The story of Cathedral, by Raymond Carver, shows that you do not have to see someone or something in order to appreciate them for who or what they are. It is about a husband, the narrator, and his wife who live in a house. The wife, whose name they do not mention, has a very close friend who is blind. His name is Robert. Robert's wife dies, and comes to their house to spend a couple of days with the narrator and his wife. The narrator, whose name they do not mention as well, is always on edge because he does not really know Robert very well and he does not like blind people, but he is being friendly for his wife's sake. The story comes to an end when Robert and the narrator draw a cathedral together using the narrator's hand and helped by Robert.
In the beginning of the story, the author gives you an idea of what type of characters you are working with. He then forms the rising action with conversation among the three characters. The climax is when the blind man, Robert, and the narrator begin to draw the cathedral, which leads up to the resolution of how the narrator becomes changed and learns a valuable lesson, which is the overall theme of the story.
There are many things that make you realize what the theme is in this story. The first thing that brings out the theme is the point of view from which the story is told. The narrator, who is the husband, talks from a first person point of view. Throughout the story, the narrator describes people by their outer appearances. For example, in the beginning of the story he says, "He was no one I knew. And his being blind bothered me. My idea of blindness came from the movies." Then when he first meets the blind man he says, "This blind man, feature this, he was wearing a full bear...
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...im see it in the most important way.
The wife and Robert have a special relationship. He was there for the wife when she got her divorce from her first husband. She constantly boasts and talks about Robert to the narrator and when Robert is at the house she constantly ignores her husband and does not stop saying how good it is to have Robert at their house. At first I thought that the wife was in love with Robert, but I feel that she just appreciates him for the type of person he is and the narrator doesn't appreciate Robert until the end when he learns his lifelong lesson. As you can see this story has a deep meaning. It shows that you do not have to literally see someone to know how beautiful a person truly is. Robert not only teaches the narrator, but he teaches the reader to abide by the very old and famous saying and that is "to never judge a book by its cover".
The story is about a blind man who visits a married couple. He is an old friend of the wife, but the husband does not look forward to see the blind man (called Robert) because he does not know what to expect. He has never known any blind persons and his picture of these is based on a very little foundation. He has a lot of prejudices against Robert, but during his visit he changes his opinion about him. While watching TV together they get each other to know better and the husband finds out that he actually likes his company. They watch a program about cathedrals and while talking about cathedrals, Robert says that he does not even know how a cathedral looks like. The husband tries to explain what a cathedral is and how it is built, but Robert does not understand it. Therefore he suggests that they can draw one together. In that way Robert gets a picture of a cathedral in his mind and even though it is not as good as seeing it with his own eyes, it is good enough to give him an idea of what a cathedral is.
In the short story “Cathedral” by Raymond Carver, the narrator, Bub, is as metaphorically blind as his guest, Robert, is literally blind. Bub has many unwarranted misconceptions about life, blind people in particular. He also has many insecurities that prevent him from getting too close to people. Through his interaction with Robert, Bub is able to open his mind and let go of his self-doubt for a moment and see the world in a different light.
“Cathedral” consists of three individuals. The narrator is the main character, which the story revolves around. The wife of the narrator is the second character, who is the least relevant. The third character is the blind man, named Robert, who is a friend of the wife.
A metamorphosis is an act of change or a transformation from one thing to another. Most associate a metamorphosis with the process in which a caterpillar turns into a beautiful butterfly. However, metamorphoses occur in humans as well. Cathedral is a story of man, the narrator, who experiences a life changing metamorphosis in an unexpected manner. The narrator is first introduced to the reader as an insensitive and ignorant man, and he reveals these characteristics in many ways throughout the majority of the story. However, interaction with a blind man not only exploits the narrator's character flaws, but is ultimately the catalyst for his metamorphosis.
Hence, upon analyzing the story, one can conclude the certain themes that parallel through the pages. Firstly, a theme of unity and trust is present at the end of the play. This is supported by the image of the cathedral, which is a place of unity. Most importantly, the notion of equality among people is the main theme within this story. The narrator starts as a biased, idiot, who dislikes all people that are not like himself. He even at times is rude to his wife. Ironically, it takes a blind man to change the man that can literally see, to rule out the prejudices and to teach him that all men are created equal.
The narrator in Raymond Carver’s "Cathedral" is not a particularly sensitive man. I might describe him as self-centered, superficial, and egotistical. And while his actions certainly speak to these points, it is his misunderstanding of the people and the relationships presented to him in this story which show most clearly his tragic flaw: while Robert is physically blind, it is the narrator who cannot clearly see the world around him.
