On April 17, 2016, I attended a Celso Piña concert in San Diego, CA. The concert was advertised to take place at the Jacobs center. As I arrived to the venue, I was surprised that it was going to be an outdoor event. Instead of the concert taking place at the Jacobs center, the concert took place at the Market Creek Amphitheater, which was right next to the Jacobs center. This made it better because the weather was just perfect not too hot or too cold. This was a 21 and older event, local tacos shops and microbreweries sold their tacos and beer. In addition, the proceeds from the concert went toward supporting local performing arts and cultural events.
The concert lasted for about an hour and half. To me this was not enough because I still wanted to
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The band is composed of a bassist, guitarist, drummer, Latin percussionist, and accordionist and lead singer Celso Piña. Which I couldn’t get their names, but the drummer and bassist, are Celso’s siblings. Moreover, their lineup of songs included the traditional Colombian cumbia songs such as, Cumbia Sampuesana, and Cumbia sobre el rio, which is a song that mixes cumbia with rap and rock. In addition, they also played vallenato which included the hit Los Caminos de La Vida. Cumbia and Vallenato are both genres that were created in Colombia. Cumbia was first a courtship dance by Afro Colombian slaves. Afterwards, cumbia was influenced by Amerindians and Europeans. Vallenato originates from Colombia’s Atlantic region. Vallenato is very similar to the Blues in the United States, where the musician tells life stories through music. Furthermore, both genres use similar instruments. Instruments that were used by the Natives such as the guacharaca, the caja brought by African slaves, and the accordion brought by the Europeans. In recent years, more instruments were added to modernize the
The five members that are in the band as of now are younger than the main singer because the original member were “recycled” and when they left the band, new people were added in. When “Josecito Leon y Su Internacional Banda Roja” perform they have their own uniform that they wear. Their type of clothing represents the traditional way of how Mexican people dress, but with more exaggerated colors that stand out. The main singer wears a “sombrero,” and they all wear boots, buckle belts, and their “Grupero” outfits that are embroidered with their band’s name and have vivid
Cumbia originated in the coastal region of Colombia in the early 1800’s. There were three predominant cultures in Colombia at that time: the indigenous peoples, the Spaniards, and the African slaves. The cumbia began with the essential instrumentation of the tambor drums and the gaita flutes, which derive from both indigenous and Congo-based African roots. The genre was entertainment for the slaves, beginning as a courtship dance. It later became an outlet for national resistance and protest as Colombia was contesting for its independence. The music was able to diffuse throughout the nation, spreading from the coast, primarily for the reason that many African populations were scattered in various regions. Barranquilla, a port city in Colombia, was the core of where the music became established and played for the masses, and where instruments such as horns and bass began to be incorporated into cumbia, giving it a more Latin feel. As cumbia evolved and spread to Mexico around the 1930’s, it changed from the influence o...
The first piece presented in this concert was Robert Strauss’ Metamorphosen, Study for 23 Solo Strings a piece was composed during the last months of World War II, from August 1944 to March 1945, dedicated it to Paul Sacher. It was first performed in January 1946 with ten violins, five violas, five cellos, and three double basses, this was immolated in the performance by the Atlanta Symphony orchestra on April 13th that I attended. It is widely believed that Strauss wrote the work as a statement of mourning for Germany's destruction during the war, in particular as an elegy for devastating bombing of Munich during the second World War.
For my first concert report, I have decided to attend the Applied Music Student Recital. The musical performance was at Palomar College on February 27, 2015 from 1:00P.M.--2:00P.M. at the performance lab room D-10. The type of music that was presented at the concert was a brass ensemble, chamber music, classical, contemporary, jazz, opera, percussion, and many vocal arrangements. There was a total of eight musical Palomar College student performers who are majoring in music theory. I am only going to focus on a few of the musical pieces that I enjoyed most. The majority of the performers were dressed in formal attire. As the men were dressed in a dress shirt, a tie or bow tie of their choice, black slacks, and dress shoes. As for the women, they wore dresses, skirts and dress shoes. Also there was a pianist, accompanist who is a Palomar College music teacher named Ruth Weber. The performance was in a music concert hall with roughly fifty audience members.
On Tuesday, October 17, 2017, I attended a musical concert. This was the first time I had ever been to a concert and did not play. The concert was not what I expected. I assumed I was going to a symphony that featured a soloist clarinet; however, upon arrival I quickly realized that my previous assumptions were false. My experience was sort of a rollercoaster. One minute I was down and almost asleep; next I was laughing; then I was up and intrigued.
I chose to do my concert critique on Eric Clapton-MTV unplugged full concert-HQ January 16, 1992 at Bray Film Studios in Windsor, England. Eric Clapton is my favorite rock n roll singer which has a mixture of genres. The concert was inside and on stage. The audience was seated up close to the stage which made the atmosphere comfortable; Eric and the band showed much warmth and connected with the crowd it wasn’t like the band was untouchable.
