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War in casablanca film essay
War in casablanca film essay
War and romance in the movie casablanca
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When anyone thinks of vintage Hollywood films, Casablanca is definitely in the minds of most people. It has been hailed as one of the greatest movies of all time, receiving three academy awards. Even though it was made in 1942, it is still watched by many movie fanatics because of its wide appeal to critic and viewer alike. Casablanca is a movie everyone should watch because it is full of great acting and a well written plot full of romantic drama and moral redemption.
Casablanca is set in Morocco during WWII, where refugees from Europe are fleeing away from German occupation. The main protagonist is Rick Blaine, a cynical American nightclub owner hiding from the Germans. Before he came to Casablanca, he intended to leave Paris with his beautiful
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Humphrey Bogart plays the cynical and distant Rick Blaine, whose personality can be summarized by his quote: “I stick my neck out for nobody.” Despite this, Rick is capable of having a softer, more human side. The scene where Rick helps the young Bulgarian couple win at roulette shows he still has the ability to sympathize, a stark contrast to the cold exterior he chooses to display. Ilsa Lund, played by Ingrid Bergman, is the beautiful former love interest of Rick. She is a conflicted character who is torn between her love for Victor and Rick. However, she has an inner strength and will do anything to achieve her goals. In the movie, she points a gun at Rick and threatens to kill him if he does not give the letters of transit. This shows her conviction and support for her husband, Victor Laszlo. Laszlo is played by Paul Henreid, a rebel fighting for a noble cause. The scene where Laszlo encourages the people in Rick’s bar to sing “La Marseillaise” exemplifies his defiant nature. Captain Louis Renault, played by Claude Rains, is the comedic relief of the movie. He is a man who appears moral, but in reality is driven by pleasure and opportunity. For example, he attempts to take advantage of pretty refugees in exchange for visa papers and also receives regular winnings from the club he is ordered to close …show more content…
The thing that is great about the characters in the story according to Roger Ebert, is that “some are cynical, some lie, some kill, but all are redeemed.” Casablanca appeals to what most audiences want in a story: to do the right thing. Throughout the movie, the characters realize what must be done, and that is something the writers did well to develop. In the end they showed this by having Rick, Ilsa, and Renault all choose to help Victor and the resistance. Roger Ebert also applauds the development of Rick from an apathetic individual to a noble and selfless man. Primarily, this part of the story pleases viewers because it makes the viewers admire Rick’s sacrifice and “to warm in the glow of his heroism.” Even Renault, an opportunist, chooses not to arrest Rick, instead deciding to “round up the usual suspects.” As a result, Roger Ebert gave Casablanca a perfect rating because the story develops the characters toward redemption and
The owner went on to explain that Rick Hoffman, who plays Louis Litt, tried to pick up women, but it didn't go as planned for him. He was telling the women that he was Louis Litt on Suits, but
The film Casablanca centers on an American man by the name of Rick Blaine who flees a German-occupied France during World War II to a city in Morocco by the name of Casablanca. (Casablanca, 1942) This city is a territory of France at the time and is out of full German jurisdiction due to this status. (Casablanca, 1942) Many citizens of German-occupied countries in Europe sought refuge here due to the lack of control Germany had on other countries’ territories early in the war. The general intent of refugees in Casablanca was to flee to even further countries such as The United States of America, which they could not achieve in their home, occupied countries. As the film’s plot develops, the viewer is introduced to refugees very important to the freedom-fighting movement France, and we learn that Rick originated in New York, U.S.A.
It is 1957 and the Algerian war is at its prime as the FLN fight against an elite troop of ruthless French paratroopers. The Battle of Algiers is a portion of the Algerian war which was fought in order for Algeria to gain independence from France. The film starts off with the torturing of an old man to gain information on where the last of the freedom fighters, Ali Pointe is hiding. A large segment of the film is shot in flashbacks focusing on the past of Ali Pointe. Pointe was a ruffian with theft and drugs on his record; he joined the militants to assist in getting rid of the problems in Algeria associated with the French. With the flashbacks the film tells the struggles of the insurgents and the persistence of the French to end the war. It shows the transformation of the insurgency into a full out revolution. When the flashbacks ends and it is now present time Ali Pointe, along with the rest of the FLN leaders captured are beheaded. Through this, the FLN reciprocate and the insurgency becomes a full on national revolution with growth in numbers and support. The film ends with Algeria gaining the independence it strived for in 1962. The film is important in understanding asymmetric conflicts because despite being the weaker side, Algeria had proved itself to be much stronger than the French and had its newfound independence to show for it.
In the film Casablanca, directed by Michael Curtiz, a clear juxtaposition exists between Rick and America. Despite Rick’s numerous similarities to America and his deep longing to be part of the country, a physical and psychological barrier separates the two. With America practically being on the opposite end of the world, Rick understands that he cannot abandon his responsibility to aid and influence others in Casablanca. Rick is willing to sacrifice his personal comfort and well-being for the greater good of society. This juxtaposition between America and Rick foreshadows that the United States would soon become involved in the war by overtly displaying Rick’s transformation when he confronts his troubled past.
