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MY Childhood memories
Childhood Memories
Mexican and American culture
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When I was 10 years old, I used to live in a small town in Mexico where everyone knew each other. Particularly my grandmother, who was a well-known florist and a flamboyant woman. One day at the shop, the governor’s daughter Camila came in looking for her. She was getting married and wanted this beautiful cake for her wedding party. Camila showed my grandmother a picture of it. Actually, it was a page torn off from a European magazine. One could barely tell it was a cake; every inch of it was covered with big, white, beautiful flowers that even covered the plate holding it. It looked more like a centerpiece than a cake. The flowers were edible and handmade, of course.
No baker had an idea of how to make the flowers and didn’t want to take a chance either. Camila had gone to see my grandmother as a last resort and asked her if she could make a cake like the one in the picture. My grandmother excitedly told her that she knew exactly what she wanted and that she’d make the most beautiful cake for her.
The instant Camila happily stepped outside and the door closed, my grandmother ...
The setting takes place in April at a funeral. There was a “gardenia on the smooth brown wood” (Holczer 1). They have been “wandering across the great state of California” (2). The setting moves to Grace's grandma’s house. It was “two stories with attic windows”, “sky-blue paint with white trim”, “ and a wood porch” (19). There were “two chairs covered in yellowed plastic and pine needles” (19). There was a gently sloped driveway. Inside the house there were “piles of Tupperware and glass dishes” (19). Outside there was a shed, garden, trees, and
I found the photography piece “From the Road to Tepeyac,” by Alinka Echeverria intriguing. This photography piece was a man kneeling down with a sculpture tied to his back. The woman in the statue had a green flag with multiple stars draped around her. This woman appeared to be the Virgin Mary. Underneath the Virgin Mary was an angel with green, white and red wings. The colors on the flag around the Virgin Mary and the angel’s wings represent Mexico. Also, the stars on the flag present the repetition constructed in this photography piece. There is no physical line for the foreground; however, this piece directs the eye from one point to another by implication. When I first saw this photography piece, I questioned why the statue of the Virgin Mary and an angel were on the man’s back. I realized the Virgin Mary and ...
A debutante’s life came at a price; for the 16 year-old Dolores it was an arranged, loveless marriage to lawyer Jaime Del Rio. Jaime was 18 years her senior, his family one of the oldest and most influential in Mexico. Their wealth allowed for a European honeymoon, where they were invited to dine with the Spanish Royal family. The honeymoon morphed into a three year romp, with Dolores delighting in voice and dance lessons at stately Madrid and Paris schools. In 1921, the couple returned to Mexico City, Jaime intent on advancing his career whil...
Julia Alvarez’s In the time of the Butterflies has been pivotal in relaying the stories of the Mirabal sisters as it has shown impact in literature, history, film production, and volunteer activities while serving a teaching aspect and a guide for those who may relate.
...ots her memory, the blossoms her dreams, and the branches her vision. After each unsuccessful marriage, she waits for the springtime pollen to be sprinkled over her life once again. Even after Tea Cake's death, she has a garden of her own to sit and revel in.
In addition, in Like Water for Chocolate, when Tita was making her sister Rosaura's wedding cake a magical element occurred. She was making her sister's wedding cake, and at the same time, she was thinking of Pedro with whom she was in love with and who was marrying her sister. As she was thinking of Pedro, she began to cry. While she was crying, a tear drop went into the cake, and she was afraid that it messed up the meringue. The moment...
This cultural event also had a religious meaning and ceremony that went along with it. Like traditional ways, the birthday girl has to attend a special Mass that includes her close friends a...
It all began with a young hidalgo (a member of the minor nobility in Spain) falling in love with a beautiful but lowly girl, María. Some years ago, the young hidalgo fell in love with María. María had a casita--a little house--where the young hidalgo would visit and bring his friends. In almost every way, they shared a happy life together. Eventually, María bore him two or three children. Everything was well except that their marriage was not blessed by the church, as his parents knew nothing about the arrangement. When his parents found out about María, they would not allow him to marry her and would not accept her as his wife nor her children as their grandchildren. They went on and urged him to marry a more suitable lady to give them grandchildren; this "suitable lady" was also a member of the minor nobility in Spain, also very beautiful. At some point in time, he ga...
To understand fully the implicit meaning and cultural challenges the film presents, a general knowledge of the film’s contents must be presented. The protagonist, Tita, suffers from typical Hispanic cultural oppression. The family rule, a common rule in this culture, was that the youngest daughter is to remain unwed for the duration of her mother’s life, and remain home to care for her. Mama Elena offers her daughter, Tita’s older sister Rosaura, to wed a man named Pedro, who is unknowingly in mutual love with Tita. Tita is forced to bake the cake for the wedding, which contains many tears that she cried during the process. Tita’s bitter tears cause all the wedding guests to become ill after consuming the cake, and Tita discovers she can influence others through her cooking. Throughout the film, Tita’s cooking plays an important role in all the events that transpire.
In Mesopotamia, more specifically the city of Ur, agriculture reigned supreme. Every ingredient required for the palace cake were important to their culture. From the date-palm, which was glorified by religious connections, agricultural advancements, and trade, to the milk and butter which relied on the domestication of animals by humans to be produced, everything was utilized to create a cake fit for the palace halls. Although it was meant to be enjoyed by only the elite members of Mesopotamian society, the recipe for palace cake that shows us the significance of a piece food history to be enjoyed by all.
When Alaska got in the car accident, there was a bouquet of white flowers in the backseat. White daisies and tulips had always been her favorite kind of flower. She was always picking them around Culver Creek whenever sh...
batter. Well she was in a hurry, she had beds to make and drapes to clean so,
Being alone, gives the feeling of insecure, anxious and even depression. The baker is experiencing these feelings. We learned that the baker does not have family and seems he is the only one working in the bakery. In the end of the story we see how these two situation get resolved. The Weiss family goes to the bakery with an emotional upset feeling tours him. But the unthinkable happens, the baker is able to help the Weiss family to get through their helpless situation with the help of communication. Also the Weiss family helps the baker get through his powerless situation and also his
In the short story “ Artificial Roses” by Gabriel Garcia Marquez, Marquez explores guilt, and its relationship with the church, as well as in the family structure. In the story there are two main characters. Mina, a young woman, who makes a living by creating roses, out of paper and wires, and her blind grandmother. The first thing you learn about the pair is that they share a room. There is an obvious sense from Mina that she feels her personal space is invaded by her blind grandmother. As noted in the film old women are the ones who tell the stories, and have “magical powers.” But Mina is unaware of her grandmothers power of perception, and in the story Mina learns that her grandmother is quite aware of Mina’s actions. The story is essentially a battle of wits, and undeniable guilt, between the two.
I slowly opened the front door -- the same old creak echoed its way throughout the old house, announcing my arrival just seconds before I called out, "Grandma!" She appeared around the corner with the normal spring in her steps. Her small but round 5'1" frame scurried up to greet me with a big hug and an exclamation of, "Oh, how good to see you." It was her eighty-fifth birthday today, an amazing feat to me, just part of everyday life to her. The familiar mix of Estee Lauder and old lotion wafted in my direction as she pulled away to "admire how much I've grown." I stopped growing eight years ago, but really, it wasn't worth pointing this fact out. The house, too, smelled the same as it's ever smelled, I imagine, even when my father and his brothers grew up here more than forty years ago -- musty smoke and apple pie blended with the aroma of chocolate chip cookies. The former was my grandfather's contribution, whose habit took him away from us nearly five years ago; the latter, of course, comes from the delectable delights from my grandmother's kitchen. Everything was just as it should be.