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This is a small biography about the popular Dutch professional alto sax player Candy Dulfer. She is more of a modern professional alto sax player that started playing around 1974, and plays smooth jazz and funk. Unlike T.K. Blue she had more of a natural talent and didn’t go to a music school. She has really strong pipes and plays the alto saxophone loud and proud. When listening to her music I thought she would be another great example of pushing the limits, the alto saxophone has no limits. You would never think of the alto saxophone playing any other types of music other than jazz, but it all depends on the passion and determination. Especially when you see a woman that’s playing the musical instrument. Most people think that the alto saxophone is a man’s instrument; when I was in a school band there were only me and on other female alto saxophone player out of the eight of us. There are a handful of good professional alto sax players that are women. She could give younger women inspiration and beliefs that they can do anything. She proves that there is more than just a pretty fac...
Rachel M. Harper’s The Myth of Music intentionally weaves together 1960s era jazz music and a poor African American family via metaphor and allusion to show a deep familiar bond between father and daughter.
I am not the type of girl that gets startled easily but, you can’t help but to get chills when you watch the film Candy Man and read the novel The Forbidden. Both perspectives of this scary yet insightful figure is enough to keep you on your toes while following each story. The Candy Man and The Forbidden keeps you intrigued with its turns and twist to the story. I found it hard to follow the story line but, this worked to the writers benefit. The twist and turns forced me to pay attention to things I would have missed if everything was clear. One aspect of both stories that was clear was, the difference between the image of the Candy Man in the Candy Man and The Forbidden.
CANDIDE By Voltaire Throughout Candide the author, Voltaire, demonstrates the character’s experiences in a cruel world and his fight to gain happiness. In the beginning, Candide expects to achieve happiness without working towards his goal and only taking the easy way out of all situations. However, by the end of the book the character realized that to achieve happiness a lot of work, compromises, and sacrifices are necessary. Candide is a person of privilege who began life in the Castle of Westphalia.
Interview footage of her colleagues, fellow musicians, and friends such as Annie Ross, Buck Clayton, Mal Waldron, and Harry “Sweets” Edison look back on their years of friendship and experiences with the woman they affectionately call “Lady”. Their anecdotes, fond memories, and descriptive way of describing Holiday’s unique talent and style, show the Lady that they knew and loved. The film also makes interesting use of photographs and orignal recordings of Holiday, along with movie footage of different eras. With the use of these devices, we get a feel for what Holiday’s music meant for the audience it reached. The black and white footage from the thirties of groups of people merrily swing dancing, paired with a bumptious, and swingin’ number Billie Holiday performed with Count Basie called “Swing Me Count”, makes one wonder what it might have been like to actually be there. To wildly swing dance to the live vocals of Billie Holiday must have been an amazing experience, as this film demonstrates.
I have definitely learned a lot about the Evolution of Music in this class. I found it to be very intriguing. So when I was faced with the chore of deciding what I would do my report on, I chose to use the book Black Music in America by James Haskins. This book gave a detailed account of not only the music genres but it’s performers. American music is made up of music from many different types of ethnic backgrounds. What gives this book a plus is that it highlights aspects American music, and its performers. The people and events that really caught my attention were the concert singers, Minstrelsies, Jubilee songs, and brass bands. Born as a slave, a girl by the name of Elizabeth Greenfield moved to Philadelphia. She moved there with her Mistress and her parents. Luckily while in Philadelphia they were set free. At the age of forty-two she moved to buffalo New York in order to embark on new opportunities as a singer. When she reached New York opportunity came knocking. She began a career of concert singing. With a range of three and one quarter octaves you would think that opportunity kept knocking, but it didn’t. Therefore she moved to Europe where she would get the attention and credit that she deserved. While in Europe Elizabeth was shown great appreciation for her talent. Even Queen Victoria demanded that she performed for her at the Buckingham Palace. She gained newfound popularity in the states, because of her new accomplishments. As we know, it wasn’t easy for blacks to make a living in the U.S. That forced blacks to either perform in Europe or the northern states of the U.S. Some blacks even had to resort to performing in Minstrelsies. Minstrelsies...
In the book Margaret Sanger: A life of passion by Jean H. Baker. Margaret Sanger, the subject depicted in Baker’s novel Margaret Sanger: A Life of Passion is one of the leading women in the fight for birth control. Born in 1879 to Irish immigrant parents in Corning, New York she is the 6th of 11 children. Her mother was a devout Catholic and had a total of 18 pregnancies in her 22 year marriage 11 of which were births and 7 were miscarriages. “My mother died at 48”, says Sanger “My father died at 80”. Her mother was a victim of tuberculosis not long after her last child was born. Sanger grew up in poverty and soon realized that bigger families were associated with lower means. Sanger was not one for domesticated duties and soon defied social norms and went to nursing school her aspirations included becoming a doctor. She did not complete nursing school she instead married William Sanger, an architect and artist. They settled into domestic life for a short time in the suburbs. Together they had three children, two sons and a daughter. Soon a fire consumed their home and this was the turning point for Sanger. The family then moved back to the city and Sanger became a nurse. Their daughter would later die of pneumonia at a very young age due to horrible conditions at her boarding school. The two older sons would eventually grow to blame Sanger for her death and she would divorce her husband and maintain the company of several men after. Despite the number of suitors she acquires she will be single when she dies.