The Los Angeles County Museum of Art has a website that announces its programs. Anyone can easily find and choose a concert. I chose a concert for Sunday July 25, 2010. This concert was emerging artists from Ipalpiti Festibal 2010. It included the four pieces of music that are described below. One of these was Fantasiestucke, Opus 88, both Romanze and Duet were preformed. This concerto was performed by pianist Luiza Borac, violinist Vladimir Dyo, and cellist Yves Dharamraj. The second piece was Ahnung, a new discovery piece from Kinderszenen. This piece was U.S. Premiere, played solo by the pianist Luiza Borac. The third piece was Piano Quartet in E-flat major, Opus 47. This piece was an Andante cantabile piece. This concerto was performed by pianist Luiza Borac, violinist Conrad Chow and Adelya Shagidullina, and Cellist Kian Soltani. The last piece was Piano Quintet in E-flat major, Opus 44. What I discovered about my own musical understanding by attending this concert is the following thing. I know how to appreciate and to enjoy music that is a little bit familiar, but my understanding stops when a very new type of music is performed. I made a conclusion from this experience. My conclusion is that learning about music will increase the pleasure of listening to music, but that musical learning is not, perhaps, as easy as learning subjects like Math or History.
These outstanding live jazz performances are brought by the master of bebop and piano music Thelonious Monk. Monk opens with “Lulu’s Back in Town” in both performances and showcase some of the most popular of his songs; Blue Monk, ‘Round Midnight, Don’t Blame Me, and Epistrophy. Everybody gets a chance to shine on these songs. Every musician is allotted time specifically to perform multiple solo acts, often improvising on the initial theme of the song. Dissonance plays a major role in the performance, especially from Monk on the piano; enough dissonance to make all of the classical composer roll in their graves by a wide margin.
The Los Angeles Philharmonic Classical Music Concert Report. I attended the Los Angeles Philharmonic classical music concert at the Walt Disney Concert Hall on Friday 29 November 2013. The classical concert started at 8:00pm to the enjoyment of the huge audience that had been waiting for this amazing music extravaganza. Classical music concerts always offer magnificent entertainment and the audience in this concert was expectant to derive such entertainment or more. In attendance were Christian Zacharias, who was the conductor, and Martin Chalifour, who was the LA Phil commanding Principal Concertmaster and Bach violin player.
My final winter concert has come and gone quicker than I could have possibly imagined. It was certainly one I will never forget because it was my very first time performing in every band and choir group. It was a very stressful night but having it perfectly planned and having help from many of my fellow performers definitely made me feel a lot more at ease. This concert definitely had it’s ups and downs and there are somethings that I wish went a lot better. However in the end, I did enjoyed performing and gave it a lot of effort.
The serial position effect has been studied extensively for many years. Researchers have designed a variety of different studies in order to analyze and explain both, the primacy and the recency effect. The primacy effect is the tendency for the first items presented in a series of words to be recalled more easily, or to be more influential than those presented at the end of the list. On the other end, there is also the recency effect. The recency effect is the tendency to recall the items located at the end of the list. Many studies have been designed to analyze how the primacy effect works and its accuracy. For instance, research compared the primacy and the recency effect (Jahnke, 1965). Forty-eight college students read lists of 6, 10, and 15 English words in a counterbalanced order. Twenty-four of the students were given instructions for the immediate serial recall of the list; while the other half of students were not aware that they would need to recall words from a list. Both groups received a total of 12 different lists. The words were read at a rate of one word per sec without any emphasis on specific word. In addition to that, the participants’ responses were recorded in an interval of 30 seconds. Results showed that the recency effect is stronger for free serial recall and for a longer interval than primacy effect (Jahnke, 1965). When instructions were given for a serial recall, primacy effects were stronger and recency effect weaker than when instructions were given for free recall. As the length of lists increased, the recency effect became stronger and more accurate.
For this concert report I chose to go to a performance of student composers held at the Kimball Recital Hall. I chose this one because I wanted to see some of the talent that my peers have in the music realm, and also it was one of the only concerts I have been able to attend because I usually work at night. It was impressive to hear pieces composed by students. I cannot imagine creating something as complex as a musical composition, much less actually performing it, so this aspect of the concert was particularly awe-inspiring. There was a large attendance, and I think that much of the audience consisted of friends of the composers and/or performers. I went with three friends, who I convinced by telling it would be interesting to see student composers.
The Latin American music scene is an amazingly diverse, engaging and entertaining music culture. Thomas (2011) explains, “…Latin American music has engaged in ongoing dialogue and cultural exchange that has profoundly affected music making in Europe and the United States and, more recently, in Africa and Asia as well”. This paper will be describing different aspects of the music culture from its musical features, to the historical aspect of this interesting music culture. Also, I will discuss a personal experience with Latin American music. After researching the music culture, I attended a concert performed by Boogat, an Emmy award nominated Latin American musician from Quebec who has toured all over North America. Latin American music culture
Another event packed programming year for the Art Gallery of Regina, 2017/18 included range of exciting, poignant and thought-provoking exhibitions, engaging artist talks and informative workshops. The AGR presented 6 exhibitions in the main gallery and 8 shows in our open access spaces. Exhibitions included both group and solo shows. Two of the main gallery exhibitions focused on contemporary print media; one featuring local artist, the other an international exhibition. other exhibitions featuring the work of local artists: Gordon Lewis, Mike Keepness, Risa Horowitz and Syliva Zieimann included works a range of media: painting, drawing, photography, video and cross-stitch.
There is an event that I just can describe as one of the most unique and memorable in my life: attending my first concert. After years of listening to Ron Pope’s music, watching his YouTube channel, and following all of his social media accounts, the satisfaction of seeing someone whose music has been the soundtrack to my life for so long was unreal. There were moments that I had to internally remind myself that this is, in fact, happening in real life. Being a dedicated (some may say eccentrically so) fan is tough work – and I was rewarded with two hours of pure magic for one night. Attending my first concert was a unique event that I will always remember fondly because of the atmosphere, the amazing performance and the sense of connection