From the beginning of his tale, the husband is quite bland on the subject of love. This is present when he tells the part about his wife's first husband, even going as far as to say the man doesn't deserve to be named because "he was the childhood sweetheart, and what more does he want" (348). When he tells of Beulah, Robert's wife, and her tragic death, he shows no compassion in mocking her for marrying a blind man. He even asks if the woman was a "Negro" because of her name. His materialistic views shine through when he feels actually pity for her because she could "never see herself as she was seen in the eyes of her loved one" (349). His lack of compassion for the tale of the blind man's marriage tells the reader that maybe the husband himself doesn't believe in love. When he refers to his wife's first husband as "this man who'd first enjoyed her favors" and "shrugs" when he thinks his wife is disappointed in his actions, it informs the reader he may look at relationships, even his own, as more of a business deal than a devotion of love (348, 350). His wry humor is major indication of his sarcastic character. He even makes a crack to his wife about the blind man befo...
By becoming close with Robert, the man in this story experienced what was necessary to gain an understanding of what life is like for the blind. The man began to draw the cathedral to try and help Robert visualize what one looked like. What he didn't realize at the time was that Robert was helping him to visualize what blindness felt like. Bibliography: Carver, Raymond. "Cathedral".
Raymond Carver's "Cathedral" depicted the interaction between a narrow minded husband, with a limited understanding of the world around him, and a blind visitor, named Robert, that proved to be the catalyst that dramatically changed the husband's view on the world, while they went from being strangers to becoming friends. In the beginning of the story, the husband disliked the concept of his wife bringing her blind friend over to stay since he never had met a blind person before and did not understand it. However, as the story progresses, the husband, through interaction and observation, begins to dispel his fears and misconceptions of Robert and his blindness. With the help of Robert, the husband gains a revelation that changed his view and opened his eyes to the world.
As the story progresses, the husband’s attitude towards Robert changes. During dinner, he “watched with admiration as [Robert] used his knife and fork” (366) on a piece of meat. As bedtime draws near, his wife heads upstairs, leaving both men alone. The husband begins to flip through channels and comes across a program about a cathedral. Robert is unaware of what a cathedral is and the husband is attempts to explain, but has a hard time in doing so. To get a better understanding, Robert suggests that he draws a cathedral while he places his hands on top of those of the husband.
The narrator, his wife, and the blind man spend the evening talking, but eventually the wife falls asleep. The narrator is uncomfortable about being left alone with a blind man. There is something about cathedrals on TV and the blind man asks the narrator to describe what a cathedral looks like. The narrator only describes physical things and so the blind man decides that they should try drawing one instead. As they draw the blind man and the narrator connect and a transformation in the narrator?s character takes place.
Overall, the cathedral that the narrator draws with Robert represents true sight, the ability to see beyond the surface to the true meaning that lies within. The husband’s insecurities makes him emotionally blind. His inability to see past Robert’s disability ultimately prevents him from seeing the reality of any relationship or person in the story. The husband becomes more sensitive and accepts the moment of being blind has allowed him to become a better man. Finally, the cathedral drawing ironically reveals blindness to be an important factor. As a result, Carver gives interesting lessons to powerfully assess how we can find beauty and free ourselves from prejudgments and see the real world with our minds, not only our eyes.
To begin with, the narrator husband name is John, who shows male dominance early in the story as he picked the house they stayed in and the room he kept his wife in, even though his wife felt uneasy about the house. He is also her doctor and orders her to do nothing but rest; thinking she is just fine. John is the antagonist because he is trying to control
The husband in Raymond Carvers “Cathedral” wasn’t enthusiastic about his wife’s old friend, whom was a blind man coming over to spend the night with them. His wife had kept in touch with the blind man since she worked for him in Seattle years ago. He didn’t know the blind man; he only heard tapes and stories about him. The man being blind bothered him, “My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed. Sometimes they were led by seeing-eye dogs. A blind man in my house was not something I looked forward to. (Carver 137)” The husband doesn’t suspect his ideas of blind people to be anything else. The husband is already judging what the blind man will be like without even getting to actually know him. It seems he has judged too soon as his ideas of the blind man change and he gets a better understanding of not only the blind man, but his self as well.
...h it emotionally detached without the pleasure of living. In the end, when the narrator has his eyes closed drawing the cathedral, he is the most open he has even been to the world. The narrator’s limited point of view in the story was crucial in showing the reader that what will hold you back the most in life are your biases and judgments. If the story was told in Robert’s point of view, it would have been a joyful story about visiting a long time friend, even with the tragedy of his wife’s death. We would have never known of the prejudices that were held inside the husband, and no true theme would have come from the story. The limited point of view was used in a way that expanded upon the theme even more, and made for a stronger story structure.