In the essay “Beautiful Friendship: Masculinity & Nationalism in Casablanca”, Peter Kunze lavishly explains the magnificence of Michael Curtiz’s 1942 film Casablanca. Kunze focuses on how the movie not only highlights an exchange of relationships, but how the film has an underlying meaning between these relationships. He also implies that there is a more complex meaning behind every character in regards to their gender, economic, and social roles. The overall thesis of his reading is “the patriarchal ideology underlying the narrative commodifies Ilsa, leading Rick to exchange her with other men in an act of friendship and solidarity as well as to dissuade any perception of queerness between the strong male friendships in the narrative” (Kunze
“There once was a time in this business when I had the eyes of the whole world! But that wasn't good enough for them, oh no! They had to have the ears of the whole world too. So they opened their big mouths and out came talk. Talk! TALK!” (Sunset Boulevard). The film Sunset Boulevard directed by Billy Wilder focuses on a struggling screen writer who is hired to rewrite a silent film star’s script leading to a dysfunctional and fatal relationship. Sunset Boulevard is heavily influenced by the history of cinema starting from the 1930s to 1950 when the film was released.
The film Casablanca, indeed, involves problems that Rick faced and he finally solved that problem, ending in a satisfying way. Risk’s equilibrium is disrupted when he is going to leave Paris with his girl friend Ilsa because Ilsa doesn’t showed up at last. Risk becomes a boss of a cafe in Casablanca but he never imagines that he would encounter Ilsa again. Ilsa walks into Risk’s life again by accident when she is planing to get a letter of transit in Casablanca in order to escape to America with her husband. At the same time, Nazi Major Strasser arrives in Casablanca and tries to stop Ilsa’s husband from leaving Casablanca. Risk’s equlibrium is disrupted again. Risk still loves and hates Ilsa, and moreover, he gets the letter of transit. Even though Risk wanted to stay with Ilsa and let her husband go to America alone, Risk finally let Ilsa and her husband go and killed the Nazi Major Strasser. That is a satisfying ending.
Robert B. Ray categorizes Casablanca as "the most typical" American film. Ray uses Casablanca as a tutor text for what he calls the formal paradigm of Classical Hollywood as well as the thematic paradigm that addresses the conflict between isolationism and communitarian participation. The film is typical in its appropriation of an official hero Laszlo, who stands for the civilizing values of home and community, and an outlaw hero Rick, who stands for individu...
...o survive and flee the inevitable evil. With World War II raging, viewers in the United States could feel the fear and anxieties as well as compassion for the characters. Although some movies can be rewritten to obtain a better effect over the viewers, Casablanca cannot be redone. The mere fact that the evil of the day was a reality of the time prevents this movie from ever having the same effect on the audience.
...t it is clearly obvious what is about to happen using an establishing shot. Casablanca also uses camera angle specifically portraying Captain Renault and Strasser as less powerful people in the office scene. Editing allows for smooth transitions between shots and allows for us as viewers to experience the scene like we are seeing through the characters eyes. Lighting provides us a mood of the scene, specifically when Rick first sees Ilsa for the first time since Paris. The Music plays a role in how we as audiences should feel while watching the movie. And without production design movies would not flow correctly. Every setting is specifically chosen to depict the location where the scene takes place. Casablanca is a quintessential film because it ties up all the formal elements of classical Hollywood. Without this movie Hollywood may be a completely different place.
Sex, love, depression, guilt, trust, all are topics presented in this remarkably well written and performed drama. The Flick, a 2014 Pulitzer Prize winning drama by Annie Baker, serves to provide a social commentary which will leave the audience deep in thought well after the curtain closes. Emporia State Universities Production of this masterpiece was a masterpiece in itself, from the stunningly genuine portrayal of the characters of Avery and Rose, to the realism found within the set, every aspect of the production was superb.
One characteristic that almost all Film Noirs have in common is a certain mold of protagonist. While most genres of movie have a heroic, or at least optimistic and generally positive...
In 1982, the journalist Chuck Ross, in an experiment for Film Comment, mailed the script of Casablanca to 217 agencies under a different title and under a different authorship name. Although many rejected it for external reasons, eighty-one agencies read it and of those, fifty-three did not recognize it as the classic. But here’s the cherry on top: forty-one agencies criticized the iconic, Oscar-winning script with harsh words. One wrote, “Story line is thin. Too much
A genre is a type or category of film (or other work of art) that can be easily identified by specific elements of its plot, setting, mise en scène, character types, or style. (Goodykoontz, 2014) The gangster film is a sub-genre of the broader genre of crime film. A genre main objective is to classify the depiction of entertainment. The genre of my movie is a gangster film. My movie I chose was Scarface. Directed by Brian De Palma.An update of the 1932 film, Scarface (1983) follows gangster Tony Montana and his close friend Manny Ray from their trip on the Cuban Boat Lift for refugees to their arrival in Miami. (Scarface, 1983a)
Veerle Baetens, who plays Elise, and Johan Heldenbergh, Didier, "harmonize magnificently onstage and off" (Merry). Van Groening elicits "strikingly visceral, detailed" (Kulhawik) performances from his actors, creating a palpable, profound connection to the audience. For instance, Heldenbergh presents Didier as a man who dreams of the American life, but has a temper; Baetens is a character of effortless sensuality and girlish charms that brings out Didier's softer side. Beatens is first "pure temptation, irresistible in her stars-and-stripes bikini, then a grim-faced mother, absorbing more bad news from her daughter’s physician" (Williams). The two find a connection in their opposite personalities, a characteristic that will ultimately be their downfall as they begin to blame each other for Maybelle's illness and death. Kristy Puchko on "'The Broken Circle Breakdown'" states that Beatens and Heldenbergh "craft a connection that feel authentic, deeply held, and enviable. Every step of the way, these performers are in sync in this complicated dance of love and hate, and it is truly