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What is the diction in to his coy mistress
To his coy mistress reply from his coy mistress
To his coy mistress reply from his coy mistress
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The Latin term carpe diem is a descriptive word for literature that presses readers to
"seize the moment." It mainly tries to pursue a woman or women that they have true physical
beauty and should take advantage of their good looks now before time will take a toll on them.
The word carpe diem puts impact on examples of both poems of, "To the Virgins, to Make Much
of Time" by Robert Herrick, and "To His Coy Mistress" by Andrew Marvell. Herrick's poem,
"To The Virgins, to Make Much of Time," portrays carpe diem by citing the shortness of life and
persuading young women to marry and enjoy the life of youth at its advantage before death takes
its turn. In the poem "To His Coy Mistress", Marvell consist more traits of carpe diem by
persuading a certain woman in being his wife. He uses examples of time and age diminishing
her beauty and youth and will leave her with nothing left. They both compare to each other by
making the most of each moment before old age and beauty disappears.
Herrick's "To The Virgins, to Make Much of Time" fits the meaning of carpe diem
by encouraging the beauty of youth and life itself. His calm and moralizing detachment from
the personal environment pursues his own view of time and life.
Then not be coy but use your time,
And, while ye may, go marry:
For having lost but once your prime
You may forever tarry.
The words carpe diem mean “seize the day” in Latin. It is a theme that has been used throughout the history of literature and has been a popular philosophy in teaching from the times of Socrates and Plato up to the modern English classroom. Carpe diem says to us that life isn’t something we have forever, and every passing moment is another opportunity to make the most out of the few precious years that we have left. In the poems “A Fine, a Private Place” by Diane Ackerman and “To His Coy Mistress” by Andrew Marvell, carpe diem is the underlying theme that ties them together, yet there are still a few key differences throughout each of these two poems that shows two very different perspectives on how one goes about seizing their day.
Throughout the entire poem, coyness is not regarded as an attractive behavior in the long term view of objective reality. Time is always of the essence, and death puts an end to all physical and emotional interactions between people. This is expressed in the line “that long-preserved virginity, and your quaint honor turn to dust, and into ashes all my lust” (Marvell). As time progresses, so does the process of decay, and this is what leads to the cycle of life and death. Marvell conveys both the biological and emotional need to propagate the concept of carpe diem, seizing the day and taking initiative in the face of time’s constant war against mortality.
The them of “To the Virgins, to Make Much of Time” and “To His Coy Mistress” is carpe diem. The carpe diem them states, “life is brief, so let us seize the day.” In “To the Virgins, to Make Much of Time” Herrick simply states:
"'Carpe Diem'('seize the day') is a Latin phrase which has come to denote an important literary motif especially common in lyric poetry: the encouragement to make the most of present life while it lasts, or to 'live for the moment," (The UVic Writer's Guide). Both Robert Frost's "Stopping by Woods on a Snowy Evening" and Dylan Thomas's "Do Not Go Gentle" explore the idea that people should attempt to live life to its fullest. Thomas's poem, written to his father, employs a very emotional, pleading style that deeply appeals to the audience, while Frost's poem, a series of thoughts about his own eventual death, exhibits a more pensive, practical, subtle style that craftily forces the audience to think of their own eventual demise. The themes of the two poems are similar in that both explain that death is impending, that people should not take for granted the time they have left on earth, and that people need courage to face death and to realize when death can wait. Thomas, however, strongly believes that people should take an active role in what happens to them during their lives as evident in his fervent, cogent tone, while Frost believes that each person has an appropriate time to die, and that people should try to accomplish their obligations before they let themselves give in to death's temptation.
There is a similar theme running through both of the poems, in which both mistresses are refusing to partake in sexual intercourse with both of the poets. The way in which both poets present their argument is quite different as Marvell is writing from a perspective from which he is depicting his mistress as being 'coy', and essentially, mean, in refusing him sex, and Donne is comparing the blood lost by a flea bite to the blood that would be united during sex. Marvell immediately makes clear his thoughts in the poem when he says, "Had we but world enough, and time/ This coyness, Lady were no crime", he is conveying the 'carpe diem' idea that there is not enough time for her to be 'coy' and refuse him sexual intercourse and he justifies this thought when he suggests when she is dead, in ?thy marble vault?, and ?worms shall try that long preserved virginity?. He is using the idea of worms crawling all over and in her corpse as a way of saying that the worms are going to take her virginity if she waits until death. Donne justifies his bid for her virginity in a much longer and more methodical way, he uses the idea of the flea taking her blood and mixing it with his, ?It suck?d me first, and now sucks thee?, and then...
