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Ragtime and blues influence on jazz
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Recommended: Ragtime and blues influence on jazz
Madeline Davis
Lars
MUS113
09/18/2017
4th hr (contrast)
These days there are not many millennials, if any at all; besides everyone in our class, that listen to this early Polyphonic Jazz style from the 1920s. But this style of “collective improvisation” was the hit of that time. This style of music was heavily syncopated with accenting the offbeat by having rhythms that pulled off the main pulse (beat) of the song. The earlier form of syncopated music was called Ragtime music since it created a very ragged rhythm. It was a combination of European classical music and African syncopation. Ragtime music was popular from the mid-1890s up until the start of the national craze for jazz music in the early 1920s. Jazz was not only influenced by ragtime but was also heavily influenced from the blues of the deep south. Blues originated in the late 19th century and was more of a mellow or melancholy flow style that created a repetitive effect called a groove. These two styles of music, both ragtime and blues, synthesized to create Jazz. In listening to “Tiger Rag” by the Original Dixieland Jazz Band and “Dipper Mouth Blues” by the Creole Jazz Band, it was apparent of the multiple style influences of early jazz music.
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Their band consisted of both a frontline and rhythm section. The frontline, like most other Jazz Bands, contained a cornet, a clarinet and a trombone, while the rhythm section was very versatile. One interesting fact that the book gives about these rhythm sections of early jazz recordings is that most times brass instruments were left out because the low frequency would make the needle of the acoustic recording machine jump. In many cases at live performances, the rhythm section would include a guitar or banjo and a string bass or
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The evolvement of jazz throughout the years has been an interesting one. Blues and Ragtime are just two simple innovations that has allowed for many variations in the jazz genre. Both of these genres have their similarities and differences in how they influenced jazz music through: improvisation, syncopation, and experimentation.
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Jazz comprises of a wide range of music from the ragtime to the present music listened to by many people. The music evolution has taken roughly 100 years and jazz has been put in this particular evolution as one of the music styles today. In the definition of jazz, there is no actual definition of jazz because it a composition of very many music styles hence making it hard to get the required definition that would describe it fully. Attempts being made to define jazz have a basis of traditional music that have similar characteristics as jazz but not real jazz. Using the American or African music examples, the researchers argue that the definition is very broad and wide. Ernest Berendt one of the researchers says that jazz originated from America in the process of confronting Negros with Europeans in terms of music. This can then be termed as a tool of identity between the two groups of people due to the racist and discrimination aspects that faced America. This was now a tool that could identify the two groups to bring about national integration and understanding among the members of America. In America jazz has incorporated time as a special factor and is now referred to as swing. Swing means spontaneity and vitality of the production of music which has an improvisation role to play to the listeners. This particular jazz music contains a particular manner of phrasing which acts as a mirror to an individual and the personality of the musician performing that particular jazz music on stage. The early jazz musicians include Double Bassist Reggie Workman, saxophone player Pharaoh Sanders, and drummer Idris Muhammad who were performing in 1978 hence dating back to early jazz performance and presentation.
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Jazz is the best-known artistic creation of the Harlem Renaissance. “Jazz is the only pure American creation, which shortly after its birth, became America’s most important cultural export”(Ostendorf, 165). It evolved from the blues. In the formally standardized, instrumentally accompanied form of “city blues”(as opposed to the formally unstandardized and earlier “country blues”), the blues was to become one of the two major foundations of 1920s jazz (the other being rags). City blues tended to be strophic songs with a text typically based on two-line strophes (but with the first line of each strophe’s text repeated, AAB) and a standard succession of harmonies underlying each strophe’s melody.... ...