Franz Kafka portrays Mr. Samsa, Gregor’s father as a cold-hearted parent who experiences his son’s transformation into a giant bug; worried only by a sense of lost financial support, Mr. Samsa has little to no concern towards his son’s welfare. On the other hand, Bram stoker, the author of Dracula sketched Van Helsing as a righteous hero character trying to save humanity by leading a group of courageous men and women to hunt down an evil vampire. Comparing a kind hearted, knowledgeable and fearless leader to an insensitive, selfish and broken Oldman, these two characters present two completely different traits of the characteristic; moreover, through the characteristics of both characters, the authors revealed their …show more content…
The book’s preface suggests Kafka had an unsuccessful relationship with his father. “His emotional life was dominated by his relationships with his father, a man of overbearing character”. (Metamorphosis and Other Stories). Therefore, Kafka illustrated his personal experience in the story as he sketched an unpleasant relationship between Mr. Samsa and Gregor. Moreover, Mr. Samsa was portrayed as an old man with little to no sense of community because of his action and attitude towards his son. “When from behind his father now gave him a truly liberating kick, and he was thrown, bleeding profusely, far into his room” (Metamorphosis and Other Stories). This hostile relationship demonstrated the loss of community and connection between the father and son. More importantly, through Mr. Samsa’s attitude and action, Kafka transcends his feeling for the value of community. On the contrary, Van Helsing is sculptured by his author as a brilliant professor who has a noble purpose: to save humanity from an evil. “It would be at once his sheath and his armor, and his weapons to destroy us, his enemies, who are willing to peril even our own souls for the safety of one we love---for the good of mankind, and for the honor and glory of God.” (Dracula 275). Van Helsing is speaking in terms of God and humanity, which is a much-elevated level of community than Mr. Samsa’s small household community. Moreover, Van Helsing believes in humanity, and he is willing to scarify himself to protect humanity from evil. Bram stoker’s value of community is demonstrated through his heroic character Van Helsing, who has a much-elevated purpose than Kafka’s Mr.
Franz Kafka's The Metamorphosis is so strikingly absurd that it has engendered countless essays dissecting every possible rational and irrational aspect of the book. One such essay is entitled "Kafka's Obscurity" by Ralph Freedman in which he delves down into the pages of The Metamorphosis and ferrets out the esoteric aspects of Kafka's writing. Freedman postulates that Gregor Samsa progresses through several transformations: a transformation of spatial relations, a transformation of time, and a transformation of self consciousness, with his conscious mutation having an antithetical effect on the family opposite to that of Gregor. His conjectures are, for the most part, fairly accurate; Gregor devolves in both his spatial awareness and his consciousness. However, Freedman also asserts that after Gregor's father throws the wounding apple, Gregor loses his sense of time. While his hypothesis certainly appears erudite and insightful, there really is no evidence within the book itself to determine whether if Gregor has a deteriorating sense of time. If Freedman had only written about Gregor's spatial and conscious degradation, then his entire thesis would be accurate.
Kafka’s relationship with his father in the real world is a parallel to Gregor’s in the story, yet, Gregor’s desire to keep peace with his father doesn’t appear in Kafka’s. In a letter Kafka wrote to his father, often titled “Letter to His Father”, Kafka had some choice words for his father, calling him “...vermin…” that “...sucks the blood too to sustain their own life.” and “You are unfit for life…” (I couldn’t even imagine any of my future children saying that to me, that to me is the result of true hatred). The relationships of Kafka and Samsa with their fathers are real, human problems, something a real person and fictional character can share. Gregor just handled it in a more non-confrontational manner, which led to a peaceful resolve in which Gregor lets himself die to cause his family no further
Throughout ‘Dracula’, Stoker presents the idea of ‘foreigner’ through the characterisation of Count Dracula and Professor Van Helsing, who are the two main outsiders in the novel. Dracula, being a supernatural creature, is of Transylvanian descent which makes him such a poignant character. On the other hand, Van Helsing is a Roman Catholic, and is of a Dutch background, which also highlights him as a foreigner within ‘Dracula.’ In this essay I will explore how these two characters are represented and the intention behind the idea of ‘foreigner.’
I read “the metamorphosis” by Kafka about 10 years ago, and really did not enjoy the book at that time. I have never considered that a book about a bug could be so appealing and full of deep meaning and thoughts. But I changed my viewpoint after reading the book again, I felt a strong connection with the main character in the book. Right away I noticed how extremely similar in many aspects, Gregor Samsa story sound like what my uncle went through when he became ill, but, yet also have unique differences.
Kafka wants the readers to feel sympathy for Gregor because of the reactions of the parents and the chief clerk. He wants the readers to pity Gregor because no one else will. Gregor hears ‘the chief clerk em...
