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Character analysis shrek
Hero's journey shrek essay
Hero's journey joseph campbell summary
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A hero is a person who is admired for their distinguished achievements or braveness. Revealed in various films, some heroes have characteristics from both Campbell’s “Hero’s Journey” and “Heroic Archetypes.” In Campbell’s “Hero’s Journey”, the hero must depart from their home, then initiate a journey to get the goal, and have a refusal of return from the adventure. Moreover, Campbell’s “Heroic Archetype” requires the archetypes of quest, fear, dragon, task, and virtue; with which the hero will have to confront on their journey. From the film Shrek, Shrek is a hero that has aspects of both Campbell’s “Hero’s Journey” and “Heroic Archetypes.” Setting out on an adventure to get his swamp back from Lord Farquad, Shrek rescues Princess Fiona from a tower that contains a dragon; even though he finishes the quest, Shrek finds himself refusing to return back to his swamp without Fiona. Similarly, one of Campbell’s “Heroic Archetype’s” accurately describes Shrek in his journey. All in all, Shrek conveys the ideas present in both Campbell’s “Hero’s Journey and “Heroic Archetype.”
Departure is the first step in Campbell’s “Hero’s Journey”. When the fairy tale creatures get evicted from their homes and placed on Shrek’s swamp, Shrek is annoyed by their presence. To get the fairytale creatures off his land, Shrek is called to an adventure. (Warren) With the help of a “supernatural aid”, Donkey (a guide who assists Shrek), they head for Du Lock to get Shrek his swamp back. (Warren) When they arrive at Duloc, Shrek makes a deal with Lord Farquaad to get his swamp back. The deal entails that Shrek rescue Princess Fiona from her tower guarded by a ferocious dragon, and bring her to Lord Farquaad; once the mission is completed, Shrek can ge...
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...f return from the journey, Shrek has the characteristics of Campbell’s “Hero’s Journey”. Likewise, with the heroic archetype, warrior, Shrek has to win a quest (to fight for what matters), in a which he must confront a dragon, and come out with a virtue of perseverance; all while his ultimate fear is weakness. Overall, Shrek is a hero described by Campbell.
Works Cited
Shrek. Dir. Andrew Adamson and Vicky Jenson. Screenplay by Ted Elliott, Terry Rossio, Joe Stillman, and Roger S.H. Shulman. Perf. Mike Meyers, Eddie Murphy, and Cameron Diaz. Dream Works, 2001. DVD.
Warren, Liz. “Hero’s Journey: Summary of Steps.” Hero’s Journey: Summary of Steps.
Maricopa University, 1999.Web.14 Nov. 2012.
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Campbell, Joseph. "Heroic Archetypes." The Hero with a Thousand Faces. Princeton, NJ: Princeton UP, 1968. Print.
What is a hero? The book Mythology by Edith Hamilton has a lot of heroes and most of them have 2 things in common. The heroes are in their own ways superior whether it be strength, intelligence, and/or courage. The second thing they have in common is a quest that establishes their greatness and proving that they are good enough to be called heroes. The catch is that even though they may have the characteristics of a hero, not all of them are epic heroes.
Courage, selflessness, justice, and humility are all characteristics of epic heroes have exhibited. Both Beowulf and Shrek show the qualities of epic heroes. Beowulf is a brave warrior, and he is a wise king of the Geat’s. Shrek is an ogre that lives in a secluded forest and cannot express his emotions, but he is kind hearted and tries not to hurt anyone. Beowulf and Shrek are epic heroes because they receive assistance from allies, face supernatural foe, and reach lowest points where they appear defeated.
An epic hero is character who is brave and noble, and that person is someone who carries good leadership traits and goes through an epic journey. Usually an epic hero is from an epic, and an example is Odysseus. Odysseus goes through a journey to return back to Ithaca, his homeland. In the modern era, there are epic heroes all around us. They can be in books, movies, or plays. One great example of a modern epic hero is Woody from Toy Story 3. He is confident, courageous,selfless, and humane. Woody is a toy cowboy and his owner, Andy is going off to college. Woody and his buddies get misplaced and get donated to a child day care center. There, they have to try to escape and return home, after realizing how bad the place
Watching a film, one can easily recognize plot, theme, characterization, etc., but not many realize what basic principle lies behind nearly every story conceived: the hero’s journey. This concept allows for a comprehensive, logical flow throughout a movie. Once the hero’s journey is thoroughly understood, anyone can pick out the elements in nearly every piece. The hero’s journey follows a simple outline. First the hero in question must have a disadvantaged childhood. Next the hero will find a mentor who wisely lays out his/her prophecy. Third the hero will go on a journey, either literal or figurative, to find him/herself. On this journey the hero will be discouraged and nearly quit his/her quest. Finally, the hero will fulfill the prophecy and find his/herself, realizing his/her full potential. This rubric may be easy to spot in epic action films, but if upon close inspection is found in a wide array of genres, some of which are fully surprising.
