Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Narratives of heroic deeds
Narratives about heroes
Hero narratives
Don’t take our word for it - see why 10 million students trust us with their essay needs.
It is human nature we seek a figure who guides, protects and teaches us. Such mentor, immensely influences who we become as people and with luck create a bond that can endure all adversities. Using color variation and character perspective, Cat in the Hat and Alice in Wonderland demonstrate that the mentor-hero relationship influences the quest and ultimately determines the relative aggrandizement of the hero.
Due to Alice’s positive perspective of her mentor, she is able to grow from her journey through Wonderland and ultimately find herself by facing the obstacles she once ran away from. In the beginning of the film, we are presented to a very insecure Alice, “unsure of herself, unsure of her future, unsure of anything in that moment” who
…show more content…
states “I can’t even kill a gnat “(Alice DVD). When she enters Wonderland, her insecurity grows and often claims “you’ve got the wrong Alice” (Alice DVD).
Alice’s shift begins as the hero puts herself in danger in order to save her mentor which unconsciously leads her to finding herself. Due to value she has for the Mad Hatter, she goes to the Red Queen’s castle in order to free him, adventure in which she comes to realize she is braver than she once thought. She gains more confidence after Absolem credits her bravery by saying “but you're much more her now. In fact, you're almost Alice.” (Alice DVD). In her battle against the Jabberwocky, it is by the Mad Hatters words to which Alice has the confidence to face the monster. Her mentor’s words trigger a memory of her father who states how “the only way to achieve the impossible is to believe it is possible”, aiding her to believe her impossible triumph can become a reality. The Mad Hatter’s support establishes their strong bond as even when half of Wonderland questions she is “the right Alice”, he remains confident in the hero, not only strengthening their relationship but a courage she will use even when she returns to London. Her epitome arrives as Alice finally accepts she is the “right Alice” and will begin to make her “own path” (Alice …show more content…
DVD). As the Mad Hatter not only accepts but encourages Alice, she decides it is time she runs her own life. After her victory against the Jabberwocky, Alice is offered the possibility of staying in Wonderland, which she neglects after stating there are “questions I have to answer, things I have to do”. The knowledge and courage Alice finds in her journey was brought upon her strong relationship with her mentor. Sally and her brother share a weak connection to their mentor, which results in a failure to grow or gain from their journey. Due to the Cat creating a negative perspective for the children, Sally and her brother neglect any aggrandizement they could have gained from the visit of the Cat. The Cat’s selfish personality prevents him from creating a strong relationship with the children. He often acts without the consent of the family and likes to be the center of attention. The Cat demands such attention to himself by often saying “look at me! Look at me! Look at me now!” (Geisel print). Sally and her brother’s fish also influences their ability to trust the Cat as he constantly asks him to leave, “ no! no! Make the Cat go away!” (Geisel print) . The Cat creates mayhem in the kid’s house, forcing them to grow negative feelings towards their mentor rather than establishing a bond. Sally’s brother states “ I do not like the way they play! If mother would see this, oh what would she say!” after the Cat introduces Thing 1 and 2, increasing the already present tension they have towards their mentor. As the Cat brings disorder, the children begin to worry their mentor will bring them trouble rather than fun. This worry grows to the point the children take action into making their mentor leave, “ Now you do as I say. Pack up those things, and you take them away!” (Geisel print). The mentor in Cat in the Hat brings the kids disorder with his games, creating a sense of despair rather than forming the expected mentor-hero relationship. Color variation triggers a sense of development by establishing the changes in the characters relationship to their mentor.
“Colors can convey and have an effect on emotions in a very subtle way but also in an uncontrolled or significant manner” (Wells, web), a tool which both Dr. Seuss and Tim Burton seeked in order to capture their audience . Cat in the Hat illustrates a non-variating palate of red, white, black and blue, which alludes to no evolution of Sally and her brother. In the book, red merely highlights important objects to the book rather than creating positive or negative feelings of the characters. “Red is often power or aggression” (Olesen web) or in this case “to call attention” (Morton web) to certain objects, hence the Cat. As the rest of the palate remains constant throughout the entire book, the audience perceives no development. The great variety of colors in Alice in Wonderland helps the reader identify the type of relationship Alice has with the other characters, whether positive or negative. A clear separation between good and evil, or as in this case, red and white, helps the audience gain a sense of security or danger. Tim burton uses red “to evoke an emotional response while creating an atmosphere” (Olesen web).The color variation also present the journey Alice goes through and the ideals changed . The constant use of blue by the end of the film (the ocean, her coat, the blue butterfly) help the reader sense a new atmosphere filled with “peace,
tranquility, stability, confidence, security” ( Rohrer web). With the aid of character perspective and color variation, the film Alice in Wonderland and Cat in the Hat demonstrate the relationship a hero develops with their mentor determines the lesson the hero is able to obtain at the end of their journey. Whether positive or negative, mentors continue to shape the hero as they form a major source of support or negativity.
