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Themes of the novel the glass menagerie
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The Character of Tom Wingfield in The Glass Menagerie Tom Wingfield is a determined young man. He has decided against everyone else in his family's wishes that he wants to leave the dismal life of a factory job, to pursue a chance in the Merchant Marines. He realizes that he would be running off like his father and this is probably the only thing that kept him from leaving this long. Amanda, Tom's mother, deep down knows the day is coming that Tom will leave. She says "But not till there's someone to take your place." She wants Laura, if not herself to be taken care of. At that moment in the play Tom is the breadwinner in the family and up to this point Tom is the underpriviledged child that wants to move on. He wants to pursue his dream, a more adventurous life. Tom was a likable character until we find out he didn't pay the electric bill with the intended money. When Jim is over and he says "I paid my dues this month, instead of the light bill". At this point, Tom becomes a more selfish character. There is less sympathy given in his direction. In fact, this is probably where we feel a little more sorry for Amanda. Amanda has probably not done everything right for her family, but her intentions have always been good. Tom has lost patience and wants to pursue his journey away now. There's no waiting to save the money for the dues. He doesn't stop going to the movies for a week or quit smoking to save money. He takes the money for the light bill. We know this is a painfully big deal and he has intentionally hurt his family at this point. He knows he has put himself in a position of no turning back. Now, he has to go. As if to make it okay in someway, he says, ""I'm like my father. The bastard son of a bastard! See how he grins? And he's been absent going on sixteen years!" Now we know, he doesn't plan to come back. He has justified his not feeling obligated to his family by saying he gets it naturally. He is his father's son. Of course we have to decide if Tom has a choice. Is Tom withering away where he is. His family is full of dysfunction and he wants to help Laura out also.
her son to have a better life. As for the real Tom it was very embarrassing
At the beginning, Tom is very self-centered and preoccupied with his work. He finds what he wants to do more important than what his wife wants to do that night. Once faced with the reality of death, he realizes how important his wife is to him. This forces him to be strong and stay alive, for her sake. The only reason he made it back into his house was because of how much he cared for her. Tom then decides to go find her at the movies, which shows that he has become less self-centered and more aware of his wife’s feelings.
Thus showing how he is trying to lead his own life instead of letting others decide and growing up and becoming more mature in the process. Tom continues to show his maturity when Phillip is leaving. He does not cry or try to get his way, but instead accepts life as it is and goes along with it. He says, “I wanted to rebel against what was happening, against the clumsiness and crudity of life, but instead I stood quiet a moment, almost passive…” (Ross 234).
Siddhartha is a much respected son of a Brahmin who lives with his father in ancient India. Everyone in their town expects Siddhartha to act like his father and become successful. Although he lives a very high quality life, Siddhartha is dissatisfied and along with his best friend Govinda- wants nothing more than to join the group of wandering ascetics called Samana’s. This group starves themselves, travels almost naked and must beg for the food they survive on. This group of people believes that to achieve enlightenment and self-actualization: body image, health, physical and material desires must be thrown away. Although this is the life Siddhartha wished for himself, he soon discovers that it is not the right choice for him. Near desolation, Siddhartha happens upon a river where he hears a strange sound. This sound signifies the beginning of the life he was born to live – the beginning of his true self. Hesse uses many literary devices to assure Siddhartha’s goal of self-actualization and creates a proper path for that success.
But he is not in any way greatful for any of it. Despite everything Tom has he still belittles others, and cheats on Daisy. Tom has a racial attitude, for example, he disapproves interracial marriage. He is very egoistic and has a high opinion of himself. Even more supporting that he has no morals and a dark side also, Tom's affair with Myrtle Wilson also supports the conclusion that he's quite the
Siddhartha’s childhood friend, Govinda, educated him about the importance of choosing a path in his own life. Govinda had always been a step behind Siddhartha, following every decision he made. The one time he stepped out on his own, to accept the Buddha, he was merely following the path of thousands of others. Siddhartha saw this and he learned that he had to listen to himself even if he wound up making a wrong decision. Meeting with Govinda at the end of the novel reinforced his thought that one had to have experience in order to attain Nirvana -- not someone else’s knowledge. After following Gotama for years Govinda still hadn’t reached peace although Siddhartha had. Siddhartha had done things many would consider wrong and immoral and yet he reached something that many others wanted so desperately because he had experience.