Marya is a successful author commonly noted for her publication of the popular book called Wasted recounting her venture through eating disorders. Soon after Wasted, she released her book Madness: A Bipolar Life which tells her life story from beginning to her current life. Marya was diagnosed with Ultra Rapid Cycle Bipolar disorder which is considered to be the most severe type of bipolar disorder (Hornbacher, 2008). Although this diagnosis happened later in her life and there were several years of distress and confusion leading up to and even after the diagnosis. Before anyone can fully understand Marya’s story and tribulations we first have to get a basic understanding of her Mental illness.
Margaret Sanger, born September 14, 1879, was a women’s rights activist who led the birth control movement and dedicated her life to fighting for access to sexual health information for women. The impact of her work can still be felt today as reproductive health is no longer a forbidden topic and access to birth control or other contraceptives is mainstream. Sanger fought for women to have access to sexual health information so they could properly educated themselves about the control they have over their own bodies. In order to understand where the world is now with sexual health, it is important to understand the world in which Sanger started her work.
Jazz, the “purest expression of American democracy; a music built on individualism and compromise, independence and cooperation” has had a great impact on American life since the early 1900s (Burns, 2009). When jazz first emerged on the scene, it immediately made a profound impact on all individuals who experienced it. It didn’t matter who you were. This being said, jazz was especially life changing for the African American population. It opened the door of opportunity for this group of people, and they quickly grasped onto this chance before it could disappear. The development of jazz can be viewed as a reaction to American life because it worked as a form of expression, placed an emphasis on collaboration,
During my interview with Ms. Brandee Aviles, she spoke keenly on her Spanish heritage. My forst question to her was about growing up with the influence of Spanish music around her . She stated that her parents were from Puerto Rico so there was difficulty fo her to understand why Spanish music was such a big deal to my parents and other family members? Now that she is older she has found an entirely new appreciation of the reason Latin music brings out the pride and essence in the Puerto Rican community. MS. Aviles found that Puerto Rican music is so important to the Puerto Rican community because Spanish music links us with our history and has been apart of our culture from the beginning of the Spanish ruling. As I talked to Ms. Aviles< I realized for many African-Americans the foundational roots of music date back to the early times in Africa.
...lic was introduced to a new sound and embraced it heartily. Industry provided us with new instruments and much of the improvements that we utilize today. The people of this time really did make great strides toward equality of performers and performance music and opened up opportunity for some of the most prominent musicians in history. It is with gratitude that we should look to these pioneers especially the women that paved the way through adversity and opposition for current female composers.
Women's involvement with medieval music took a variety of forms; they served at times as audience, as participant, as sponsor, and as creator. The evidence for their roles, like that for their male contemporaries, is sporadic at best. Many musical sources have been lost, and those sources that do survive only occasionally provide composer attributions. Information on specific performances is virtually non-existent, and the references to musical performances gleaned from literary allusions must be read critically. Similarly, a work of art portraying a woman musician may be representational or symbolic, or both. Yet despite these handicaps, modern scholarship reveals many ways in which medieval women were engaged with, and enriched by, the music that flourished around them.
Meta: Candy is the theme of the moment within the world of slots, with Mobilots jumping on the trend with its latest release. Promising to deliver a taste worth savouring, is this game as sugary sweet as it proclaims?
Swing music – and its predecessor, jazz – is, as famed swing artist Benny Goodman put it, “folk music special to the United States” (Erenberg 65). It is perhaps one of the most “American” genres of music. The very characteristics that define swing music are uniquely “American”; it is lively, promotes freedom of expression (through improvisation), and bursts with seemingly endless optimism. It is energetic, youthful, and most importantly, unifying. As it is formed from a mix of elements from African American, European and American folk music, swing played a crucial part in bringing the issue racial integration to the forefront of the American psyche, especially among the younger population. It is no surprise that swing was so wildly popular – it promised “personal freedom, hope for a better life, and a measure. . . of racial acceptance” (Erenberg 70), which seems an apt remedy for a society suffering from not only widespread unemployment and hardship, but also rampant racism and classism.
The Web. The Web. 16 Feb. 2014. http://www.heri.ucla.edu/pdfs/sax_final%20report_sing_1f02b4.pdf>. Sokol, Marlene.