...to help express the theme of the poems by illustrating the role the subject matter played in the life of the persona during their grieving period. Furthermore, metaphors helped communicate the thoughts and feelings of the personas by providing the reader with insight into the relationships and emotions covert in the poem. All in all, the poetic devices incorporated in each individual poetic composition played vital roles in the emotional and dramatic impact of these poems. And who knows, the immaculate use of these fundamental literary devices could be the key to successful love poems all around the world.
flattery with an aim toward seduction. He uses such grandiose statements to help his mistress understand that he truly cares for her enough to spend hundreds of years simply gazing at her. However, this leads to a problem, as there is simply not the time available. This causes Marvell in the second stanza to remind his mistress that always her hears at his back "[t]ime's wing'ed chariot hurrying near" (ll. 21-22). This lets her know gently, but in ... ...
In Andrew Marvell's poem "To His Coy Mistress," he's arguing for affection. The object of the speaker's desire wants to wait and take the relationship slow, while the speaker pushes for instant gratification. This persuasive poem makes the point that time waits for no one and it's foolish for two lovers to postpone a physical relationship.
...s that we shouldnâˆ(tm)t dwell on the fact that we are going to die, but instead, ∜..fill your belly with good things; day and night, night and day, dance and be merry, feast and rejoice. Let your clothes be fresh, bathe yourself in water, cherish the little child that holds your hand, and make your wife happy in your embrace; for this too is the lot of man.âˆ
“Carpe diem, seize the day (Dead Poets Society, 1989).” This very famous line speak volumes to many in Dead Poets Society but it speak to one main character in particular, Todd Anderson, a student at the Welton Academy. Anderson is attending his first year at Weden and is being hounded by his parents about being just like his older brother. Todd is extremely shy and when faced with an assignments that involve speaking in front of the class he is terrified. That is until he meets a new teacher, Mr. John Keating, that teaches him the meaning of the phrase “carpe diem.” Todd Anderson’s character develops throughout the movie from being a shy legacy, to a boy who finds his voice, and finally to man who understands loss and can stand up for it.
In the poem “To His Coy Mistress”, the speaker is trying to seduce his wife. In the assumption the mistress is his wife; she is being bashful towards losing her virginity. The speaker, which is the mistress’s husband, develops a carefully constructed argument where the speaker seeks to persuade his lady to surrender her virginity to him.
Marvell uses many images that work as tools to express how he wishes to love his mistress in the first stanza of the poem. From line 1 to 20 Marvell tells his mistress how he wishes he had all the time in the world to love her. In the very first line Marvell brings up the focus of time, “Had we but world enough and time/This coyness, lady, were no crime”. The second line shows the conflict that the author is facing in the poem, her coyness. Marvell continues from these initial lines to tell his mistress what he would do if he had enough time. In lines, three and four Marvell talks of “sitting down” to “think” where they will walk on their “long love’s day”. All of these word...
The idea of carpe diem, seize the day, is seen in many works of literature. Many people use this as a mantra, believing that it is important to stop and take in the little things that can go unnoticed in life. Some people also believe that people should try, whenever possible, to help each other out. In “Two Tramps in Mud Time”, Robert Frost shows the idea of carpe diem as well as how we should take of other people.
‘Carpe Diem’ is a Latin phrase meaning “enjoying the pleasures of the moment without worrying about the future”! Days fly past in a wink and we let go many opportunities which could have had changed our lives. We give up on some things until we realize that it is too late to start all over again. This article is especially for 8th graders for whom life has changed drastically with the pressure of starting the three most important years of the school life. And for 9th graders who are preparing themselves for tenth, both academically and emotionally. I hope this article strikes a chord in all those facing “the last years of school” pressure!
Frost, Robert. New Enlarged Anthology of Robert Frost's Poems. New York: Washington Square Press, 1971.