... To push even further, Van Helsing knows that such characteristics and qualities in a woman have no place in the classical Victorian era, so he presumes to commit his murderous act despite her radiance and beauty. A woman that challenges the Victorian ideals is seen as a threat to society and is deemed unfit. This scene illuminates and magnifies upon addressing his strong character by nature, which in many ways contrasts upon Harkers character in the novel. Conclusively, while Bram Stokers novel Dracula is seen as a gothic and horror story, I argue that it is a novel that seeks to address female sexuality directly.
The story The Metamorphosis revolves around Gregor Samsa, a devoted son and brother who works tirelessly to provide for his family, waking up finding out that he has been transformed into a larger than life insect. Franz Kafka enlightens the readers to how being dependent on one person can lead a family to being weak when that support system is ripped away from them. The situations that Gregor is put into knocks him down from the head of the family into nothingness while at the same time boosts his family from that nothingness into being a strong support system for each other. Gregor 's transformation, his dependency on his sister for food, his injury, the family choosing strangers over him, and ultimately his death are all things that lead to this downfall, or metamorphosis.
According to Arp and Johnson, “Literary fiction plunges us, through the author’s imaginative vision and artistic ability, more deeply into the real world, enabling us to understand life’s difficulties and to empathize with others.” In the story The Metamorphosis by Kafka he uses his genius imaginative vision and artistic ability, making us understand and feel empathy toward his main character, Gregor. Kafka uses a tremendous amount of symbolism and metaphors to get us to feel the mood in the story and in general life’s difficulties.
There is a theory that dream and myth are related which is conveyed through the writing of Douglas Angus’ Kafka's Metamorphosis and "The Beauty and the Beast" Tale and supported by Franz Kafka’s Metamorphosis. The stories are very symbolic when conveying the metamorphosis of a human being. Unlike Beauty and the Beast, in the Metamorphosis some suggest love is received through acts of cruelty yet in actuality it appears that cruelty results in heartache. Due to being a beast, the repulsiveness requires genuine love which can achieve the “magical transformation.” This “magical transformation” is not achieved and creates a twist in the plot derived from the concepts in the “Beauty and the Beast.”
In the stories of the Metamorphosis by Franz Kafka and The Elephant Vanishes by Haruki Murakami, there are events of magical realism and marxism that occur. In the Metamorphosis, Gregor had to adapt to his new environment and also deal with the financial crisis from his family. In the Elephant Vanishes, the people in the city, had to deal with the disappearance of the town’s symbol, the elephant.
house. This way of narrating it is very opened to us, and makes us feel like we
“When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin. He was lying on his back as hard as armor plate, and when he lifted his head a little he saw his vaulted brown belly, sectioned by arch-shaped ribs, to whose dome the cover, about to slide off completely, could barely cling. His many legs, pitifully thin compared with size of the rest of him, were waving helplessly before his eyes” (Kafka 255). Renowned German writer, Franz Kafka, wrote the short story “The Metamorphosis (translated from its original German title: "Die Verwandlung")” in 1912 and later published in 1915 to much acclaim from both casual readers and critics alike. “The Metamorphosis” shares many characteristics of Fairy Tales, particularly that of the popular “Beauty and the Beast” tale and the “loathly lady” tales, but with some divergences from the typical traits of most fairy tales. The shift in setting, atypical characters as compared with fairy tale characters, similar themes, and straying from the common “happily ever after” ending is cause for consideration of “The Metamorphosis” as an inversion of the fairy tale form.
In Franz Kafka’s The Metamorphosis, the transformation of the character Gregor from a man to one of the most hated insects, a vermin, may seem exaggerated and ridiculous, becoming more so over the course of the story the action builds and the emotions and ideas of the characters in the story begin to change and become more prominent. Kafka’s intention, however, is to expose and explore the impoverishment of human psychology with respect to the ways in which changes in one’s circumstances and conditions reshape notions people have of the way they believe in justice and mercy which will be explore further in this analysis of Gregor Samsa.
From the moment we meet Gregor Samsa's father we are shown how short tempered he is. He "came on, hissing like a wild man" when Gregor first exited his room in his new state as a bug. Gregor's father chased after him with a cane and newspaper making a hissing noise that annoyed Gregor. Just this passage here shows how alike Mr. Samsa and Herrman Kafka are. Kafka was...
In 1915, Franz Kafka published the novella The Metamorphosis, a story that questioned the habits of humanity through the frame of a man transformed into an insect. Through this absurd premise, Kafka is metaphorically able to present hatred and prejudice in an insular display—where the reader’s own opinion of Gregor is not judged or shamed, where both Gregor and the family’s actions can be understood. However, the metaphor of Gregor’s metamorphosis is not rigid in its application. It is fluid and unique, and what gives The Metamorphosis its grim, haunting tone. Kafka’s special metaphor not only broadens the limits of literary analogies, but expands on the nature of alienation and antipathy.