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Holden s adulthood experience
Holden dealing with change
Holden s adulthood experience
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Powerless Holden
In The Catcher in the Rye, Holden views the world as an evil and corrupt place where there is no peace. This perception of the world does not change significantly through the novel. However, as the novel progresses, Holden gradually comes to the realization that he is powerless to change this.
During the short period of Holden's life covered in this book, "Holden does succeed in making us perceive that the world is crazy”1. Shortly after Holden leaves Pencey Prep, he checks in to the Edmont Hotel. This is where Holden's turmoil begins. Holden spends the following evening in this hotel which was "full of perverts and morons. [There were] screwballs all over the place."2. His situation only deteriorates from this point, as the more he looks around the world, the more depressing life seems.
Around every corner Holden sees evil. He looks out on a world which appears completely immoral and unscrupulous. The three days that the novel covers place a distressed Holden in the vicinity of Manhattan. The city is decked with decorations and holiday splendor, yet, much to Holden's despair "seldom yields any occasions of peace, charity or even genuine merriment."3. Holden is surrounded by what he views as drunks, perverts, morons and screwballs. These convictions that Holden hold waver very momentarily during one particular scene in the book. The scene is with Mr. Antolini. After Mr. Antolini patted Holden on the head while he was sleeping, Holden jumped up and ran out thinking that Mr. Antolini was a pervert as well. This is the only time during the novel where Holden thinks twice about considering someone a pervert. After reviewing Mr. Antolini, Holden finally concludes that maybe he was not making a "flitty" pass at him. He wonders if he just like patting guys heads as they sleep. This is the only time in the novel where Holden actually considers a positive side to something. However, this event does not constitute a significant change. As Holden himself says, "It's not too bad when the sun's out, but the sun only comes out when it feels like coming out."4. The sun, of course, is a reference to decency through the common association of light and goodness. His perception of the world remains the same.
The one conviction that does change during the novel is Holden's belief that he can change the world.
Holden's idealism is first brought forth when he describes his life at Pency Prep. It is full of phonies, morons and bastards. His roommate, Stradlater, " was at least a pretty friendly guy, It was partly a phony kind of friendly..." (26) and his other roommate, Ackley is "a very nosy bastard" (33). Holden can't stand to be around either one of them for a very long time. Later, he gets into a fight with Stradlater over his date with Jane. Holden is upset because he thinks that Stradlater "gave her the time" and that he doesn't care about her; 'the reason he didn't care was because he was a goddam stupid moron. All morons hate it when you call them a moron' (44). Holden not only sees his roommates as phonies and bastards, but he also sees his headmaster at Pency Prep as a "phony slob" (3). This type of person is exactly what Holden doesn't want to be. He strives to be a mature adult; caring, compassionate, and sensitive.
Holden Caulfield, portrayed in the J.D. Salinger novel Catcher in the Rye as an adolescent struggling to find his own identity, possesses many characteristics that easily link him to the typical teenager living today. The fact that the book was written many years ago clearly exemplifies the timeless nature of this work. Holden's actions are those that any teenager can clearly relate with. The desire for independence, the sexually related encounters, and the questioning of ones religion are issues that almost all teens have had or will have to deal with in their adolescent years. The novel and its main character's experiences can easily be related to and will forever link Holden with every member of society, because everyone in the world was or will be a teen sometime in their life.
Holden is driven crazy by phoniness, an idea under which he lumps insincerity, snobbery, injustice, callousness, and a lot more. He is a prodigious worrier, and someone who is moved to pity quite often. Behrman wrote: "Grown men sometimes find the emblazoned obscenities of life too much for them, and leave this world indecorously, so the fact that a 16-year old boy is overwhelmed should not be surprising" (71). Holden is also labeled as curious and compassionate, a true moral idealist whose attitude comes from an intense hatred of hypocrisy. The novel opens in a doctor's office, where Holden is recuperating from physical illness and a mental breakdown.
Krakauer describes McCandless as a modest person who respects the people on his journey to find himself out in the nature. While working for Wayne Westerberg, he develops a deep friendship with Westerberg’s including his mother and girlfriend Borah. Krakauer brings up Borah’s opinion about McCandless, “Sometimes he’d have me over to Wayne’s place and fix supper for everybody. Cooked a lot of rice. You’d think he would of got tired of it, but he never did” (Krakauer 63). As an
The protagonist, Holden Caulfield, interacts with many people throughout J.D. Salinger's novel The Catcher in the Rye, but probably none have as much impact on him as certain members of his immediate family. The ways Holden acts around or reacts to the various members of his family give the reader a direct view of Holden's philosophy surrounding each member.
