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The journey of a hero
Summary of a Hero's journey
The journey of a hero
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The warning bells of Camelot were clanging. In the palace, there was panic, as armed men rushed down the halls. "The prince! The prince is gone!" someone cried, and the words were echoed, the news spreading. "The prince! We must find the prince!" But it was too late. There was no trace of the little prince, or of those who had taken him. xxxxxxxx Celyn had been making his way back to his camp when he came upon the bandits. Seeing the light of their campfire, he stopped short, hidden in the trees. He was just about to turn and make for the camp by another way – he had no interest in a confrontation with bandits – when he heard it: a small whimper. "Shut that kid up, will you," One of the bandits snarled. Celyn peered through the trees. …show more content…
He could see the bandits sitting in a ring around a campfire, and next to one of them, a very small figure. "Home!" the small voice piped up insistently.
The bandit next to him laughed roughly. "Don't you fret, little one," he cooed in a mocking tone, "You'll go home. As soon as your father pays the ransom." "Or not," one of the other men laughed, "Why risk bringing the boy back and walking straight into a trap? If we sell him we can add to the profits we get from his ransom." Celyn hesitated just for a moment, but he knew he couldn't just walk away. So he took a deep breath and stepped out of the trees and into the clearing. "Good evening, gentlemen," he smiled, "I hope you're all doing well. In an instant, every man was on his feet and facing him, drawing weapons. "What do you want?" growled one, who Celyn assumed was the leader. "I couldn't help overhearing your conversation…" Celyn said, "It seems that child would rather not be with …show more content…
you." "I don't see how that's any of your business, Druid," the leader stepped forward, raising his sword meaningfully. Celyn sighed, "I can see that you gentlemen are not going to be reasonable." As the bandits advanced toward him, he raised his hand. His eyes flashed gold and the men were sent flying back. He walked over to the little boy, who stared up at him with wide eyes. He crouched down, examining the boy up close for the first time. He couldn't have been more than a year old. He had blonde hair and bright blue eyes, and was dressed in what looked as if they had once been fine clothes, though now they were torn and dirty. "They won't stay asleep long, little one." Celyn said, "It's time for you and me to go." The child didn't protest as Celyn picked him up. "Home?" he asked quietly. Celyn sighed, "I'm afraid I don't know where home is, little one, but I'm taking you somewhere safe." He made his way back to his camp, carrying the little boy in his arms. When he entered the camp people, looked up, calling out greetings, and then began to murmur in surprise when they saw what he was carrying. He strode to the center of the camp and waited for the others to gather around him. When everyone was gathered, Celyn related the story of what had happened in the woods. The child in his arms was quiet now, surveying his surroundings with big blue eyes. "If we knew where he came from, we could return him to his family," Celyn said, "But until we can obtain that knowledge we will care for the boy ourselves.
We will all care for him of course, as we do all our children, but he will need to stay with someone. Who would be willing to foster him?" A woman stepped forward, "I will" Celyn looked at her, "Are you sure you want this responsibility, Anwen?" "I think I am meant to have it," Anwen said. Celyn was puzzled, "What do you mean?" "Years ago, when my husband was still alive, I spoke to a Seer," Anwen said, "She told me that I would be given a child in an unexpected way. And that I should call him Arthur." The little boy suddenly turned his head and looked at Anwen. He held out his arms to her. Celyn smiled, "I think he likes it," he carefully handed her the baby, "Well then, Arthur it is." xxxxxxxx King Uther sat on his throne. He was so silent and still he might have been made of stone himself. A knight entered the throne room. He approached the throne and bowed. Uther's gaze flickered to him, but any brief flare of hope he might have felt died when he saw the look on the man's face. "I'm sorry, Sire," the man said, "There is still no sign of the
prince." "Keep searching," the king ordered, "Send out more patrols. Whatever it takes. I want my son found." "Yes Sire," the man bowed again and left the throne room. xxxxxxxx But no matter how many patrols were sent out, they turned up nothing. Days turned into weeks and weeks turned into months. Though no one dared voice the thought aloud, most believed that the little prince was surely dead by now. Eventually the patrols ceased. Life went on. To all outward appearances, King Uther, too, had moved on, though inwardly he was never the same. The months turned into years. And far away from Camelot and its castle, in a Druid camp hidden deep within a forest, a little boy named Arthur grew, happily unaware of who he truly was.