Readers have been fascinated with Hermann Hesse’s Siddhartha for decades. Written in 1951, Hesse’s most famous novel provides the reader with a work of literature that, “presents a remarkable exploration of the deepest philosophical and spiritual dimensions of human existence” (Bennett n.p). Siddhartha takes place in India while the Buddha has first began his teachings. The book follows the life of a man by the name of Siddhartha, on his journey to reach enlightenment. The main theme in Siddhartha is reaching enlightenment without the guidance of a teacher or mentor. Siddhartha believes that he must learn from himself, and the guidance of another teacher will only distort his goals of reaching enlightenment. Siddhartha says that he must, “learn from myself, be a pupil of myself: I shall get to know, myself, the mystery of Siddhartha” (Hesse 36). On Siddhartha’s journey to reach Nirvana, the highest level of peace in the Buddhist culture, he undergoes three stages all of which are critical in helping Siddhartha find peace within himself.
Siddhartha ends his knowledge quests: Brahminism, Samanic asceticism, and Buddhism. He turns to the use of his senses in finding his goal. His main goal is to be his 'Self'. His sense of 'being' is isolated by his knowledge. He realizes that he does not know his 'Self' which he has spent his life avoiding. He vows him self to explore the 'Self'.
Tom can now start to show his maturity everywhere, including at home. In the beginning, Tom is running from Aunt Polly's punishments, hurries through chores, and plays hooky from school. When he convinces kids to do his job of whitewash the fence for him, it shows immaturity. Also when he runs away from home to the island, he doesn't leave a note.
Also, it seems Tom does not care if he gets fired or not judging by the amount of time that he spends writing poetry at work. Tom does not appreciate what he has or that his family is provided for. Tom also shows a hint of selfishness when he tells Amanda that there is nothing in that house that he can honestly call his own. Tom also goes to the movies or gets drunk almost every night and he knows that Amanda and Laura are worried about him but that changes nothing. He still goes out without thinking of how it affects his mother or sister.
Amanda's reality check comes from another dreamer, her son, Tom who is totally annoyed by Amanda's nagging and domineering, he thinks that everything will be better if he can just get away. Amanda and her family go on living their fantasy lives.
In Williams, Tennessee’s play The Glass Menagerie, Amanda’s image of the southern lady is a very impressive. Facing the cruel reality, she depends on ever memories of the past as a powerful spiritual to look forward to the future, although her glory and beautiful time had become the past, she was the victim of the social change and the Great Depression, but she was a faithful of wife and a great mother’s image cannot be denied.
In summary, the three literary elements theme, symbolism, and characterization play a big part in giving life to the play. Starting with the characters having difficulty accepting reality, symbols that represent each of them, and the attitude of their character.
Tennessee Williams employs the uses of plot, symbolism, and dialogue to portray his theme of impossible true escape, which asserts itself in his play, The Glass Menagerie. Each of his characters fills in the plot by providing emotional tension and a deep, inherent desire to escape. Symbolism entraps meaning into tangible objects that the reader can visualize and attach significance to. Conclusively, Williams develops his characters and plot tensions through rich dialogue. Through brilliant construction and execution of literary techniques, Williams brings to life colorful characters in his precise, poignant on-stage drama.
Tom is more of a realist compared to Amanda’s hopeful view on life. He knows life will never measure up to his mother’s expectations. The world has changed and he feels his mother needs to wake up. His personality is a direct contrast to Amanda.