“Love goes by haps; Some Cupid kills with arrows, some with traps” (Shakespeare pg. 45). One of Shakespeare’s most famous plays is Much Ado About Nothing and it specifically shows the tragic flaws of each and every character throughout the story. One character that will be mainly focused on that’s the most tragically flawed, is Claudio because he’s passionate about his love for Hero and how he’s easily manipulated.
I am reading The Lost Hero by Rick Riordan, and I am on page 302. This portion of the novel is about three newfound half-bloods named Jason, Piper, and Leo. This novel starts off with Jason waking up on a bus, not knowing who he is. Apparently his best friend is a guy named Leo, and he has a girlfriend named Piper. They’re all apart of the same boarding school for troubled kids. They arrive at the grand canyon, when one of their thought to be classmates turns into a storm spirit and tries to kill them, because they are half-bloods. At the time they do not know that they are. Their coach, also known as their Teacher, is actually a Satyr that tries to defend the kids. Jason eliminates the storm spirits with his golden sword, even though he was
Alice has many arguments because many of the creatures in Wonderland think of her as silly. She has to stand up for herself which helps her to mature and progress through Wonderland. When she stands up for herself against someone who is really important like the Queen of Hearts, she awakens back into the real world. This represents that she has overcome her challenge.
Alice’s failure to understand the “native” culture, and her insistence on imposing her own norms and values ultimately culminates in a life-threatening situation.” (Binova “Underground Alice:” the politics of wonderland). Alice is the colonised in the situation with the Queen of Hearts. When she is introduced to the Queen her evil nature is revealed as she orders “Off with her head!” (Carroll 96). However, she is contrasted to Alice’s good nature while she shouts “Nonsense!” ( Carrol 96). The theme of chaos and confusion is brought forward as they play croquet all at once with noises all around and even in the court where everyone is expected to be civil. Although the Queen, as a character reinforces adulthood, subversion emerges again by Alice standing up for herself at this time. Nearing the end of her dream, she stands up against the Queen at court but it dream ends without a resolution. Maria Lassen-Seger says in ( “Subversion of Authority”: In “Alice’s Adventures of Wonderland”), “the relationship between the child and the adult is an impossible power relation in which the child is marginalised and considered powerless, thus, the adults suggest in their books what a child ought to be, what values and images it should accept.” The Queen at this point in the dream would have been the
Alice in Wonderland starts when Alice “sees” a rabbit exclaiming it was going to be late. When Alice starts dreaming about the Wonderland it may have been a little strange, but she ends up realizing that it helps with her problems in the real world.
Alice in Wonderland is a Disney film that is different from all the others. It was released in 1951, similar to Cinderella, and helped the world get over the war. It is the 13th film in the Walt Disney Animated Classics series and is one of Mr. Disney’s favorites. Alice is a bit younger than most female Disney characters, about seven or eight. Most of the other Disney movie’s offer a world where the character had no control on what was in it, however Alice gets to live in her own Wonderland. She is a very adventurous child and wants to discover what is around her, testing her imagination. Alice learns many lessons and values that most young children should learn and use in their own lives. Most of the Disney movies have many valuable lessons that can be related to everyday life.
To start Alice always felt that she was different, but realized it when she met the Mad Hatter. For instance, when he told her that there was no room at the table she sat anyway, she felt that she was very unwanted. Alice also feels that she is very different when the Mad Hatter refers to time as a person and not as a thing. When Alice was with the Mad Hatter she questioned his actions, but mostly when he stuffed a door mouse into a teapot. When the Mad Hatter had stuffed the mouse into the teapot is when Alice really started to questioning how people were acting in Wonderland. Therefore when Alice is with the Mad Hatter she feels like she is different from everyone else, along with when she is with the caterpillar and the pigeon.
The Hero’s Journey is a pattern of narrative that appears in novels, storytelling, myth, and religious ritual. It was first identified by the American scholar Joseph Campbell in his book A Hero with Thousand Faces. Campbell also discussed this pattern in his interview to Bill Moyers which was later published as a book The Power of Myths. This pattern describes the typical adventure of the archetype known as The Hero, the person who goes out and achieves great deeds. Campbell detailed many stages in the Hero’s Journey, but he also summarized the pattern in three fundamental phases: Separation, Ordeal, and Return that all heroes, in spite of their sex, age, culture, or religion, have to overcome in order to reach the goal. Alice in Wonderland, written by Lewis Carroll, provides a good example of the Hero's Journey. This story describes the adventures of Alice, a young English girl, in Wonderland. Although she lacks some of the stages identified by Campbell, she still possesses many of them that are necessary for a Hero to be considered a Hero.