Throughout literature, there is a prevalent model found in various narratives that ensures its success. This archetype, called the “journey of the hero,” discovered by Joseph Campbell, serves as a guideline of three stages for authors to manipulate to their own desire. The departure, the initiation, and the return essentially create the same storyline, yet these formats can be molded into unique and refreshing works of art. Aspects of the “journey of the hero” in the movie Shrek 2 are highlighted as the main hero, Shrek, and his wife Princess Fiona depart from their accustomed residence, the swamp, rediscover the meaning of true love through peril, and return with Shrek being able to balance his identity between an ogre and royalty.
In the essay i am going to focus on the characters of Shrek and lord Farrquaad, the fairytale genre is subverted from the usual ogre being a man eater and the prince saving the princess to the ogre becoming the rescuer and the prince being evil person who sends the ogre to do his dirty work and rescue the princess.
The first scene of Shrek starts off with him in his swamp having fun to an upbeat track (All Star by Smash Mouth), which presents Shrek to be a laidback, peaceful character. After the opening scene, there were a bunch of nearby villagers, who have negative stereotypes about ogres, headed towards Shrek’s swamp to try to drive him away from there (Constructivism). The usage of stereotypes set a theme for the film, to never judge a book by its cover. Once Shrek met Donkey and Fiona, neither one of them assumed that because Shrek was an ogre, it meant he is an evil monster. In addition, everyone else in the movie does not call him Shrek. Everyone calls him “Ogre” instead, further confirming the stereotype. In another scene after Fiona goes into a cave at night to sleep, Shrek and Donkey have a conversation of the aftermath of their quest to rescue Fiona. Shrek goes off on a tangent about how people hate him despite not even getting to know him. Donkey shows an example of personal construct by telling Shrek that he never thought of him as an ugly monster. This scene shows the bipolar dimensions aspect, where people who never tried to know more about Shrek would have a default negative view about him. Donkey, who learned more about Shrek during their journey, does not characterize him as any type of villain and
The Hero’s Journey is an ancient archetype that we find throughout our modern life and also, in the world of literature.Whether metaphorical or real, the journey that a character goes on shows not only the incredible transformation of the hero but it also gives them their life meaning. It is the ultimate human experience and it reflects on every aspect of life. Take Logan, also known as Wolverine, from the X-Men movie as an example. His adventure starts with “The Call,” which is the first step of the Hero’s Journey. This step happens due to the realization of imbalance and injustice that the character has in their life. Logan steps into the first stage of the pattern but is hesitant to start his adventure because he does not know what and
Throughout the years, certain writers were able to set off a deep sympathetic resonance within readers by their usage of archetypal patterns. One of those patterns is known as the hero's journey, which Joseph Campbell gave an understandable idea of in his book The Hero with a Thousand Faces. According to his book, while comparing world's mythology, he found that no matter how far cultures are from each other, they will still have the same structure of hero's journey in their legends (Voytilla vii).
Joseph Campbell defines a hero as “someone who has given his or her life to something bigger than oneself” (Moyers 1). The Hero’s Journey consists of three major parts: the separation, the initiation, and the return. Throughout a character’s journey, they must complete a physical or spiritual deed. A physical deed involves performing a daunting and courageous act that preserves the well-being of another person. A spiritual deed calls for action that improves another individual’s state of mind.
From the beginning of time, mythology has appeared to be one key method of understanding life’s confusions and battles. Within these myths lies a hero. From myth to myth and story to story, heroes experience what may be called a struggle or a journey, which lays down their plot line. Bearing tremendous strength, talent, and significant admiration, a hero holds what is precious to their audience, heroism. Over time however, no matter the hero, the hero’s role remains indistinguishable and identical to the position of every other hero.
Myths have been a great example of the hero’s journey. Many heroes have journeys and trials to face throughout their life. Most of their journeys start out with their origin and end with the return. However, the hero’s role remains identical to every other hero. Most heroes like Gilgamesh has heroic traits because of the stages in the hero's journey. Gilgamesh is a man who can turn into a hero by changing himself, even when he has unusual circumstances surrounding his birth. Gilgamesh is viewed as a hero due to the stages of the hero's journey.
Works Cited Campbell, Joesph. The Hero with a Thousand Faces. 2nd Ed. Bollingen Series XVII.
The Lion King. Dir. Roger Allers and Rob Minkoff. By Irene Mecchi, Jonathan Roberts, Linda
Campbell, Joseph. The Hero with a Thousand Faces. 1949. Novato: New World Library, 2008. Print.