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Literary techniques in wuthering heights
Analysis of female characters in wuthering heights
Criticism of emily bronte
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Catherine in Emily Bronte's Wuthering Heights Bronte intends for the reader's response to Catherine in chapters 9 and 10 to be one of mixed emotions towards this centralised character. Previously she has appeared selfish, spiteful and unaware of the world around her. This is also emphasised with a different side to Catherine. She is here older and appears to be not any wiser. The reader witnesses that her feelings have matured towards Heathcliff and that she is becoming a woman. Catherine has some exceptional qualities. When she confides in Nelly she cares enough to make sure that Heathcliff does not hear her as she asks "where is Heathcliff?" Catherine also admits to being "very unhappy" and this indicates that she isn't sure what to do. She asks for Nelly's advice about the proposal from Edgar and asks "say whether I should have done so." She needs help and advice although she pretends to be sure of herself. This is showed when Nelly asks her "why do you love Edgar." Catherine replies "Nonsense I do - that's sufficient." She is very adamant that she will keep her private reasons to herself and that she doesn't need to explain. This also shows that she is spoilt and thinks that she is always right. When she finally does describe to Nelly what she likes about Edgar she suggest feeble reasons and describes the things around him; "I love the ground under his feet, and the air over his head, and everything he touches, and every word he says." Catherine may be very highly strung but she knows how she feels and she knows deep inside what she is doing is wrong. When asked how she knows she says, "In my soul and in my heart, I'm conv... ... middle of paper ... ...is could be motive to embarrass her and therefore protect her. It could be because she wants to prove to Isabelle how cruel he is. Catherine is thoughtless as Isabelle "struggled from the tight grasp that held her." She is also thoughtless when Heathcliff asks if Isabelle is her brother's heir. Catherine suggests, "half a dozen nephews shall erase her title". This is not the right thing she should have said in front of him. Catherine is not aware of the world around her. She is presented to the reader as a harsh and spiteful character who has a challenge in perceiving things around her. She is unable to realise certain truths that may change her future. The reader at times is also meant to like her because she does try to do what she thinks is best for her and because she is so out of touch she is perceived as naïve.
the good in every person. She makes her future good and she does it on
never be afraid to be who you are is truly inspiring and because she practices what she preaches
Heathcliff cried vehemently, "I cannot live without my life! I cannot live without my soul!" Emily Brontë distorts many common elements in Wuthering Heights to enhance the quality of her book. One of the distortions is Heathcliff's undying love for Catherine Earnshaw. Also, Brontë perverts the vindictive hatred that fills and runs Heathcliff's life after he loses Catherine. Finally, she prolongs death, making it even more distressing and insufferable.
her. Having to go through the hardships of death, new places and family, she knew what
Even though Nelly and Edgar have different perceptions of Catherine’s ways, there may be some truth and valid points to each character’s opinions. Catherine, a defiant woman, has shown dominance for most part of the plot and gets her own way by displaying means of aggression and emotional breakdown. However, there comes a time when Catherine seizes her dominating ways and her mannerism changes and appears docile; which establishes her double standard nature.
Definitive criteria for judging the success or failure of a work of fiction are not easily agreed upon; individuals almost necessarily introduce bias into any such attempt. Only those who affect an exorbitantly refined artistic taste, however, would deny the importance of poignancy in literary pieces. To be sure, writings of dubious and fleeting merit frequently enchant the public, but there is too the occasional author who garners widespread acclaim and whose works remain deeply affecting despite the passage of time. The continued eminence of the fiction of Emily Bronte attests to her placement into such a category of authors: it is a recognition of her propensity to create poignant and, indeed, successful literature.
The setting is the backbone for a novel it sets the tone and gives the reader a mental image of the time and places the story takes place. The Wuthering Heights Estate in Emily Bronte’s novel “Wuthering Heights” is one of the most important settings in the story. Wuthering Heights sets mood for the scenes taken place in the house, and reflects the life of Heathcliff through its description, furniture, windows, gates, and the vegetation.
with Edgar. He shows love of the past by pointing out to her how little
now that I am a mother I understand her ways of parenting and thanks to her many lessons
The famous saying that from a true love to a great hatred is only a
“Wuthering Heights is a strange, inartistic story”(Atlas, WH p. 299). “Wuthering Heights is a strange sort of book” (Douglas, WH p.301). “This is a strange book” (Examiner, WH p.302). “His work [Wuthering Heights] is strangely original” (Britannia, WH p.305). These brief quotes show that early critics of Emily Bronte’s first edition of Wuthering Heights, found the novel baffling in its meaning - they each agreed separately, that no moral existed within the story therefore it was deemed to have no real literary value. The original critical reviews had very little in the way of praise for the unknown author or the novel. The critics begrudgingly acknowledged elements of Wuthering Heights that could be considered strengths – such as, “rugged power” and “unconscious strength” (Atlas, WH p.299), “purposeless power” (Douglas, WH p.301), “evidences of considerable power” (Examiner), “power and originality” (Britannia, WH p.305). Strange and Powerful are two recurring critical interpretations of the novel. The critics did not attempt to provide in depth analysis of the work, simply because they felt that the meaning or moral of the story was either entirely absent or seriously confused.
to take care of a baby because she knew what she was doing and knew
Bronte's Use of Language and Setting in Wuthering Heights Between pages 15 and 18 there are identifiable ways in which 'Bronte' uses 'language and setting' to establish the characters and create a distinguishable atmosphere. In this essay, themes, genres and styles will be discussed to show how 'Bronte' establishes the characters; there will also be a discussion of the 'gothic' elements which Wuthering Heights contains. Many people would argue that the style of 'Wuthering Heights' is peculiar and complex, the power of Wuthering Heights owes much to its complex narrative structure and to the device of having two conventional people relate a very unconventional tale. Bronte importantly introduces the element of 'the supernatural' into chapter 3 which is an important technique as it grips the reader. Lockwood has come into contact with the ghost of Cathy, who died 18 years before, Some might argue that she is a product of Lockwood's imagination, and it is clear that Bronte has presented these facts in this way so that the reader can make up their own mind on the subject.
Narratology divides a ‘narrative into story and narration’. (Cohan et al., 1988, p. 53) The three main figures that contribute a considerable amount of research to this theory are Gerard Genette, Aristotle and Vladimir Propp. This essay will focus on how Emily Bronte’s novel Wuthering Heights can be fully appreciated and understood when the theory is applied to the text. Firstly, I will focus on the components of narration Genette identifies that enhance a reader’s experience of the text. Secondly, I will discuss the three key elements in a plot that Aristotle recognises and apply these to Heathcliff’s character. In the final section I will apply part of the seven ‘spheres of action’, Propp categorises, to Heathcliff’s character. However, not all of Narratology can be applied to a text. This raises the question; does this hinder a readers understanding and/or appreciation of the text? This paper will also address this issue.
...mportant person in my life and I know that she will be always there for me with help, her love, and her care. She’s a wonderful person, she admires the beauty of life, and as a result she is always in a good mood. Now, like my mother, I’m a positive thinker, and I am a creative person who believes life is what you create it to be. I also know if I have to make any big decisions in my life, I can always ask my mom for advice because she has the wisdom and experience. I also know that she will tell me the truth even if it is not something that I want to hear, but she will tell me with kindness and without any judgment. My mother is my role model because she does so much for me; she gives me everything she has just to make my life easier. I love my mother and I am so thankful that she is the way she is. My mother is always there for me and I would do anything for her.