What would one expect to be the sentiment of a young women who worked in the Lowell textile mills? It is just such a depressing story; and the sad heroines are the young women of Lowell - Lucy Larcom- who Stephen Yafa portrays in his excerpt “Camelot on the Merrimack.” A perception through the eyes of a thirteen-year-old Lucy Larcom reveals that, “For her and the other young girls, the long and tedious hours they spent tending to demanding machines robbed them of their childhood.” The imagery in “Camelot on the Merrimack,” from Big Cotton by Stephen H. Yafa disclose the working conditions in those sordid mills.
After sneaking his way up to the tree where she sat “motionless”, not noticing Gus, his attention is diverted, if not comp...
When the storm was over he set out to find his great-grandfathers farm. He found some of the old foundation and the carved name on a tree and knew he was on the family compound of his dreams not terribly far from his soon to be home in the Hemlock tree.
hid in the woods. We know now that he was consumed by his grief about
Knighthood - Although the concept of knighthood existed before the eleventh century, it wasn't until the Norman Conquest, which occurred in 1066, that being a knight become a profession. William the Conqueror organized his cavalry into a group of knights, and as a result a knight's services, majority of which included fighting battles, became an essential part of life in the Middle Ages.
Camelot, the musical adaptation of The Once and Future King, allows for an interesting twist on the portrayal of Guinevere’s personality, mindset, and desires. The use of song and excellent acting allows for a unique display of the different aspects that make Guinevere a complex and strong character. Analyzing “The Lusty Month of May” shows Guinevere as a woman driven by her desires for the fantastical aspects of romance. However, contrasting “The Lusty Month of May” with other songs paints her as a more dynamic character and explains her relationship dynamic with Arthur, Lancelot, and other men in the court. This verse by verse analysis characterizes Guinevere as a woman driven by feelings of dissatisfaction and destiny.
In Western culture, mere mention of the name “Camelot” is often enough to inspire images of courtly romance, grandeur, and valiant knights. In fact, the kingdom is nearly as legendary as the hero who ruled it, Arthur Pendragon. Regardless of whether he exists as a historical or mythical figure, Arthur continues to appear as a symbol of heroism in Western tradition through his roles as king and warrior. When modern culture searches for the qualities of a great fighter, it finds them in Arthur’s strength and his bravery. When it looks for the makings of a true leader, it need not look further than Arthur’s accomplishments: his founding of the Round Table Knights, his victory over the Saxons, and finally his unification of Britain. In short, the Arthur as described in Sir Tomas Malory’s tale of King Arthur and His Knights is depicted as nothing less than a romanticized and idealized hero. However, if Arthur and his knights had ushered in an era of peace that fostered a flawless society, Malory’s work raises the serious question, “Why then does Camelot spiral into ruin?” History reminds us that no kingdom – no matter how great – lasts forever because no kingdom is perfect. King Arthur, his court of noble knights, and Camelot are no exception. Unraveling Malory’s story from the time of Arthur’s coronation to his eventual death reveals that Camelot’s greatest strength may also have been its greatest flaw, the authoritative leadership of King Arthur.
All about a prince is the danger of death. This danger may come from treason within his government, war with foreign enemies, or a rebellion of his people. The situation is always kill-or-be-killed, and the Fifth Commandment - "Thou shalt not kill." - is discarded before it is ...
Now, he has to go. As if to make it okay in someway, he says, ""I'm like my father. The bastard son of a bastard! See how he grins? And he's been absent going on sixteen years!"
the prince because of this he is doomed to spend his days within the purgatorial fires of
Shouyou wondered if maybe the boy was just too shy to talk to a stranger, so he squatted next to him. Immediately, he was in awe of the talent before him.
And for a third and final time, no one answered. King Kevin ran into the princesses’ room, and started searching for her. After a hour of desperately looking, he gave up. He said, “Tomorrow I come up with my new plan.” And that is exactly what he did. The next day, he hopped out of bed and started to plan right away. His idea was brilliant.
In his article “A Stranger in Camelot,” Edward Hirsh refers to “Sir Gawain and the Green Knight,” as a romance novel. While reading the story, you encounter many of the aspects of a Medieval romance story. For example, there is a near perfect leading character, Sir Gawain, and an evil enemy, the green knight. Also, in part one of the story, you are given the sense that even though a quest has not yet begun, that there will be one in the future, since Sir Gawain now faces such a large problem of being hit with an ax in a year and a day. Another aspect of the story that links it to medieval romance, is its use of supernatural elements. Although in part one the reader has not yet been told why the green knight can have his head cut off and still
Camelot evokes images of King Arthur. President John F. Kennedy’s political career was like a modern day camelot. The reason I believe this is because of the traits that Kennedy and King Arthur had in common.
attire stood up and with her little boy in tow, took a deep breath and