Alice’s Adventures in Wonderland is a story about a little girl who comes into contact with unpredictable, illogical, basically mad world of Wonderland by following the White Rabbit into a huge rabbit – hole. Everything she experiences there challenges her perception and questions common sense. This extraordinary world is inhabited with peculiar, mystical and anthropomorphic creatures that constantly assault Alice which makes her to question her fundamental beliefs and suffer an identity crisis. Nevertheless, as she woke up from “such a curious dream” she could not help but think “as well she might, what a wonderful dream it had been ”.
The title character, Alice, is a young girl around pre-teen age. In the real world, the adult characters always look down on her because of her complete nonsense. She is considered the average everyday immature child, but when she is placed in the world of "Wonderland," the roles seem to switch. The adult characters within Wonderland are full of the nonsense and Alice is now the mature person. Thus creating the theme of growing up'. "...Alice, along with every other little girl is on an inevitable progress toward adulthood herself"(Heydt 62).
The gender roles change from the original to the remake. The original Alice role is defined as a young girl who is able to explore her curiosity, but she is constrained by her feminine characteristics. Alice being a young girl is portrayed as helpless in many situations throughout her journey. The characters of Wonderland offer her assistance, but she remains most times crying by herself. Alice’s character clearly shows the innocence and virtue American society attached to girls roles in the
Although the novel is notorious for its satire and parodies, Alice’s Adventures in Wonderland main theme is the transition between childhood and adulthood. Moreover, Alice’s adventures illustrate the perplexing struggle between child and adult mentalities as she explores the curious world of development know as Wonderland. From the beginning in the hallway of doors, Alice stands at an awkward disposition. The hallway contains dozens of doors that are all locked. Alice’s pre-adolescent stage parallels with her position in the hallway. Alice’s position in the hallway represents that she is at a stage stuck between being a child and a young woman. She posses a small golden key to ...
Lewis Carroll’s Alice in Wonderland follows the story of young Alice trapped in the world of Wonderland after falling down through a rabbit-hole. The rabbit-hole which is filled with bookshelves, maps, and other objects foreshadows the set of rules, the ones Alice is normally accustomed to, will be defied in Wonderland. This conflict between her world and Wonderland becomes evident shortly after her arrival as evinced by chaos in “Pool of Tears” and Alice brings up the main theme of the book “was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I am not the same, the next question is who am I?” (Carroll 18). After Alice fails to resolve her identity crisis using her friends, Alice says “Who am I, then? Tell me that first, and then, if I like being that person, I’ll come up: if not, I’ll stay down here til I’m somebody else” (Carroll 19). Hence in the beginning, Alice is showing her dependency on others to define her identity. Nevertheless when her name is called as a witness in chapter 12, Alice replies “HERE!” without any signs of hesitation (Carroll 103). Close examination of the plot in Alice in Wonderland reveals that experiential learning involving sizes leads Alice to think logically and rationally. Alice then attempts to explore Wonderland analytically and becomes more independent as the outcome. With these qualities, Alice resolves her identity crisis by recognizing Wonderland is nothing but a dream created by her mind.
Carroll is unwilling to accept the fact that Alice is growing up and that their friendship is coming to an end. In Alice in Wonderland, Alice is portrayed as a child in need of help, much like how Alice needed Carroll. However in Through the Looking Glass, Alice is portrayed as older and independent. This is because Carroll sees Alice as years older than when he first wrote about her, despite her only being six months older in the book. Carroll in reminiscing on the way Alice used to spend time with him and he misses that friendship. His dependency on Alice is shown at the end of the White Knight’s scene through the White Knight’s insistence that she sees him off. The White Knight bringing Alice to the final brook to become a queen is Carroll’s way of showing that he needs to let Alice go in order for her to grow
...inal realization that she is growing up and that is normal, therefore, she accepts it. In brief, Alice in Wonderland is a book about growing up, and Alice definitely has grown up since the beginning of her journey and she has entered the adolescence phase when she rebels against everyone. Although she is not able to control herself when she gets angry, in other words she is behaving like a normal adolescent, she has gained a new “power” from this confusing experience: being a person with a voice to say something that matters.