Which is the kind of world he wants to live in. Holden expresses his desire to preserve the innocence of others when his sister Phoebe tells Holden that he doesn't like anything, and that he has no ambitions of what he wants to be when he is older. Holden then explains that he wants to be the catcher in the rye. He says that he imagines little children playing on top of a hill and that his job is to protect children from falling of the hill. This symbolizes catching children from losing their innocence and falling into the adult world. Holden tells Phoebe, “I know it crazy, but that is the only thing I’d like to be” (172). This unrealistic desire is contributes to why Holden is struggling to transition from adolescence to adulthood. Critics of the novel have said Holden would like to suspend time stating, “Holden's desire to protect children shows his desire for suspending time, for inhabiting a space of young people conserved endlessly” (Yahya 3). Not letting go of childhood memories or accepting the harsh realities of adulthood are damaging when transitioning from
This explains his obsession with innocence and childhood which are destroyed by the waves of change. He expresses this with his description of his favorite part about the museum. “The best thing, though, in that museum was that everything always stayed right where it was. Nobody’d move. . . . Nobody’d be different. The only thing that would be different would be you” (Salinger 121). Here Holden uses the word “you” to make it seem as if he does not change, everyone else does. Holden idealizes this stagnant scene in which everything remains constant. He enjoys this simplified view of the world because life transform into a stable concept instead of the hurricane of disaster he has witnessed with both people’s corruptness and losing his brother. His inability to change perhaps is also linked with his depression from his younger brother’s demise- the inescapable whisper that whistles through his mind. Holden views all of
The Four Seasons composed by Vivaldi was one of the earliest examples of program music and was also the most famous of all his concertos. Vivaldi wanted to depict the various seasons in the four concerti in Italian. When you listen to the Four Season, you feel as though he has created a whole another atmosphere with its own feelings. He seems to have used only the four major instruments that are usually present in an orchestra, which are the violin, viola, cello and bass, to depict this atmosphere effortlessly.
Chekhov was born in Taganrog, Russia in 1860 to a woman named Yevgeniya and a man named Pavel. His father, who shares the name of the bishop, is described as being “severe” and sometimes went as far as to chastise Chekhov and his siblings (Letters
The body of civil law that once governed the Roman people, the Digest of Justinian, states in article 22.3.2, Ei incumbit probatio qui dicit, non qui negat. The burden of proof lies upon him who affirms, not him who denies. This presumption of innocence, the idea that all men are innocent until proven guilty, lies at the heart of all court systems on our holy earth. If not for this principle, any manner of blind accusations could be made, all of which would hold equal merit. The very situation has arisen here in Salem. The cry of witchcraft has explained a many number of misfortunes that have befallen on a many number of people.
I classify my race, ethnicity, and culture as a white, Irish-Italian- American, woman. My mother was born in Belfast, Northern Ireland and my paternal grandparents are from Sicily, Italy. I imagine being first generation Irish and second generation Italian helps me relate with my ethnicity.
It seems as though Pyotr and Alexeich both represent different aspects of Chekhov’s father, and Chekhov himself is Anna. Chekov’s father was aloof from his family and came from a lower class background; like Modest Alexeich, Chekhov’s father also fawned at the feet of his social superiors. Chekhov, in contrast, was an unconventional boy. He eventually broke from his family’s lower class position and became a doctor; however, throughout his school and career he performed additional odd jobs to earn money he could send to his father. Also like Anna, Chekhov loved to be with people (Payne xiii, xvii-xxi). Comparing the two, then, it would seem as if Chekhov identifies with Anna as she struggles to find her social identity and wrestles with her desires and the needs of those she loves. This tone gives the story a melancholy mood and leads to a bittersweet conclusion. The ending seems happy for Anna, yet the reader is left to wonder what the ending represents. Did her father and husband receive the dues for their behavior? Are Anna’s actions a normal product of the transformation from youth to adulthood, or did she come to completely discard respect and
“History followed different courses for different peoples because of differences among peoples ' environments, not because of biological differences among peoples themselves” (Jared Diamond). In the book Guns Germs and Steel he accounted a conversation with Yali, a New Guinean politician that had asked “Why is it that you white people developed so much cargo and brought it to New Guinea, but we black people had little cargo of our own?”. Diamond tries to answer this by describing the difference in use of government throughout history by bands, tribes, chiefdoms, and states.
Antonio Vivaldi was born on March 4, 1678, in Venice, Italy, in a time period called the Baroque era, which is between Renaissance and Classical eras. You can imagine Baroque as a memorable era, where people embraced their romance of music and arts. If you had visited Venice at Baroque time, you would have found yourself surrounded with thriving music. Musical institutions, orchestras, and concerti flourished everywhere. Music pieces from Baroque are not as “religious” as those of Renaissance, but are not as hued as those of Classical. You probably would recognize Vivaldi’s most famous concerto – “Four Seasons”. This piece is usually played in documentaries, movies, or in an authentic café. “Four Seasons” consists of four parts, which are “Spring,” “Summer,” “Autumn,” and “Winter.” Each part pairs with a sonnet (poem), which reflects different stories. The best way to listen to these concerti, if you are not able to attend a live concert, is to use your headphone, which enables you to concentrate and read what Vivaldi was trying to tell.
“…..Thy brother is come; and thy father hath killed the fatted calf…….And he was angry.” So the older son wasn’t as forgiving as the dad was. He was mad that the son took all his money and spent it then came back to the house just to get a party thrown for him. We can learn from this guy and what we can learn is that we can be more forgiving to those who we think that they don’t deserve what they have like the other son got a party that he might not have deserved. We can learn that no matter what when we don’t forgive that we won’t be thankful for things like a son coming back home but when you do forgive thinks start to make life more happy and uplifting. If I was the older son I would have forgiven him and be happy for the good food at the party. It makes thinks in life to forgive and not hold a grudge then to hold a grudge and not